Saehyun Kim's recording debut will pay homage to the first European city where he ever performed, also the home city of his new label: Paris. "It was where my life changed," he says. The program is dedicated to solo piano works by Gabriel Faure and Frederic Chopin, two iconic figures in the history of the City of Light who helped shape the innovative musical landscape of the 19th and early 20th centuries. While Chopin has long been a part of the young pianist's repertoire, his interest was piqued in Faure more recently, while preparing to perform in Paris; he admires the music's mesmeric "charm and delicacy", contrasted with the riveting "poetry and drama" of his Romanticist predecessor. The program features Chopin's set of 12 Etudes, Op. 25, alongside one of his most beloved nocturnes (No. 8). From Faure's early repertoire, he has included the Barcarolle No. 1, Valse-Caprice No. 1, Impromptu No. 2, as well as his very own arrangement of "Apres un reve", part of the Trois Melodies set written for voice and piano. In a final nod, the album closes with French singer-songwriter Charles Trenet's dreamy "En Avril a Paris" (1953).
From the spirited wit of the Viennese stage to the quiet sanctuary of his most private sonatas, this collection captures the multifaceted genius of Wolfgang Amadeus Mozart. Journey through the vibrant energy of The Marriage of Figaro, the ethereal dialogue of the Flute and Harp Concerto, and the heartbreaking solemnity of his final Requiem. Whether it is the playful charm of Papageno's aria or the sublime tranquility of the Piano Concerto No. 23, each track has been carefully curated to showcase a legacy that remains as vivid today as it was over two centuries ago.
Winner of the 2024 Joseph Joachim International Competition, 19-year old Canadian violinist Jacques began playing the violin at the age of two, and has performed across North America, Europe, and Asia. His debut album for Warner Classics offers a varied repertoire for violin - featuring works by Bartok, Brahms, Ysaye, Gershwin and more - and balances technical brilliance with intimate, lyrical moments for a captivating listening experience.
THE DEFINITIVE EDITION OF A 20th-CENTURY ICON Alexis Weissenberg (1929-2012) was one of the most polarizing and fascinating virtuosos of his era. Born in Sofia, Weissenberg made his mark as an exceptional young virtuoso, touring at the age of fifteen and performing with Leonard Bernstein before moving to New York in 1946. He trained at Juilliard and won the 1947 Leventritt Competition. After a decade-long sabbatical in the 1950s to "reconstruct" his technique, he returned to the stage with a style defined by "steel and soul" - a combination of chiselled sonorities, rhythmic precision, structural unity, and a total lack of superficiality. This comprehensive boxset captures his tireless pursuit of musical truth (a vision that continues to provoke and fascinate today), an essential acquisition for collectors of great 20th-century pianism.
Despite a difficult start in life and an early reputation as a "conceited brat" (not helped by a father who tried to market him as a "new Mozart") Carl Maria von Weber developed into a disciplined professional through rigorous training under Abbe Vogler and years of practical experience managing theatres in Breslau, Prague, and Dresden. His breakthrough as a composer was closely tied to his collaboration with clarinettist Heinrich Joseph Baermann - Weber's mastery of the clarinet's technical possibilities leading to the famous concertos that paved the way for his operatic triumphs. His masterpiece, 'Der Freischutz' became a cultural phenomenon, praised for it's "Wolf's Glen" scene and it's balance between romantic nature and demonic forces. After a life of great musical discipline amidst continued adversities, Weber died in London at only 39 years old, shortly after the successful premiere of his final opera 'Oberon'. This box celebrates the range of Weber's genius via the selection of several highly recommended reference recordings.
A vast and atmospheric piece of electronic minimalism, Mirage encompasses the changing states of the eponymous ballet - a ritual for 16 dancers conceived by choreographer Damien Jalet and contemporary artist Kohei Nawa. Delivering a statement that feels both radical and accessible, attuned to the elements, Thomas Bangalter takes a sculptural approach to sound and music in the lineage of Iannis Xenakis. The co-founder of Daft Punk continues to carve a personal path grounded by experimentation as a mode of performance and the pleasure of collaboration.
Taking the world by storm, Cameron Mackintosh's acclaimed, brilliant new staging - Les Miserables: The Arena Concert Spectacular - has been touring since September 2024, visiting 30 cities and selling over 1 million tickets. After sold-out dates at London's Royal Albert Hall this summer, it journeys to New York's Radio City Hall for it's North American premiere July 23-August 9, 2026, featuring many of the same cast members from this recording. The magnificent score to Les Miserables includes the hit songs; "I Dreamed a Dream", "On My Own", "Bring Him Home", "One Day More", "Do You Hear the People Sing?" and many more. Seen by over 150 million people worldwide in 57 countries and in 22 languages, Les Miserables is undisputedly one of the world's most popular musicals.
Third release in the series of Herbert von Karajan Hybrid SACD releases with a new HD 192/24 remastering from the original tapes. The cycle of Franz Schubert's symphonies recorded by Herbert von Karajan and the Berlin Philharmonic in the late 1970s remains an essential staple of the catalogue. The recordings capture the Berlin "signature sound" of that era: a silky legato and incomparable orchestral fluidity, impressive power in the brass and percussion, and a spacious recording quality achieved within the generous acoustics of the Berlin Philharmonie. It is in the final two symphonies that Karajan's conducting fully flourishes. In the "Unfinished" Symphony, he excels at establishing a mysterious and tragic atmosphere. The "Great" Symphony is undoubtedly the jewel of the cycle, where Karajan maintains a constant rhythmic pulse without ever sacrificing the plastic beauty of the sound, with the finale being a true demonstration of controlled power.
Gregory Hutchinson's "Kind of Now - The Pulse of Miles Davis" is a fascinating and highly rewarding album that breathes new life into some of the immortal classics from Miles Davis' repertoire, such as Charlie Parker's "Ah-Leu-Cha" or Miles' own "Seven Steps to Heaven", discounting the obvious while closing in on the deep cuts. The leader's excellent drum interludes tie this hour-long program tightly together, adding a futuristic newness that's all in Hutch's time. The overall quality and density of "Kind of Now" has everything to do with the musicians involved, a great group of young legends and lions carefully selected by the leader, just the way Miles used to do: Ambrose Akinmusire (trumpet), Ron Blake (tenor saxophone, bass clarinet), Jakob Bro (guitar), Emmanuel Michael (guitar), Gerald Clayton (piano) Joe Sanders (double bass).
Vivaldi: The Four Seasons (2015) Itzhak Perlman, London Philharmonic Orchestra When it comes to evoking the colors and moods of Vivaldi's Spring, Summer, Autumn and Winter, Itzhak Perlman deploys an inimitably rich and varied palette. He directs the London Philharmonic Orchestra from the violin.
Recording Bach's complete Six Sonatas and Partitas has long been a dream of mine," says Augustin Hadelich "They are formidable tests of technical ability and stamina, but also of musical imagination and expressive range - they never cease to provide challenges, hope, and joy." For his interpretation, sensitive to historical practice, Hadelich chose to use a baroque bow. "It was a revelation," he says. "It felt liberating... Passages of three- and four-note chords felt more fluid... The dance movements danced more and the slow movements sang more.
Nikolaus Harnoncourt describes Mozart's Requiem as "an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree". This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Sussmayr, who completed the Requiem after Mozart's death. For the 40th anniversary of this recording, Warner Classics has newly remastered it from original tapes in High Definition 192kHz/24-bit.
Matteo's first album with Warner Classics combines solo piano and electronic synth-tracks. The album includes many melodious and catchy works, simply perfect for modern-classical piano mood playlists as well as for synch opportunities. 'This album is entirely dedicated to all forms of longing. Whether it is wistful longing of moments from the past, or the desire for future better times. The Notes of Longing premise is to accompany the listener through all of his or her intimate moments of daydreaming and longing. Therefore, this album is fully dedicated to those seeking comfort.' - Matteo Myderwyk
2018 release. Warner Classics and Askonas Holt are proud to announce the signing of 20-year old Americanpianist, Eric Lu, winner and Dame Fanny Waterman Gold Medallist at the prestigious Leeds International Piano Competition 2018. As part of this year's coveted prize the winner receives worldwide management with Askonas Holt - one of the world's leading arts management agencies, and an international album release on Warner Classics - one of the foremost global classical music recording companies. This is the first time a record label and a management agency partner with 'The Leeds' to createa ground-breaking portfolio prize designed with long-term career development in mind. The recording deal is a corner-stone of it's new prize package, designed to redefine what a music competition can offer young performers. Both, Warner Classics and Askonas Holt, aim to ensure that the winner has the opportunities, support and advice to develop a significant long-term international career.
Writing Goplana, Wladyslaw Zelenski drew upon a national poet's masterpiece by design and took inspiration from a work so important for Polish culture, a story that by then was almost archetypal in tradition, as inspiration. 5906395034550 NIFC8DVD 41970751 15.99 24.95 .50 NIFCCD DIGITAL VIDEO DISC CLASSICAL CHAMBER MUSIC & RECITALS 11/05/2021 https://mediacdn.aent-m.com/prod-img/500/79/4002879-2739149.jpg 0 1 N
L'ARPEGGIATA / PLUHAR,CHRISTINA ALLA NAPOLETANA Christina Pluhar, L'Arpeggiata and eight guest singers explore the musical highways and byways of Naples, the most intoxicating and idiosyncratic of Italy's large cities. Alla Napoletana, a double album, expresses the city's mercurial personality in music from the 17th to the 20th centuries, embracing the operatic style of the so-called Neapolitan School, which rose to prominence in the late 1700s, and popular songs and dances. Among them are several examples of the tarantella, the lively, sometimes frenzied dance that epitomizes southern Italy. 190296603617 EAO660361.2 41972885 12.80 18.98 .53 ERATO COMPACT DISCS CLASSICAL CHAMBER MUSIC & RECITALS 11/26/2021 https://mediacdn.aent-m.com/prod-img/500/95/4003195-2739803.jpg 1 2 N
SAID,FATMA EL NOUR The young Egyptian soprano Fatma Said, praised for the luminosity and rich colours of her voice, makes her recording debut for Warner Classics with El Nour. Her enticing and absorbing recital programme crosses cultures, combining art songs by French, Spanish and Egyptian composers with Egyptian folk songs and popular songs from the Middle East. As she explains, 'El Nour' in Arabic means 'Light', and this album sheds light on how music that has been interpreted many times can be perceived in a different light. The idea is to connect three cultures - Arabic, French and Spanish - and to show how much, despite cultural, geographical and historical differences, they have in common when it comes to music".
Andre Previn - Tchaikovsky: The Ballets (Swan Lake, Nutcracker, Sleeping Beauty)(6CD) Tchaikovsky's three sumptuous ballet scores are also three of his supreme masterpieces, as remarkable for their emotional content as for the beauty of their melodies and orchestration. Andre Previn, who has described himself as "a complete romantic", became Principal Conductor of the London Symphony Orchestra in 1968. He remained in the role for 11 years - something of a golden era - and in 2016 was named the LSO's Conductor Emeritus.
