A manifesto of Italian romanticism, Donizetti's Lucia di Lammermoor is a tale of dark atmosphere and turbulent love. Teatro alla Scala presents it's new production under the signature of stage director Yannis Kokkos, whose sober vision remains faithful to the libretto with elegance, emotion and the expression of passions over any gesture of modernity. Conductor Riccardo Chailly leads a splendid vocal cast: Lisette Oropesa delivers a compelling Lucia of vocal refinement and emotional depth, while Juan Diego Florez brings elegance and lyrical intensity to Edgardo. The Orchestra and Chorus give an exceptional interpretation, creating a 'beautiful, rich, ominous sound' (Bachtrack). 'Riveting. Florez and Oropesa did not disappoint on the opening night... The chemistry between them is electrifying from the opening duet. (FINANCIAL TIMES)
A manifesto of Italian romanticism, Donizetti's Lucia di Lammermoor is a tale of dark atmosphere and turbulent love. Teatro alla Scala presents it's new production under the signature of stage director Yannis Kokkos, whose sober vision remains faithful to the libretto with elegance, emotion and the expression of passions over any gesture of modernity. Conductor Riccardo Chailly leads a splendid vocal cast: Lisette Oropesa delivers a compelling Lucia of vocal refinement and emotional depth, while Juan Diego Florez brings elegance and lyrical intensity to Edgardo. The Orchestra and Chorus give an exceptional interpretation, creating a 'beautiful, rich, ominous sound' (Bachtrack). 'Riveting. Florez and Oropesa did not disappoint on the opening night... The chemistry between them is electrifying from the opening duet. (FINANCIAL TIMES)
Among the most powerful works by Gustav Mahler and one of the longest symphonies of the Romantic period, the Symphony No. 3 is performed by Andris Nelsons and the Wiener Philharmoniker as part of their Mahler cycle. The composer's intention to create a musical reflection of the world is perfectly caught by Nelsons, who shapes the work's immense forces into a compelling narrative, from primordial darkness to transcendent affirmation. With Violeta Urmana as soloist, the Chor des Bayerischen Rundfunks and Salzburger Festspiele und Theater Kinderchor, the performance unfolds with luminous transparency and emotional depth. 'A melancholic giant, unleashed' (Der Standard) Program: Gustav Mahler: Symphony No. 3
Among the most powerful works by Gustav Mahler and one of the longest symphonies of the Romantic period, the Symphony No. 3 is performed by Andris Nelsons and the Wiener Philharmoniker as part of their Mahler cycle. The composer's intention to create a musical reflection of the world is perfectly caught by Nelsons, who shapes the work's immense forces into a compelling narrative, from primordial darkness to transcendent affirmation. With Violeta Urmana as soloist, the Chor des Bayerischen Rundfunks and Salzburger Festspiele und Theater Kinderchor, the performance unfolds with luminous transparency and emotional depth. 'A melancholic giant, unleashed' (Der Standard) Program: Gustav Mahler: Symphony No. 3
Lise is the only daughter of Widow Simone, the owner of a prosperous farm. She is in love with the young farmer Colas, but her mother has higher ambitions for her, hoping to marry her off to Alain, the son of the wealthy proprietor Thomas. Desperate to marry Colas rather than Alain, Lise contrives to outwit her mother's plans. When La Fille mal gardee premiered in Covent Garden on 28 January 1960, it instantly won all hearts. Inspired by Jean Dauberval's French ballet, Ashton's version combines exuberant good humour and an affectionate portrayal of village life. The Royal Ballet's Founder Choreographer, Frederick Ashton, hoped to capture the 'leafy pastoral of perpetual sunshine... The suspended stillness of a Constable landscape of my beloved Suffolk, luminous and calm'. Osbert Lancaster's colourful designs bring the charm of the countryside to life.
Turandot / Tosca / Love Duets - Sonya Yoncheva & Vittorio Grigolo Turandot: 'Netrebko does not merely sing it: she interprets it. What emerges is a character much more human and ultimately truer than usual' (La Stampa) Tosca: 'spectacle of monumental opulence' (Online Merker). 'A Tosca to relish!' (Artesnews. It) "standing ovation Tosca at the Arena di Verona" (Operalife). Love Duets - Sonya Yoncheva & Vittorio Grigolo: 'A concert evening about love, lust and passion. Sonya Yoncheva has the full and vibrant timbre of a true lyrical soprano' (L'Arena) 'Vittorio Grigolo is undoubtedly a charismatic artist and always attentive to the interpretation of the characters' (operclick)
A dazzling double-bill of classic G&S comedy and new writing from Scottish Opera. Trial by Jury, first performed in 1875, is the first major hit from the partnership of W.S. Gilbert and Arthur Sullivan. Set around a classic case of broken vows - the defendant having literally left the claimant at the altar - the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided. How will they decide between the charming yet swindling defendant and the utterly captivating claimant? In A Matter of Misconduct!, Emma Jenkins and Toby Hession present a daring new operetta set in the press room at Number 9 Downing Street. When a scandal threatens to break about the front runner in a bloody leadership campaign, a lawyer is needed to prevent information from reaching the press. Sylvia Lawless from the firm Lawless, Lawless, Lawless and Crook must find the loopholes in this modern take on unsavoury behaviour.
A dazzling double-bill of classic G&S comedy and new writing from Scottish Opera. Trial by Jury, first performed in 1875, is the first major hit from the partnership of W.S. Gilbert and Arthur Sullivan. Set around a classic case of broken vows - the defendant having literally left the claimant at the altar - the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided. How will they decide between the charming yet swindling defendant and the utterly captivating claimant? In A Matter of Misconduct!, Emma Jenkins and Toby Hession present a daring new operetta set in the press room at Number 9 Downing Street. When a scandal threatens to break about the front runner in a bloody leadership campaign, a lawyer is needed to prevent information from reaching the press. Sylvia Lawless from the firm Lawless, Lawless, Lawless and Crook must find the loopholes in this modern take on unsavoury behaviour.
A dangerous concert experience with the Danish National Symphony Orchestra. Murder at the Symphony is next in line in their conceptual series, with another exciting concert full of mystery, thrill and popular film music. The Danish National Symphony Orchestra manages to merge the boundaries between classical music and film music like hardly any other orchestra. Discover soundtracks from blood dripping movies and TV series such as Psycho, Vertigo, The Silence of the Lambs, Twin Peaks and Babylon Berlin. It includes an extraordinary interpretation of the hit single Where the Wild Roses Grow, the most successful single release by Nick Cave and The Bad Seeds feat. Kylie Minogue. It also features the theme song Open Spaces from movie drama There will be Blood scored by Radiohead's lead guitarist and keyboardist Johnny Greenwood. The concert includes soundtracks from hit composers such as Leonard Cohen, Hans Zimmer, Bernard Herrmann and Nino Rota.
The Danish Radio Big Band joined in with Curtis Stigers to celebrate the iconic legendary Frank Sinatra concerts that took place at The Sands Hotel in Las Vegas. This concert recording presents the most beloved evergreens from the American songbook classics of the 1950s and 1960s. 50 years ago, magic was made on the stage of the Sands Hotel and Casino in Las Vegas, when the timeless Frank Sinatra met the robust swing of the Count Basie Orchestra. Sinatra at the Sands has remained a beloved classic ever since, the perfect marriage of old-school pop and big band jazz. Singer, songwriter and saxophonist Curtis Stigers brings those worlds together in his own music since the last three decades, which makes him the perfect candidate to reinterpret Sinatra's cherished repertoire for modern ears. He captures the rare alchemy of hipness, elegance, playfulness and feeling that made Sinatra's renditions of these songs immortal while adding his own unique twist.
The prestigious concert will be conducted by Austrian conductor Franz Welser-Most for the 3rd time (2011, 2013) The New Year's Concert live from Vienna is one of the world's most famous and spectacular classical music events. It will be broadcast on TV and radio and reaches over 90 countries around the world with more than 50 million viewers. The annual New Year's Day Concert in Vienna has been a major event for more than eight decades, since 1939. Conducted by world-famous maestros such as Herbert von Karajan, Lorin Maazel, Claudio Abbado, Carlos Kleiber, Zubin Mehta, Riccardo Muti, Nikolaus Harnoncourt, Seiji Ozawa, Mariss Jansons, Gustavo Dudamel and Christian Thielemann. The Vienna Philharmonic, as musical ambassadors of Austria, send people all over the world a New Year's greeting in the spirit of hope, friendship and peace with the lively and light-hearted and at the same time nostalgic and profound music from the vast repertoire of the family of Johann Strauss and it's contemporaries.
Recorded in late 2020 at the Philharmonie in Paris, home city of Quatuor Ebene, this complete DVD cycle of the Beethoven String Quartets, directed by Sebastien Glas, complements the complete audio cycle recorded by the Ebene in 2019 and early 2020; entitled Beethoven Around the World, the CDs drew on performances in Paris and six other great cities on five continents. The impact of the Ebene's approach to Beethoven - both exhilarating and illuminating - was summed up by the respected magazine The Strad, which spoke of "white-hot interpretative intensity and fantasy" as the players "peel back layers of stultifying accretion and rediscover the shock value of this music for a contemporary audience... they play not as they should, but as they feel they must."
Giordano: Andrea Chenier - Blu-ray - "Kaufmann is performing the title role for the first time, and it's hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano's vision. His voice, with it's dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy." - The Guardian Presented in it's Covent Garden premiere in January 2015, this staging - directed by David McVicar and conducted by the Royal Opera's Music Director, Sir Antonio Pappano - shows a bloody tricolour daubed with the words "Even Plato banned poets from his Republic" - written by Robespierre on the death warrant of the historical Chenier, a poet and journalist sent to the guillotine in 1794 for criticising France's post-revolutionary government. Andrea Chenier was a great success at it's premiere at La Scala, Milan, on 28 March 1896. It established Giordano as a leading member of Italy's giovane scuola, and has remained Giordano's most popular opera, with occasional productions at leading opera houses. This production is the first by The Royal Opera since 1984. Of Giordano's later operas, only Fedora (1898) has attracted some continued interest.
Recorded in late 2020 at the Philharmonie in Paris, home city of Quatuor Ebene, this complete DVD cycle of the Beethoven String Quartets, directed by Sebastien Glas, complements the complete audio cycle recorded by the Ebene in 2019 and early 2020; entitled Beethoven Around the World, the CDs drew on performances in Paris and six other great cities on five continents. The impact of the Ebene's approach to Beethoven - both exhilarating and illuminating - was summed up by the respected magazine The Strad, which spoke of "white-hot interpretative intensity and fantasy" as the players "peel back layers of stultifying accretion and rediscover the shock value of this music for a contemporary audience... they play not as they should, but as they feel they must."
Seven DVD set. What made Claudio Abbado stand out was his unpretentious, noble character, his democratic understanding of music making and his ability to celebrate the live moment on stage. Claudio Abbado empathized with his musicians. In order to be able to maintain contact with each individual during the conducting, he usually conducted from memory. "I am Claudio - for everyone" quickly became Abbado's oft-quoted statement.
