The CD program Variations on Silbermann is a homage to this late-period gem of Silbermann's craft, consecrated in the chapel of eastern Thuringia Schloss Burgk in 1743, and to music of the 17th- and 18th-century composers who either hailed from Central Germany or were active there. A broader musical horizon is suggested by the inclusion of the Neapolitan Alessandro Scarlatti, whose groundbreaking contributions to keyboard music have all too often been eclipsed by the fame of his son Domenico Scarlatti. The program features variation works from the time of the Burgk Silbermann organ's construction while presenting the entire spectrum of Baroque structural and tonal possibilities on a single-manual instrument. Daniel Beilschmidt, today University Organist in Leipzig and Castle Organist in Altenburg, grew up not far away from Schloss Burgk and knows very well the instrument and it's sound possibilities.
Sakina Teyna was born into a Kurdish Alevite family in the small town of Varto in Turkey. As a teenager, she started singing with Turkish choirs and bands, but it wasn't until she entered university that she became acquainted with Kurdish musical traditions and set out to defy cultural assimilation. In 1991, she joined the Mespotamian Cultural Centre in Istanbul, a proponent of Kurdish culture, as a vocalist. Like many other Kurdish musicians, she was forced to literally go underground to practise her music, and soon she had to choose political activism over art. It wasn't until Sakîna arrived in Austria as a political refugee in 2006 that she took to singing as a full-time pursuit again. The first fruit of her concentrated creative efforts was released in the form of her first solo album ROYE MI. Suret is the story of a photograph, of a face. A story that also whispers the silent tales of the faces hanging on the walls of almost every home in Kurdistan, or hidden away in the quiet pages of photo albums. Some people visit the living world only briefly-they depart before dawn breaks, before their names are spoken widely, before their faces become etched in the memories of others. (Sakina Teyna in the booklet accompanying this CD)
