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314 products
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SaleLiszt: Symphony On Dante's Divine Comedy; Wagner, Scriabin / Ahronovitch
Profil · Mar 2011CD$10.99$5.49 -
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SaleHaydn: Symphonies Nos. 7 & 83, Violin Concerto In C Major / Handel & Haydn Society
Coro · Feb 2016CD$20.99$10.49 -
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SaleHaydn: The Seven Last Words of Our Saviour on the Cross / Callino Quartet
Coro · Apr 2017CD$20.99$10.49 -
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SaleInvictus: A Passion / Darlington, Lanyer Ensemble, The Sixteen, Christ Church Cathedral Choir
Coro · Sep 2018CD$20.99$10.49
Liszt: Symphony On Dante's Divine Comedy; Wagner, Scriabin / Ahronovitch
-- All Music Guide
Schubert: Die schone Mullerin / Williams, Burnside
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REVIEW:
This is a beautiful and thoughtful account of Die schöne Müllerin. Roderick Williams’ approach is supremely intelligent and apart from the interpretative care he takes, his singing per se will give enormous pleasure.
– MusicWeb International
Haydn: Symphonies Nos. 7 & 83, Violin Concerto In C Major / Handel & Haydn Society
Mozart: Mass in C minor / Christophers, Handel & Haydn Society
Haydn: The Seven Last Words of Our Saviour on the Cross / Callino Quartet
Joseph Haydn's The Seven Last Words of Our Saviour on the Cross is one of the most unusual and remarkable compositions of the classical period. Performed here by the brilliant Callino Quartet, the piece exists in four different versions and the edition for string quartet, which has a particular purity and intimacy, is the form in which the music is most often heard today. Suffused with profound sorrow and grief but also with strength and hope. The Seven Last Words is a work so deeply moving and contemplative that it has impassioned listeners in all its forms for over 200 years and was considered by the composer himself to be one of his greatest masterpieces. The Callino Quartet was formed at the West Cork Chamber Music Festival in 1999 and has been delighting audiences ever since with its fresh, enthusiastic interpretations and engaging programmes. The versatility of the quartet has enabled it to cultivate a diverse and challenging repertoire with a thoughtful and historically informed approach to the classical quartet literature as well as develop close collaborations. The quartet has worked with numerous contemporary composers and has received many awards including prizes at the Borciani and Tromp international string quartet competitions. The group has performed in many of the world's best concert halls including Wigmore Hall and Carnegie Hall.
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REVIEWS:
I have listened to this over and over, each time finding it more evocative of how the music sounds in my head. If you want to replace whatever quartet version you already own, this is the time to do it.
– Fanfare
If the quartet version of the Seven Last Words convinces you, this recording certainly offers a perspective worth hearing.
– Gramophone
It's About Time! / Omri Mor
Influenced at a very early age by the music of the Middle East, trained in classical music and jazz, Omri Mor is a young virtuoso pianist with a flourishing style and multiple influences. Spotted very early in his career by Avishaï Cohen (double bass) who was impressed by Omri’s great knowledge of Arab-Andalusian, Chaabi and jazz, the music is sure to shine as this trio performs together on the biggest stages of Europe and the rest of the world in 2018. It is under the artistic direction of drummer / percussionist Karim Ziad that he records this first album "It's About Time!", surrounded by the exceptional line-up of Avishaï Cohen on the double bass, Michel Alibo on the electric bass and Karim Ziad on the drums. The repertoire is composed mainly of originals and displays the great talent of Omri Mor as a composer who also possesses an incredible sense of performance and melody. The piece "Marrakech" (Hamid Zahir) leads the listener to new lands and wild rhythms, giving his piano style a unique combination of swing and freedom.
The Call: More Choral Classics from St. John's

The choral pieces brought together on The Call range widely, from ceremonial works associated with affairs of state to intimate compositions addressing moments of great personal significance. The composers are similarly diverse. They include an English composer of Polish extraction (Panufnik), an Italian who spent most of his life in Paris (Rossini), an Irish and a German composer who became leading lights in English music (Stanford and Mendelssohn). However, all the works recorded here have one thing in common: all are considered quintessential to the Anglican choral tradition.
Anybody with deep affection for the more noble anthems of the Anglican tradition will need no excuse to grab a copy of this tasty selection, especially so when it features performances of such tasteful restraint. You only need sample Oliver Browne’s unaffected treble in ‘O for the wings of a dove’ or Xavier Hetherington’s ethereal tenor in the Ave Maria to know that Andrew Nethsingha has musical integrity at the heart of these performances.
- Gramophone
Schubert: Late Symphonies
TWO ROSES (LP)
Two Roses
Coming under the form of a beautiful antique pink and dark green 3-shutters digipack and two-LPs Gatefold, 'Two Roses' is by Avishai's words "a once in a lifetime project". Associating his core trio (Mark Guiliana, Elchin Shirinov) with the Gothenburg Symphony Orchestra, Avishai Cohen offers a very cinematic project between Jazz, Mediterranean Folklore and Classical music, reexploring a part of his musical journey. Not only proposing new orchestrations of his most successful works, 'Two Roses' is also strongly supported by 'When I'm Falling', an original composition showing how far the sound of Avishai Cohen has developed. The vinyl edition features 2 exclusive tracks in addition to the 12 songs already recorded; including a Symphonic version of Seven Seas which is one of Avishai's most beloved compositions.
Dvorak: Rusalka / Hickox, Barker, Owens, Martin, Et Al

Mackerras unseated? This magical version from Australia comes close
Chandos certainly has guts, going toe-to-toe with Mackerras’s Gramophone Award-winning set. Hickox’s Australian forces need not fear the comparison. Cheryl Barker may not have the refulgent tones of Renée Fleming on Decca (who has?) but she is even more moving in conveying Rusalka’s desperation. Mackerras is still my must-own, but this runs it close.
-- Gramophone [3/2008]
Invictus: A Passion / Darlington, Lanyer Ensemble, The Sixteen, Christ Church Cathedral Choir
Christ Church Cathedral Choir and Stephen Darlington join forces with Soloists from The Sixteen and a stellar group of instrumentalists on this premiere recording. Persecution of the innocent, malevolent authority exerting itself against ideas that threaten and challenge, the power of a peaceful, loving humility in the face of tyranny, the facing-down of fear; all hold profound universal resonance for people of many faiths and those of none. Such is the power of the Passion story and in his new work, Invictus: A Passion, multi-award-winning composer Howard Goodall has found a route directly to people’s hearts, telling the story afresh through his choice of thought-provoking texts combined with heart-rending yet inspiring music. Howard Goodall is a composer of choral music, stage musicals, TV and film scores and a music historian and broadcaster. His choral music has been commissioned to mark many national ceremonies and memorials; his settings of Psalm 23 and Love divine are amongst the most performed of all sacred music. Howard has composed some of the best-known British TV theme tunes of the last 30 years, and his score for the HBO film Into the Storm won him a Primetime EMMY award for Original Dramatic Score in 2009. For the last 25 years he has written and presented his own TV documentary series on the theory and history of music.