This release features the high-fidelity SHM-SACD format and is part of the [Verve 70 SACD Selection Vol. 1] series, launched to commemorate the 70th anniversary of Verve Records in 2026. Celebrating one of the most prestigious labels in jazz history, the series revisits Verve's legendary catalog using the latest DSD remastering, delivering exceptional clarity and depth of sound. Each title is issued as a single-layer SACD, emphasizing pure audio quality, and is packaged in a deluxe double cardboard sleeve designed to evoke an authentic, premium collector's experience, making this series an essential offering for audiophiles and Verve enthusiasts alike.
This release features the high-fidelity SHM-SACD format and is part of the [Verve 70 SACD Selection Vol. 1] series, launched to commemorate the 70th anniversary of Verve Records in 2026. Celebrating one of the most prestigious labels in jazz history, the series revisits Verve's legendary catalog using the latest DSD remastering, delivering exceptional clarity and depth of sound. Each title is issued as a single-layer SACD, emphasizing pure audio quality, and is packaged in a deluxe double cardboard sleeve designed to evoke an authentic, premium collector's experience, making this series an essential offering for audiophiles and Verve enthusiasts alike.. This was Rollins' last album before industry pressures led him to take a six year hiatus. The album represents one of his more notable experiments with free jazz, and according to The New Grove Dictionary of Jazz illustrates "the furthest extent to which he incorporated noise elements into his playing". Music journalist Piero Scaruffi praised the album for the dissonant titular song, "a bold thematic improvisation on the riff of Lionel Hampton's 'Hey Baba Rebop'."
To commemorate the 100th anniversary of Miles Davis's birth in 2026, the Centennial Miles Davis SACD Selection presents 3 titles as hybrid SACD editions, each featuring newly remastered audio prepared by renowned mastering engineer Kevin Gray for Blue Note's acclaimed Tone Poet and Classic Vinyl reissue series, and marking the first time these remastered sources have been made available on SACD.
To commemorate the 100th anniversary of Miles Davis's birth in 2026, the Centennial Miles Davis SACD Selection brings together 3 titles as hybrid SACD editions, each featuring newly remastered audio prepared by renowned mastering engineer Kevin Gray for Blue Note's acclaimed Tone Poet and Classic Vinyl reissue series, and marking the first time these remastered sources have been released on SACD.
This album traces melodies that stretch freely and without boundary, capturing the expressive openness of a first trio recording made in New York under the production of Makoto Ozone. Led by pianist Kento Tsubosaka, the project reflects a journey shaped by deep study and international experience: after graduating from Keio University, Tsubosaka moved to the United States, was selected for the Berklee Global Jazz Institute under artistic director Danilo Perez, and graduated as valedictorian from Berklee College of Music in 2019. Following his return to Japan, he has remained active as part of Makoto Ozone's young musician development project "From Ozone till Dawn, " while debuting in May 2024 with the all-original solo piano album When I Sing, also produced by Ozone. This trio album, recorded in June 2025 in New York, reunites that creative partnership and brings together drummer Dave King-known for his work with The Bad Plus and the Julian Lage Trio-and bassist Charlie Lincoln, a longtime musical collaborator since Tsubosaka's Berklee years. Comprised entirely of original compositions, the album delivers fresh, vivid interplay that recalls the spirit of the Ornette Coleman Trio and the 1960s Keith Jarrett Trio, balancing freedom and structure with striking clarity. Recorded on June 17 and 18, 2025 at The Samurai Hotel in New York, and housed in artwork newly illustrated by Michiaki Mochizuki, the album stands as a confident statement of creative independence and modern jazz expression.
Features the high-fidelity SHM-CD format. A definitive recording of "St Matthew Passion" and an emblematic recording by Karl Richter. Includes a booklet with Japanese and English texts. Reissue due to the discontinuation of HR cutting specification manufacturing. [Performers] Ernst Haefliger (Evangelist, aria: tenor), Kieth Engen (Jesus: bass), Antony Faulberg (First Woman, Pilate's Wife: soprano), Max Preobstl (Judas, Peter, Pilate, High Priest: bass), Irmgard Seefried (aria: soprano), Hertha Toepper (aria, Second Woman: alto), Dietrich Fischer Dieskau (aria: bass), Munich Boys Choir, Munich Bach Orchestra and Choir, conductor: Karl Richter. Recording: June to August 1958, Munich, Herkulessa
