Anthony McGill, the New York Philharmonic’s principal clarinetist, and brother Demarre McGill, the Seattle Symphony Orchestra’s principal flutist, return to a beloved training ground, the Chicago Youth Symphony Orchestras (CYSO), for an album of works for flute, clarinet, and orchestra featuring world-premiere recordings of specially commissioned duo concertos. The album’s title track, celebrated African-American film and concert composer Michael Abels’ Winged Creatures, was commissioned for the project by Cedille Records. Inspired by the flight of butterflies and other creatures, its solo parts are, in turns, delicate, frenetic, soaring, and powerful. The orchestra originally commissioned Joel Puckett’s Concerto Duo for a 2012 concert with the McGill brothers. The work evokes family affection and sibling camaraderie. Franz Danzi’s virtuosic and elegant Sinfonia Concertante for Flute, Clarinet, and Orchestra, Op. 41, is a tour de force of late-Classical charm. Saint-Saëns’ youthful, virtuosic Tarantelle, Op. 6, draws inspiration from a southern Italian folk dance. It is something of a signature piece for the McGills, who performed the piano-accompanied version on Mr. Rogers’ Neighborhood when the brothers were 18 and 14, respectively.

REVIEW:

The Chicago Youth Orchestra are impressive for their age. The McGill brothers charge forward with a dynamic and indefatigable zest that is captivating and even exciting to hear. It is one of those couplings where everything works together, that matches up well with performers and compositions that fit together in absorbing ways. The new works are mainstream Modern and well crafted, nicely wrought. Definitely recommended.

– Gapplegate Classical-Modern Music Review

The swan is famous for its song. The Indo-Germanic stem “suon/suen” stands for “moaning” or “resounding.” But can he really sing? The mute swan, common in the composer’s region, does not. The great white bird usually glides majestically yet silently over the water. The singing swan, a bird with a more upright neck that ever more frequently winters in Germany, is another case altogether. After Die Winterreise (Winter Journey) and Die schone Mullerin (The Fair Maid of the Mill), Roman Trekel has selected Schwanengesang (Swan Song) for his latest Lied- album available from OehmsClassics. He interprets well known titles from this cycle, such as Kriegers Ahnung (Warrior’s Foreboding), Liebesbotschaft (Love’s Message) and the famous Standchen (Serenade) with intelligence as well as a mature, warm voice. His regular piano partner, Oliver Pohl, accompanies him with sensitivity, at times with vigour as well.

This compilation brings together popular orchestral works and ballet music by Tchaikovsky. Dmitrij Kitajenko and the Gürzenich Orchestra Cologne, of which he has been Honorary Conductor since 2009, have recorded the complete symphonies by Shostakovich, Prokofiev, Tchaikovsky and Rachmaninov. These recordings have been awarded with numerous international prizes and are considered important reference recordings. Their recording of Tchaikovsky’s opera Iolanta in 2015 (with Olesya Golovneva, Alexander Vinogradov and Andrei Bondarenko in the lead roles) caused a sensation, and it received the Opera of the Year Award of the International Classical Music Awards (ICMA).

On his seventh release on Navona Records, THE ADVENTURES OF FLORIAN, Michael J. Evans presents an epic, modern adaptation of Henry Beston’s fairytale of the same name. Over the course of four orchestral acts, Evans reframes the story as a tale of trans heroship, with Prince Florizel marrying Florian himself presenting as a boy, rather than revealing Florian as Isabella. Beautifully accessible and poignantly educational, THE ADVENTURES OF FLORIAN brings LGBT characters into the spotlight to improve their representation and educate audiences on the difference between sexual orientation and gender identity. Over the course of the tale, Florian and Florizel display true love for each other and come together as one. Evans enhances the piece’s narrative drive with dedicated instrumentation for each character. The oboe represents Isabella until her transition into Florian, at which point he is musically defined by the soprano sax. The powerful Enchanter is heard as a bass trombone, which contrasts with the english horn and shrieking clarinets which represent the Old Witch and her daughter. Finally, Prince Florizel is heard as a trumpet. Evans continues to show his compositional and thematic prowess through his use of themes for Florian and Florizel. Their respective themes are complete and can stand on their own, but when they come together they form a beautiful duet that represents their healthy, loving relationship. Accompanying the music and fairytale are more than a hundred full illustrations by Appoline Etienne, which depict the story and its joyous ending. The colorful, dreamlike imagery perfectly captures the uplifting theme, and helps make the album’s message understandable for all ages.

American Percussion Works is a rare collection of seldom heard works each with specific rules or themes as a basis for the compositions. In John Cage’s First Construction the principle is based on the figure 16. Alberto Ginastera’s work Cantata para America Magica, uses pre-Columbian texts based on the conditions of human life, with war, natural phenomena, daybreak, night and love. Lou Harrison mixes non-European forms which ‘follow the pattern of having a single melodic part accompanied (or enhanced) by rhythmic percussion’ in his Koncherto. Varese’s Ionisation also enters a new land being his first solely percussive work where ‘he finds a new grammar for the language of music.’

Many Japanese composers have shown particular affinity for the guitar, none more so than Toru Takemitsu. In Toward the Sea Takemitsu expands his unique sensibility and imaginative flair for the instrument’s colors and expressiveness to embrace the warmly elliptical sound of the alto flute. Ichiro Nodaira’s Wave Recollections evokes the earthquake and tsunami of 2011 in its exploration of the guitar’s acoustic properties- the quality of mankind’s relationship with nature runs as a theme through many of the evocative Japanese song arrangements in this programme. “This is not music you’ll be able to hear often- and it’s unlikely that you’ll hear it played more beautifully.” (American Record Guide on Volume 3)

The soprano Louise Alder has been described as 'the brightest lyric soprano of the younger generation' (The Arts Desk),'a born actress' (Opera), and as having 'a voice of sparkling beauty' (Gramophone). In this her debut recording for Chandos, she and her pianist, Joseph Middleton, have devised an unusual but rewarding programme that explores the works of six contrasting composers. As she writes in her booklet note: ‘When Joseph suggested making an album of Russian songs, including Russian composers who set poems in other languages, I jumped at the challenge. The more we discussed the repertoire, the more amazed I was to see how well it fitted with my own family history. In 1916 (the same year that Rachmaninoff composed the Opus 38 songs), huge political unrest forced my great-grandparents and family to flee, shutting up the house in Odessa, travelling 1,687 km north by rail to St Petersburg, and then by sleigh into Finland, through Norway, and back to Britain. It is my pleasure to be able to honor my family’s Russian connection with this meandering sleigh ride through Russia, with songs in Russian, French, and German, into Finland, in Swedish, and Norway, in German, back to the UK for a cycle of Britten songs in Russian.’

This recording is a tribute to the chromatic harp, which, with its rich colors and theatrical effects, was perfectly tuned to the impressionist and art nouveau atmosphere of the turn of the 20th century. Geoffrey Gordon’s Jeux de Creation is inspired by music from the 1920s using both traditional and extended techniques, drawing on themes by Milhaud and Debussy to portray the past and present. Reflecting this aesthetic, the other works in this program include the artistry of Ravel and Faure, the quasi-orchestral effects of Debussy’s Danses, and Caplet’s sensuous and spectacular Divertissements.

Also available in DVD!

The award-winning Akademie für Alte Musik Berlin has become one of the world’s leading chamber orchestras on period instruments. These concerts reveal some of the foundations of Beethoven’s genius, and capture vital performances from the 2020 SWR Schwetzingen Festival, the biggest radio festival for classical music in the world. Robert Schumann pointed out similarities between Méhul’s First Symphony and Beethoven’s Fifth, and these third and fourth concerts in the cycle also include a tempest by Holzbauer that precedes Beethoven’s by half a century, plus the little-known Le portrait musical de la nature by Justin Heinrich Knecht, a work that also anticipates Beethoven’s ‘Pastoral’ Symphony. The first and second concerts are also available on Naxos.

Using the poetry of Rainer Maria Rilke, Hindemith first completed Das Marienleben (The Life of Mary) in 1923 and it occupies a key position in his output, marking a transition from avant garde Expressionism to his mature neo-classical style. He regarded the cycle as "the best thing I have yet written", an affection retained through painstaking revisions over subsequent years. Hindemith responded to Rilke's imagery with truly moving music that ranges from tenderness and hushed emotion to sweeping dramatic power, the 1948 version transforming his youthful songs into "an organic masterpiece ranking with the great song-cycles".

Peter Breiner is one of the world’s most recorded musicians, with acclaimed releases such as Beatles Go Baroque (Naxos 8.555010), accounting for millions of albums sold. An exceptional composer/arranger and an accomplished pianist, Breiner is equally at home in almost every genre of music. His origins in Slovakia and his experience in composing for films and for all kinds of audiences has resulted in a personal style that is both accessible and deeply touching. The tranquil and serene pieces for Caressing Your Soul meld melodic substance with musical expression to provide solace, relief and peace of mind in an oasis of calming music. Peter Breiner is one of the world’s most recorded musicians, with over 200 albums released and multiple streams and downloads. Known as a conductor, composer, pianist and arranger, he has conducted, often doubling as a pianist, the Royal Philharmonic Orchestra, the Bournemouth, Jerusalem, New Zealand, Moscow and Polish National Radio Symphony Orchestras, the Hong Kong Philharmonic Orchestra, the Slovak Philharmonic and the Orchestre National de France, to mention just a few. His compositions and arrangements have been played in concerts and broadcast worldwide, and some of the most prestigious ballet companies have used his music in numerous performances.