The Choral Music Sale
Over 400 choral recordings are now on sale on ArkivMusic!
Discover the luminous music of John Rutter, Morten Lauridsen, Rorem, and many more. Explore breathtaking performances from celebrated ensembles including Cantus, the Choir of Magdalen College, Oxford, I Fagiolini, and other world-renowned vocal groups. From timeless sacred masterpieces to contemporary choral gems, discover inspiring recordings that showcase the beauty, warmth, and transcendent power of the human voice.
Shop the sale before it ends at 9:00am ET, Monday, August 17th, 2026.
465 products
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Christmas Masterpieces & Familiar Carols / Westminster Choir College Of Rider University
Westminster Choir College · Nov 2011CD$18.99 -
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J.E. Bach: Passionsoratorium / Max, Schlick, Cordier, Pregardien, Rheinische Kantorei
Capriccio · Apr 2012CD$22.99
Haydn: The Seasons / Landshamer, Schmitt, Herreweghe

Impressed by the Handel works that he heard in London, Haydn felt the need to compose oratorios. First came Die Schöpfung (‘The Creation’), which met with resounding success; then Baron Gottfried van Swieten proposed to Haydn an arrangement of James Thomson’s poem ‘The Seasons’. Initially, Haydn was little attracted by the text, which deviates from the classic oratorio based on a religious text, but subsequently let himself be convinced. The result, for three soloists, chorus and orchestra, is a vast pictorial fresco of Nature that describes landscapes and the feelings that they arouse. For the first time, Philippe Herreweghe gives us his own vision of an oratorium by Haydn. This recording is also the first in a Haydn cycle with Philippe Herreweghe for Phi.
American Psalmody, Vol. 3: The Lord Is My Shepherd
In the Beginning
A Very English Christmas / Tenebrae
REVIEW:
If you’re looking for a collection of Christmas music that includes a lot of pieces you don’t often hear, don’t overlook this outstanding release. Lovers of choral music will need no introduction to Tenebrae, a superb mixed chorus of around 16. This is their third album of Christmas music, and it is the most interesting of the three.
– American Record Guide
Villa-Lobos: Symphony No. 12, Uirapuru & Mandu-Çarará
Time and Its Passing
Christmas In Chicago
Janacek: Glagolitic Mass, Sinfonietta / Libor, Bentch, Wit, Warsaw PO
Leoš Janá?ek’s dramatic Glagolitic Mass is set to a ninth century Old Church Slavonic text. With its highly individual synthesis of thunderous brass outbursts, rhythmic energy, radiant melodies and interludes of rapt contemplation, the work has established itself as a unique contribution to the choral repertoire. An avowed statement of his belief and patriotic pride in Czechoslovakian national independence, Janá?ek’s Sinfonietta uses spectacular large-scale orchestral forces. Both of these works belong to the composer’s last and most inspired decade, and represent his mature musical language at its most communicative.
Britten, Finzi & Holst: Sacred Works
This re-release features Gerald Finzi's Requiem da camera, Britten's Deus in adjutorium meum, Chorale on an Old French Carol and Cantata misericordium, and Holst's Psalm 86 and Psalm 148. All are performed by Richard Hickox and the City of London Sinfonia with the Britten Singers and various soloists. Available at a special price on the Classic Chandos label.
Honegger: Jeanne d'Arc au Bucher / Cotillard, Gallais, Soustrot
Jeanne d’Arc au Bucher, written by the Swiss composer Arthur Honegger in 1938, is a fascinating oratorio. The text by Paul Claudel is constructed like a flashback, in which Joan looks back over her life just before she dies.
Marion Cotillard plays Joan with intensity and sincerity. The last moments of the martyr’s life, illustrated by the evocative and innovative music of Honegger, resound like a heartrending cry. With an exceptional cast of performers, this live recording offers a gripping new version of one of the masterpieces of twentieth-century music.
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REVIEWS:
Cotillard movingly captures Jeanne's wildly contrasting moods while Xavier Gallas is consoling yet determined in supporting her. Most impressive of all, though, are the searing choral contributions that are convincing in their heartfelt gallic fervor, from an oppressed people, via baying crowd to angelic host.
– BBC Music Magazine
Cotillard marvelously captures Jeanne's innocence, toughness and terrifying doubts; Gallais is compassionate, tender, and at times tellingly fierce. The impact is immeasurably heightened on DVD by our being able to see both the sorrowing beauty of Gallais's face and the extraordinary way Cotillard's eyes let us know exactly what is going on in Jeanne's mind and soul.
– Gramophone
Christmas with the Washington Chorus
-- Stephen Eddin, All Music Guide
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"this recording presents a rich tapestry of music for the holiday season. Dorian Recordingshas done a remarkable job not only recording the live performance, but also in capturing the joyous spirit that embodied the singers and the audience."
-- Examiner.com
Lighten Our Darkness / Rutter, The Cambridge Singers
The service of 'Compline' is the last of the seven daily services observed in monastic communities, taking place immediately before bedtime. It has over many centuries inspired incredibly beautiful compositions, and this release gathers together eighteen of the many lovely 'a cappella' choral motets, mainly from the Renaissance period, which were written to adorn the evening worship of the church. In addition, the 'Office of Compline', sung in English with its traditional chants, has been included in its entirety on a bonus CD. 'Lighten our Darkenss' sees John Rutter and his Cambridge Singers return to the austere surrounds and sumptuous acoustic of the Lady Chapel at Ely Cathedral, where many of their classic recordings from the 1980s and 1990s were recorded. It was, in all probability, the place where the monks of Ely sang Compline before the Reformation; its magnificent acoustics and architectural splendour and grace continue to make it the perfect setting for Compline today.
J.E. Bach: Passionsoratorium / Max, Schlick, Cordier, Pregardien, Rheinische Kantorei
Despite the rich tradition provided by the former genre of the Passion of Christ set to music, only two works have been able to establish temselves permanently - the two monumental Passions by Johann Sebastian Bach. The Passion Oratorio by Johann Ernst Bach, the nephew, godson and pupil of Johann Sebastian, is one of the lesser-known works. With his explicit commitment to sacred music, Johann Ernst Bach occupies an extremely isolated position among the Protestant German composers of the second half of the 18th century. Although the religious works of both Telemann and J. S.Bach were, in his opinion, "admirable masterpieces", he strongly criticized the decay of sacred music during his own generation and demanded that this be counteracted by "artistic and regular styles of composition".