Voices of Summer Sale
Celebrate the season with the Voices of Summer Sale at ArkivMusic! Discover over 600 vocal favorites—from soaring choral masterpieces and intimate vocal ensembles to unforgettable opera performances—all 25%–30% off for a limited time.
Discover music from Shostakovich, Schumman, Monteverdi and more; as well as stellar performances from Jamie Barton, Bach Collegium Japan, Voces8 and many more!
Shop the sale now before it ends at 9:00am ET, Tuesday, August 11th, 2026.
640 products
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Heroldt: Matthauspassion - Clinio: Passio secundum Joannem / Ensemble Triagonale
CPO · Apr 2016CD$18.99 -
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Travestimenti
Alessandro Stradella: Santa Editta
Real Life Song / Freszel
Joanna Freszel, this project’s initiator and manager, set out with this album to present the potential and creativity of young Polish composers. In addition to work by Polish composers, this album is supplemented with texts either written by Polish poets such as Mariusz Jagiello and Maja Baczynska or a literary canon. Each of these compositions was written for various vocal or instrumental sets, from piano to sextet, to six vocalists. Of this project, Freszel writes, “I particularly wanted to break a stereotypical thinking about contemporary music as hermetic and overwhelmed by incomprehensible elements. I wished to show that music can be dreamlike, intriguing, nostalgic, and also witty.”
Songs to the Moon
Frandsen: Songs
Danish composer John Frandsen (b. 1956) is well known for his interpretation of texts. This new release collects some of his most evocative solo song cycles with a myriad of poems set to this music. Four of Scandinavia’s most promising young vocalists are featured on this album, including Lise Davidsen and the composer’s own son, Morten Grove Frandsen.
Udopia
Miniaturised Concertos & Maché
Bach: Alto Arias
Alarm Will Sound Presents Modernists
REVIEWS:
The 23 members of Alarm Will Sound perform the provocative pieces playfully, inviting all sides of the modernism debate to lighten up and listen. Each work composed for the ensemble is easily digestible, running under seven minutes. Wolfgang Rihm’s Will Sound delivers in trickily spaced bursts, mostly centered around a sinewy saxophone line. The ensemble’s percussionists are in particularly fine form, rattling and skipping through unintuitive and complex rhythms.
– NPR
The comic portrait of screaming human faces on the album's cover poses a rhetorical question: Do we honestly still need to act scared by this modernist stuff? Over the course of their set, the Alarm Will Sound players and conductor Alan Pierson respond to this prompt by delivering pure modern-classical fun. The six pieces they’ve chosen speak different structural languages, though each one shares a desire to bring across a sense of wildness that is exuberant at heart.
– Pitchfork
Heroldt: Matthauspassion - Clinio: Passio secundum Joannem / Ensemble Triagonale
Unfortunately, the works of Johann Heinrich Rolle are somewhat obscure, and rarely recorded. This new release is the premiere recording of Rolle’s St. Matthew Passion. Composed in 1748, the orchestration is set to text of Martin Luther’s Gospel of St. Matthew translation. The work is performed here by Ensemble Triagonale.
Leifs: Complete Songs
Known for his outstanding orchestral works, Jon Leifs draws inspiration from the naturally occurring phenomena of his native Iceland. This disc contains all thirty-two of the composer’s solo songs. Tenor Finnur Bjarnason is joined by pianist Orn Magnusson for this album.
Jewish Music & Poetry Project: Surviving – Women's Words
Hasse: Complete Solo Cantatas, Vol. 1
Movimentos: Widmungen
Thomas: Of Being is a Bird
Carolus IV. - Rex et Imperator
Western Wind / Parrott, Tavener Choir & Players

Andrew Parrott and his Taverner Choir & Players turn to music of their namesake alongside works by his contemporaneous King Henry VIII, an exceptionally musical monarch, and two composers of the previous generation, William Cornysh and Hugh Ashton. With Taverner’s Western Wind mass as its corner-stone, this recording takes its lead from the unashamedly secular character of that work and ventures beyond the chapel door to explore the parallel world of courtly vernacular song and instrumental music.
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REVIEW:
Andrew Parrott’s past recordings of Taverner count among his finest achievements, and time has not dulled his affinity for the music of his ensemble’s namesake. For this recital, he turns his attention to the secular music of Taverner’s contemporaries, interspersed among the movements of the Renaissance composer's Western Wynde Mass.
From a discographic standpoint, the instrumental numbers are very valuable, and dispatched with real flair. Finally, the sound recording successively juggles a wide range of distributions, from harpsichord to choir, with no apparent discontinuity.
– Gramophone