Bittersweet - Sophie Pacini's own collection of encouraging masterpieces that feels like a gentle embrace in the midst of crises and challenges. In a world often dominated by uncertainty and stress, the music on this album offers a powerful solace - a reminder that beauty, pain and hope are mysteriously intertwined. Inspired by an intimate, moving concert in a women's shelter in Munich, the ECHOKlassik Award winner was passionate about giving hope and light to many otherpeople in dark hours with a compilation of her personal heartfelt pieces. It is probably the most personal album project to date by the Munich-born artist, who -unintentionally dubbed a "wunderkind" - had to fight against discrimination, exclusion and resentment from an early age and always drew all her strength from her music. Each piece on "bittersweet" is a little encouragement, a reminder that even in themost bittersweet moments of life, the beauty of music can lead to new strength. Sophie Pacini's interpretation, between virtuosity and sensitivity, opens doors to aworld that provides encouragement in difficult times - and shows that true strengthlies especially in fragility.
Music without remembrance is not possible, affirms pianist Sophie Pacini, and "Rimembranza" is the title she has chosen for her 6th solo album. Here, the music deals with hope and doubt, pain and deliverance, bitter loss and - most of all - memory. At the album's core she has placed two works she finds strongly connected with pain, transience, and death: Mozart's Sonata in A minor K.310 and Schubert's Sonata in A minor D 784. Mozart's mother died in Paris shortly before he wrote his sonata. His twelve variations on the French folk song "Ah, vous dirai-je, Maman!" thus already bear the seed of the Sonata in A minor in themselves. "They are Mozart's rimembranza addressed to himself", she suggests. With their plaintive title harking back to the past, these variations open the curtain on Sophie Pacini's album. Before it falls again, we hear Schubert's two Impromptus Op. 90: sounding like excerpts from his sonatas, they "brush against our memory like two bittersweet rimembranzas from the past", she muses. The last act is introduced by Schubert's "Standchen" on a love poem by Ludwig Rellstab. The subject of love likewise closes the album; from the film "Cinema Paradiso", we hear the love theme composed by the recently departed Ennio Morricone and his son Andrea - a tribute track to Sophie Pacini's second homeland, Italy.
Hailed by the music press as one of the most gifted pianists of her generation and recipient of many international awards, established German-Italian pianist and ECHO winner Sophie Pacini invites us on a very personal journey across the pianistic cosmos. In her own words: “On this album, I have combined pieces which have accompanied and reassured me in seemingly small, but ultimately crucial moments of my life.”
Since her concert debut at the age of eight and her training in the highly gifted institute of the Mozarteum Salzburg, Sophie Pacini has played in many important concert halls worldwide, including the Philharmonie Berlin, Philharmonie and Prinzregententheater Munich, Suntory & Orchard Hall Tokyo, KKL Luzern, and Kurhaus Wiesbaden. Sophie's special focus is on communicating classical music to the next generation, in the context of her own concert activities and in numerous publications.
