The French Reverie Collection
Over 600 titles celebrating the elegance, drama, and imagination of French music are on sale now at ArkivMusic!
Discover music by Debussy, Bizet, Berlioz, Gounod, Meyerbeer, Poulenc, and more. From grand opera and orchestral masterworks to impressionist soundscapes and Parisian charm, discover a curated collection inspired by the romance and grandeur of French music.
Shop the sale now before it ends at 9:00am ET, Tuesday, July 14, 2026.
103 products
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SaleVerdi: Macbeth / Conlon, Domingo, Los Angeles Opera [Blu-ray]
Sony Masterworks · Aug 2017Blu-Ray$19.98$9.99 -
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SaleRavel: Orchestral Works, Vol. 5 / Slatkin, Orchestre National de Lyon
Naxos · Apr 2017CD$19.99$9.99 -
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SaleRavel: Orchestral Works, Vol. 4 - Daphnis et Chloe / Slatkin, Spirito, Lyon National Orchestra
Naxos · Jan 2017CD$19.99$9.99 -
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Bach Unlimited / De La Salle
French pianist Lise de la Salle's new album is an outstanding, shining and subtle concept album built around Bach's music. Lise de la Salle selected pieces of Bach and works composed as a tribute to the giant of Leipzig: Busoni, Liszt, Roussel e.a. Four additional pieces have been commissioned to French classical and jazz pianist Thomas Enhco. Since 2001, Lise de la Salle has enjoyed an impressive international career that has seen her perform in every leading concert hall in Europe, the United States and Asia. She works closely with the conductors Fabio Luisi, James Conion and Osmo Vanska, among others, and has also played under the direction of Ludovic Morlot, James Gaffigan, Sir Andrew Davis, and others. She is regularly invited to perform with orchestras such as the Los Angeles Philharmonic, and the London Symphony Orchestra. Her previous albums have garnered her critical acclaim.
Verdi: Macbeth / Conlon, Domingo, Los Angeles Opera [Blu-ray]
This is L.A. Opera's latest production of Giuseppe Verdi's ''Macbeth'' featuring Placido Domingo in the title role alongside the Russian mezzo-soprano Ekaterina Semenchuk as Lady Macbeth. The opera is staged by Darko Tresnjak, who won a Tony Award for his direction of the Broadway music ''A Gentleman's Guide to Love and Murder.'' ''Placido Domingo commands the stage and the music he sings...He was genuinely impressive.'' (Los Angeles Times) ''When I was a young tenor, I loved playing romantic or heroic leading roles. When I began to add baritone parts to my repertoire six years ago, I was particularly interested in playing fathers, as I could draw from my own experience as a family man. Macbeth is a completely different kind of role for me. He is a murderer, but I think that he is also something of a victim, drawn into his crimes by the witches and by Lady Macbeth.'' (Placido Domingo)
Verdi: Messa da Requiem
Ravel: Orchestral Works, Vol. 5 / Slatkin, Orchestre National de Lyon
Now here’s a novelty that fans of Ravel and Rimsky-Korsakov will want to hear. In 1910, the story of Antar reached the stage in Paris as a play, with incidental music by Ravel arranged out of Rimsky’s eponymous symphony/tone poem (with a bit of Mlada thrown in for good measure). There is very little original music by Ravel–just a couple of minutes in all–but the arrangements involve some telling reorchestration and the creation of numerous short interludes. The cinematic conclusion (sound clip) sums things up nicely. All told, you get almost the complete original work: the first three movements, plus a good bit of the finale, albeit in a different order.
Unfortunately, for this premiere recording a long, pretentious, self-consciously “poetic” narration has been added, with words by Amin Maalouf. His main musical distinction lies in the fact that he has furnished several opera librettos for Kaija Saariaho, as if that’s a recommendation. My annoyance grew with every word. I mean, the only reason anyone wants to hear this piece is to find out what Ravel did with Rimsky’s original. Why put narrator André Dussolier in what sounds like an empty aircraft hangar and superimpose his histrionic reading of the text on top of the music? You’ll get through it, but it was a bad decision.
That said, Slatkin’s conducting is excellent, as it almost always is when he’s interpreting Russian music, and the sonics are very good when the narrator isn’t narrating. The coupling is a fine performance of Shéhérazade. Isabelle Druet’s voice is, arguably, a bit too small for the work, but she only sounds strained at the climax of Asie. Otherwise, she sings with intelligence, excellent diction, and characterful attention to the text. A sometimes frustrating release, then, but a collector’s item all the same.
– ClassicsToday (David Hurwitz)
Ravel: Orchestral Works, Vol. 4 - Daphnis et Chloe / Slatkin, Spirito, Lyon National Orchestra
Composed for Sergey Diaghilev’s Ballets Russes, Ravel’s ‘symphonie chorégraphique’ Daphnis et Chloé is based on a classical Greco-Roman love story set on the island of Lesbos. He described the work as ‘a vast musical fresco’, and with its extraordinarily passionate music, lush harmonies and orchestration, is considered both his masterpiece and the epitome of Impressionism in music. Orchestrated from the third of his Miroirs for piano, Ravel’s Une barque sur l’océan is an evocative portrayal of the ever-changing moods of the sea.
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REVIEWS:
This performance and recording comes close to fulfilling all of Ravel’s requirements. Slatkin paces the score admirably, even when he sets a spanking pace for the opening of the pirates’ dance. The orchestra find no difficulties in coping with the articulation of the notes here or in the final dance. I would put this Daphnis high on the list of currently available recordings.
– MusicWeb International
The shimmering orchestration and lush harmonies that epitomize impressionism are lovingly rendered by Slatkin and the French orchestra. While Daphnis et Chloé is most often presented as two suites for orchestra, this performance also includes the atmospheric choral parts, sung by Spirito, a body consisting of the Choruses and Soloists of Lyon and the Britten Chorus. Naxos provides remarkably clear and deep sound, so the finer points of Ravel’s scores are easily heard.
– All Music Guide
SATIE
CENTURY FRENCH: RAVEL
Un Siecle de Musique Francaise: Camille Saint-Saens
Orchestre Nationale du Capitole de Toulouse, Michel Plasson, Charles Munch, Eugene Ormandy, Arthur Fiedler.
Verdi: Messa da Requiem & 4 Pezzi sacri
First Day / Metcalf, Varga
Cellist Laura Metcalf enjoys a thriving career performing as a soloist, orchestral musician, and performing in the ensembles Break of Reality and Sybarite 5. Joined by pianist Matei Varga, this release is Laura’s debut solo recording. Following this release, Laura has scheduled a series of concerts which will begin in New York City in April. The program for this album features works by Martinu, Enescu, Poulenc, and more.
Ravel: L'Heure espagnole & Don Quichotte a Dulcinee / Slatkin
Ravel: Orchestral Works, Vol. 3
Verdi: Messa Da Requiem
Ravel: L'Enfant et les sortileges; Ma Mere l'Oye - Complete Ballet
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Review:
The all-French cast articulate the text splendidly, with tenor Jean-Paul Fouchécourt doing his usual superb number as L'Arithmétique. Mezzo Hélène Hebrard as the Child sounds suitably young and fresh, soprano Annick Massis as the Fire negotiates her high coloratura with accuracy and élan.
– BBC Music Magazine
Fauré: Songs For Bass Voice & Piano / Schwartz, Howat
This collection of Gabriel Fauré’s mélodies is the first recording to be conceived for a bass voice. It juxtaposes some of the composer’s best-loved songs with some of his lesser-known works. This recital program draws out connections of poets and poetic themes, some of which restore the composer’s own original groupings. This is also the first recording to be based on the new Peters Edition, which eliminates countless errors in older publications. The young American bass Jared Schwartz received the 2013 ‘People’s Choice’ Award in the American Traditions Vocal Competition.
REVIEW:
There are a total of 25 songs on this disc and each of them has been recorded with care and affection for the music of this wonderful French songwriter. Schwartz’s excellent new recording on Toccata gives us pristine sound; it is a recording that should be in the collection of everyone who loves French song.
-- Fanfare