AMERICAN BLUES POP ROCK ROOTS MUSICIAN " "I was so happy to hear the latest new music from Matthew Curry. I've always really admired Mathew's music, ever since he, and his band began playing shows with us, maybe 6, or 7 years ago. The audience loved his well crafted songs, soaring guitar solos, and soulful singing. We were part of that audience. He is the real deal. His most recent album, 'Open Road', is further proof that Matthew Is continuing to hone his formidable chops. Mathew rips it up on the title track, which reminds me of a Delaney & Bonnie style Eric Clapton tune, and I say this with admiration, since that is one of my favorite Clapton eras. 'On My Way', is just great rointuneck 'n roll, in sort of a Skynyrd vein. 'I Think Of You', a beautiful ballad of lost love, and hope. Then there is some extreme angst in 'Workin' It Out'. A really interesting production, and once again, some killer guitar playing, and amazing vocals. Every song on the album has something special that sets it apart, and makes this a complete package. I've listened to all the songs several times, and I continue to hear things I hadn't noticed before. There's so much great music on this recording. I can't recommend it enough. Check it out, I know you'll feel the same!" - Pat Simmons (The Doobie Brothers)
I was so happy to hear the latest new music from Matthew Curry. I've always really admired Mathew's music, ever since he, and his band began playing shows with us, maybe 6, or 7 years ago. The audience loved his well crafted songs, soaring guitar solos, and soulful singing. We were part of that audience. He is the real deal. His most recent album, 'Open Road', is further proof that Matthew Is continuing to hone his formidable chops. Mathew rips it up on the title track, which reminds me of a Delaney & Bonnie style Eric Clapton tune, and I say this with admiration, since that is one of my favorite Clapton eras. 'On My Way', is just great rointuneck 'n roll, in sort of a Skynyrd vein. 'I Think Of You', a beautiful ballad of lost love, and hope. Then there is some extreme angst in 'Workin' It Out'. A really interesting production, and once again, some killer guitar playing, and amazing vocals. Every song on the album has something special that sets it apart, and makes this a complete package. I've listened to all the songs several times, and I continue to hear things I hadn't noticed before. There's so much great music on this recording. I can't recommend it enough. Check it out, I know you'll feel the same! - Pat Simmons (The Doobie Brothers)
Laura Chavez is an American blues, soul, and rhythm and blues guitarist, songwriter and record producer. She has worked with many other musicians, including Deborah Coleman, Candye Kane, Dani Wilde, The Mannish Boys, Mike Ledbetter, Monster Mike Welch, Vanessa Collier, Casey Hensley and Whitney Shay. Her playing style is based in the Texas and Chicago blues traditions, both classic and modern genres.[3] In 2021, she was nominated at the 42nd Blues Music Awards in the category 'Instrumentalist - Guitar'.[4] This was her second such nomination, as Chavez had been listed two years earlier in the same category.[5] In 2023, Chavez finally triumphed in the same category 'Instrumentalist - Guitar'
Based in New Orleans, Belgian-born Ghalia Volt is a blues-rock force of nature-singer, guitarist, drummer, and songwriter-blending hill country blues grit and raw rock 'n' roll energy. Recording & touring artist, she has released six acclaimed albums, including Shout Sister Shout! (No. 2 Billboard Blues). Her new record, Burn the House Down (May 15, 2026), captures her explosive, trance-driven live power and bold modern roots vision.
Ghalia Vauthier, known professionally as Ghalia Volt, is a Belgian blues rock singer, guitarist, drummer and songwriter. She has been involved in the release of five albums since 2016, including Mississippi Blend (2019) released on Ruf Records. It peaked at number three on the Billboard Top Blues Albums Chart.
Every great artist has a moment when they realize who they are, Jeremiah Johnson has truly come into his own with his new release HI-FI DRIVE BY. Get ready for a high-fidelity sonic explosion that combines Johnson's master guitar work, songwriting skills and uniquely powerful vocals into ten tracks of pure brilliance. From the first track, featuring Victor Wainwright, to the third track featuring Brandon Santini, and all the way to the last note of the epic final track; HI-FI DRIVE BY delivers more hooks than fishermen's tackle box. Every song is carefully crafted with multiple layers of tasty musicianship; with new audio delights to discover every time you give this first-class release a spin.
All songs written by Wilson Blount, published by Little Big Beat Musikverlag/GEMA aka Bad Love Music/BMI, except as otherwise noted. Recorded at Bessie Blue Studios in Stantonville, TN in December 2018 Additional recordings at FAME Studios in Muscle Shoals, AL
Never released in the US, FUNKIFINO, pronounced funk-if-i-know, is Bernard Allison's ground- breaking album the takes the tradition of black music he grew up with and melting it with the blues from Koko Taylor and Luther Allison to Johnny Winter. A must for any fan of the blues.
There's nothing like the sound of a world-class bluesman getting back to business. Last October, when Bernard Allison returned to his old haunt of Bessie Blue Studios, Tennessee, to be greeted by fabled producer and career-long collaborator Jim Gaines, it felt like coming home. And when Allison fired up the amps, counted in the band and embarked upon his latest studio album, Highs And Lows, everything felt right with the world. "Just to be able to create music again after the pandemic," he says of that long-awaited rebirth, "was incredible." For 56 years, music has been Bernard Allison's essence. As the youngest son of the much-missed Chicago bandleader Luther Allison, he was a bluesman from birth, naturally drawn to this ancient music that seemed to heal deep wounds, and held spellbound by early encounters with heavyweights like Muddy Waters, Albert King and Hound Dog Taylor.
2022 release. There's nothing like the sound of a world-class bluesman getting back to business. Last October, when son of the late blues legend Luther Allison, Bernard Allison, returned to his old haunt of Bessie Blue Studios, Tennessee, to be greeted by fabled producer and career-long collaborator Jim Gaines, it felt like coming home. And when Allison fired up the amps, counted in the band and embarked upon his latest studio album, Highs And Lows, everything felt right with the world. "Just to be able to create music again after the pandemic," he says of that long-awaited rebirth, "was incredible."
The great Chicago bluesman Luther Allison lived by a simple philosophy that he was happy to share ("Leave your ego, play the music, love the people"). Now, twenty-three years after Luther's passing, the great man would surely be thrilled to hear Bernard Allison's Songs From The Road, and proud to find that his ferociously talented son is sworn to the same mission, bringing soul-soaked, all-guns-blazing blues to audiences who need it more than ever. Released in February 2020 as a CD/DVD set on Ruf Records, Songs From The Road is a live snapshot so raw and real that hearing it feels like hanging off the security barrier of Dortmund's Musiktheater Piano club when Bernard and his crack-squad band hit town last October 23rd. With an A-list crew on-hand - and a dynamic mix from industry legend Jim Gaines - this immersive recording catches every last flash of virtuosity, bead of sweat and drop of atmosphere. "I actually prefer live performances," says Bernard, "because you can communicate and interact with the audience. I basically feed off of that energy, combined with my group's talent and personalities."
2019 release. They might have an illustrious history, but The Soul Of The King reminds us that The B.B. King Blues Band are a lineup moving forward, writing a love-letter to their fallen leader while staking their own claim in the modern era. Choosing songs from King's sprawling catalog could have been an ordeal. But for The Soul Of The King, the lineup made a smart move, letting the A-list guests dictate the material. There's a heartfelt turn from Michael Lee on 'The Thrill Is Gone'. Mary Griffin and Taj Mahal combine their vocal and guitar talents on 'Paying The Cost To Be The Boss'. Kenny Neal lends poignant vocals and licks to 'Sweet Little Angel'.
