Anton Rubinstein’s Symphony No. 4 in D Minor, Op. 95, emerged in 1874 – ending a dry spell of roughly 20 years since his previous efforts in the genre. It came at a time when the future of the purely instrumental symphony was in doubt, reflecting the notion of Wagner and his disciples that Beethoven had exhausted the possibilities of symphonic development – and that the day of “synthetic” art (the “Gesamtkunstwerk”), with its blend of symphonic, vocal and theatrical elements, had arrived. Rubinstein did not agree, and composed his fourth symphony in an apparent effort to prove that Beethoven’s methods were still valid. This marks Delos’ second re-release of Russian Disk’s acclaimed series of Rubinstein’s orchestral music, as performed with authentic idiomatic flair by Igor Golovchin and his Russian State Symphony Orchestra.
These are the first recordings of the two sonatas for cello and piano and of the last trio for violin, cello and piano by the Russian romantic composer Anton Rubinstein. The works are performed by three fine musicians often playing together and giving a fully convincing performance of these rare works. On the re-issue of the original album a bonus album is included with the first release of the original master tape of the last Rubinstein trio, a large-scale work showing deep understanding of the chamber music combination from this big Russian.
Rubinstein: Piano Concertos Nos. 1 & 2 / Shelest, Järvi, Estonian National Symphony
Music and Arts Programs of America
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$18.99
$14.99
Sep 01, 2023
The breadth of Anton Rubinstein’s contribution to the development of Russian culture in the 19th century cannot be overstated. His multifaceted genius can be divided into three areas: Rubinstein the composer, the pianist, and the educator. This third release in the series of recordings of his works for piano and orchestra focuses on Rubinstein’s role as a pianist. Hailed by The New York Times as a pianist of a fiery sensibility and warm touch, Anna Shelest is an international award-winning pianist who has thrilled audiences throughout the world. Champion of esoteric repertoire, Anna’s collaboration with the legendary conductor Neeme Järvi on a project of recording the complete works for piano and orchestra by Anton Rubinstein has been praised by Gramophone Magazine for “…power and agility… effortless effect… nuanced and incisive all around.”
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Rubinstein: Piano Concertos Nos. 1 & 2 / Shelest, Järvi, Estonian National Symphony
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$14.99
CD
Music and Arts Programs of America
Sep 01, 2023
MA CD-1308
Rimsky-Korsakov: Symphonies Nos. 1 & 3
Naxos
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CD
$19.99
$13.99
Apr 08, 2016
When the 21 year old Rimsky-Korsakov’s Symphony No.1 in E minor was premièred in December 1865 it was hailed in some quarters as the first truly Russian symphony. The leader of ‘The Five’, Balakirev, favoured the use of eastern themes in the search for a personal symphonic path for national music and Rimsky seemed to signal an alternative to the German-influenced music of Anton Rubinstein. He completed Symphony No.3 in C major in 1874. Again it was cast in a thoroughly Russian manner, full of vivacious romanticism and revealing significant technical advances on the earlier work.
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Rimsky-Korsakov: Symphonies Nos. 1 & 3
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$13.99
CD
Naxos
Apr 08, 2016
8573581
Rubinstein: Piano Sonatas Nos. 1 & 2 - 3 Serenades
Naxos
Available as
CD
$19.99
$9.99
Jan 24, 2020
Anton Rubinstein was the equal of Liszt as a pianist and a technically gifted composer but, in his own words, he was perceived by his contemporaries as too German to be Russian and too Russian to be German, and his music was frequently disparaged. Although occasionally derivative, the first two sonatas are impressively bravura and passionate works which pianist Han Chen approaches as if reading a 19th-century Russian novel, digging down to the very essence of the human soul. It is perhaps an irony of the history of taste that Rubinstein's very real achievements are beginning to be valued only some 125 years after his death.
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Rubinstein: Piano Sonatas Nos. 1 & 2 - 3 Serenades
$19.99
$9.99
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Naxos
Jan 24, 2020
8573989
Rubinstein: Piano Concertos Nos. 2 & 4 / Farkas, Nosrati, Radio-Symphonie-Orchester Berlin
CPO
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Sep 03, 2021
During his lifetime Anton Rubinstein was regarded as the greatest pianist among composers and as the greatest composer among pianists. He himself assigned clear functions to his two fields of activity: he concertized to live, and he lived to compose. Such a plan of action finds its greatest fulfillment when the two spheres overlap: in Anton Rubinstein’s piano concertos, which were products of his compositional calling for his concert profession and works by the composer for the pianist. Thirteen years, stylistic nuances, and a decisive step on the career ladder came between his Piano Concertos Nos. 2 and 4. The twenty-one-year-old’s early second concerto met with a very favorable response in its time because of its marvelously beautiful tonal effects. It was then above all his fourth concerto that from the very beginning was enthusiastically received by fans of symphonic orchestral music and friends of virtuoso solo performance. Here Schaghajegh Nosrati, who is regarded as an extremely versatile musician and owing to her outstanding reputation as a Bach interpreter very early was able to establish herself as a concert pianist, interprets these works for us.
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Rubinstein: Piano Concertos Nos. 2 & 4 / Farkas, Nosrati, Radio-Symphonie-Orchester Berlin
$18.99
$13.99
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CPO
Sep 03, 2021
555352-2
Rubinstein: Music for Piano Four Hands, Vol. 2 / Duo Pianistico di Firenze
Brilliant Classics
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$13.99
Jan 03, 2020
Conductor, virtuoso pianist, founder of the St Petersburg Conservatory and composer of solo works, symphonies and operas, Anton Rubinstein (1829–1894) is a key figure in Russian musical culture and achieved international celebrity during his lifetime. In the midst of a busy world touring schedule, he also found time to be composition teacher to Tchaikovsky. Often only selected pieces from Rubinstein’s piano four-hands repertoire are performed, but in a rare feat, Duo Pianistico di Firenze take on the full 20 movements of the epic suite Bal Costumé. Excluding the opening and closing movements, the Suite is a musical depiction of the fashionable masked balls frequented by the elite. The elaborate costumes, the dancing and, in particular, the interaction between two characters, one male and the other female are represented in the music. Each movement references different historical periods from the 12th to the 18th century and although largely romantic in style, the movements nod to their corresponding era with baroque inflections. Toréador et Andalouse, with its distinctly Spanish feel, is the most famous movement and is often performed as a stand-alone piece. The movement is fast-paced and concise, complimented by a memorable melody-line sprinkled with chromaticisms. Although Bal Costumé can work as a collection of individual pieces, the effect is most profound when appreciated as a whole, transporting the listener to Rubinstein’s musical plane. The Introduction sets the scene in a bold symphonic mood, then moves through folk-songs, Arabian dances and a military parade before reaching the climatic final movement: Danses. This extravagant finale begins as a Great Waltz becoming a jubilant Polka and then a whirling Galop. Coupled with the recording of Rubinstein’s sonatas and Characteristic Pieces that launched this series (Rubinstein: Music for Piano 4 Hands Volume 1 BC95016), this new release is unique in its dedication to the composer and his repertoire. Admired by Mendelssohn, Schonberg, Rachmaninov and Chopin, friends with Liszt and Saint-Saëns and adored by fans around the globe, Rubinstein has had a monumental impact on Russian musical traditions and education. The breadth and depth of his music deserves to be heard today.
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Rubinstein: Music for Piano Four Hands, Vol. 2 / Duo Pianistico di Firenze
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Brilliant Classics
Jan 03, 2020
BRI95965
Rubinstein: Piano Concertos Nos. 3 & 5 / Jarvi, Shelest, Estonian National Symphony Orchestra
Sorel Classics
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CD
$17.99
$13.99
Apr 19, 2019
It is difficult to overstate the breadth of contribution of Anton Rubinstein to the development of the Russian culture in the 19th century. His multifaceted genius can be divided into three areas- Rubinstein the composer, the pianist, and the educator. In this second release in the series of recordings of his works for piano and orchestra, we focus on Rubinstein’s role as a composer. Hailed by The New York Times as a pianist of “a fiery sensibility and warm touch,” Anna Shelest is an international award-winning pianist who has thrilled audiences throughout the world. Champion of esoteric repertoire, Anna is collaborating with legendary conductor Neeme Jarvi on this project, which will eventually record the complete works for piano and orchestra by Anton Rubinstein. The first album in the set was released in 2018 to critical acclaim.
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Rubinstein: Piano Concertos Nos. 3 & 5 / Jarvi, Shelest, Estonian National Symphony Orchestra
$17.99
$13.99
CD
Sorel Classics
Apr 19, 2019
SCCD014
Beethoven: Piano Concertos Nos. 3 & 4
Naxos
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CD
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$9.99
Nov 08, 2019
Internationally established musicians Hanna Shybayeva (piano), Utrecht String Quartet and Luis Cabrera (double bass) present on this album the rarely performed and even more rarely recorded chamber music transcriptions of Beethoven's piano concertos Nos. 3 and 4 by Vinzenz Lachner. Hanna Shybayeva started her international career at the age of eleven as a "child prodigy." She recorded for several labels, bringing out repertoire by Ravel, Prokofiev, Chopin, Takemitsu, Shostakovich, and the complete Etudes-Tableaux of Rachmaninov. Since 2008 she has been a member of the New European Ensemble, one of the most innovative, vibrant, and versatile ensembles for New Music. Since 2013 she has been a professor at the International Anton Rubinstein Music Academy in Dusseldorf and at Conservatorio Giacomo Puccini La Spezia.
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Beethoven: Piano Concertos Nos. 3 & 4
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Naxos
Nov 08, 2019
8551400
Martucci: Complete Works for Cello & Piano
Tactus
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Apr 08, 2016
Giuseppe Martucci was admired and appreciated by his contemporaries Franz Liszt and Anton Rubinstein, and was an outstanding performer and teacher, as well as composer. This new release presents his Sonata in fa diesis minore op. 52, Due romanze per violoncello con accompagnamento di pianoforte op. 72, and Tre pezzi per violoncello e pianoforte op. 69. Performing these works is cellist Jacopo Francini and pianist Alessandro Deljavan.
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Martucci: Complete Works for Cello & Piano
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Tactus
Apr 08, 2016
TC851303
Rubinstein: Symphonies Vol 2 / Gunzenhauser, Slovak Po
Naxos
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Oct 01, 2001
Rubinstein: Symphony No. 2, "Ocean"
Rubinstein: Symphonies Vol 2 / Gunzenhauser, Slovak Po
Anton Rubinstein was one of the towering figures of nineteenth-century music, a great piano virtuoso, conductor and influential teacher. The fifth of his six Symphonies is thoroughly Russian in it's melodies, and is often compared to his student Tchaikovsky's First Symphony. The overture to Rubinstein's first opera Dmitry Donsky is based on a similarly national Russian theme, while Faust, written in Leipzig in 1854, is the sole surviving movement of an abandoned Faust symphony. Rubinstein's Symphonies Nos. 3 and 4 can be heard on Naxos 8.555590 and 8.555979.
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Rubinstein: Symphony No. 5
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Naxos
Jul 30, 2013
8557005
Rubinstein: Symphony No 4 / Stankovsky, Slovak State Po
Naxos
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Aug 01, 2002
Rubinstein: Symphony No. 4, 'Dramatic'
Rubinstein: Symphony No 4 / Stankovsky, Slovak State Po
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CD
Naxos
Aug 01, 2002
8555979
Leokadiya Kashperova: Piano Concerto; Symphony
Capriccio
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$21.99
May 15, 2026
She was Igor Stravinsky's piano teacher and studied herself with Anton Rubinstein. But to this day, her compositions have remained in the shadow of the great male masters-a fate that many women of this era share with her. Although her oeuvre is nowhere near as comprehensive as that of her composing colleagues, these few works still demonstrate incredible talent, mature skill, and a deeply romantic Russian sound language that is so typical of this time.
Rubinstein: Symphonies Vol 1 / Stankovsky, Slovak State Po
Naxos
Available as
CD
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Jun 01, 2001
Classical Music
Rubinstein: Symphonies Vol 1 / Stankovsky, Slovak State Po
$19.99
CD
Naxos
Jun 01, 2001
8555476
Rubinstein: Symphony No. 6; Don Quixote / Varga, Halasz
Naxos
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$13.99
Dec 10, 2013
Few Russian musicians in the second half of the nineteenth century could match the eminence of Anton Rubinstein. As a piano virtuoso he was internationally admired, as a progressive educator he had profound influence, and as a composer he was both significant and successful. The Symphony No 6 in A minor, Op 111 was his last symphony, composed in 1866, and fully revealing those qualities of grace and energy, as well as clever scoring, that make his works so appealing. Don Quixote, described by Tchaikovsky as “very interesting, and perfect in places”, is an inventive and charming musical portrait of Cervantes’ fictional knight. This release completes the reissue of all six Symphonies previously available on Marco Polo.
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Rubinstein: Symphony No. 6; Don Quixote / Varga, Halasz
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Naxos
Dec 10, 2013
8555394
A Romantic from Kharkiv - Music of Sergei Bortkiewicz
Music and Arts Programs of America
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$16.99
Oct 31, 2025
... Romanticism is not the bloodless intellectual commitment to a program, but the expression of my most profound mind and soul." Sergei Bortkiewicz This deeply personal attitude toward Romanticism encapsulates the artistic philosophy that sustained Ukrainian composer Sergei Bortkiewicz (1877-1952) through the turbulent tides of the early 20th century: the First World War, the Russian Revolution, and the unrelenting horrors of the Second World War. Anchored in a deep sense of nostalgia, his works evoke a world imbued with dreams and elegance a stark contrast to the chaos that surrounded him. The composer's life and career reflect the multiethnic, multilingual, and politically complex tapestries of Ukraine during his time. This album is dedicated to the city of Kharkiv the hometown of both the composer and the pianist featured on this recording. Hailed by The New York Times as a pianist of a fiery sensibility and warm touch, Anna Shelest continues her collaboration with the legendary conductor Neeme Jarvi with this release. Their previous recordings featuring the complete works for piano and orchestra by Anton Rubinstein have been praised by Gramophone Magazine for their "... power and agility... effortless effect... nuanced and incisive all around.
A Romantic from Kharkiv - Music of Sergei Bortkiewicz
$16.99
CD
Music and Arts Programs of America
Oct 31, 2025
MA-1313
The Welte Mignon Mystery Vol. XVI / Josef Lhevinne
TACET Musikproduktion
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CD
$23.99
Apr 15, 2010
The commercial discography of pianist Josef Lhévinne (1874-1944) is pitifully small - a single CD’s worth and not jam-packed at that. Born in Oryol in Central Russia he studied with Vassily Safonov in Moscow, began his international career in the early 1890s, taught, returned to Moscow as a professor, and then moved on to Berlin. The pattern is unsettled but things got worse. He was interned during the First World War but was finally allowed to emigrate to America, from which base he resumed his international career and taught. In time the latter came to occupy much more of his time than performing. His wife Rosina was a fellow Gold Winner at the Moscow Conservatoire and also a formidable interpreter and teacher.
Those few precious discs are augmented by the piano rolls he made for Welte Mignon in 1906 and 1911. They have been finely reproduced by Tacet, who are one of the leading companies in this field, and whose booklets are full of important technical details as to the system’s operation, the numbers of the particular rolls, and well produced relevant photographs.
One of his warhorses was Schulz-Evler’s Arabesken über Themen des Walzers "An der schönen blauen Donau", the Blue Danube subjected to roulades of virtuosic wit. His Victor recording of May 1928 is a classic of its kind. He cuts the impressionistic shimmering introduction for the commercial 78, to fit it to a 6:59 length but for the roll he can take as much time as he likes, and he does, taking 8:20. But note that Naxos’s transfer of this same roll [8.110677] in their Welte-Mignon series comes up short at 7:48. My own view is that Tacet’s is the more accurate roll restoration, and it also doesn’t enshrine action noise as Naxos’s does. But this kind of thing illuminates only too clearly the dangers of roll reproduction and the vagaries of the system – let alone the editorial mediations that make it so conditional and provisional a method of analysing performance practice with any kind of assurance or objectivity.
Two other rolls were the subject of studio disc recordings. Schumann’s Toccata was set down in roll form in 1906, and recorded on 78 in 1935. The narrative dynamism of the disc is remarkable, the dynamics surging and cresting, the playing full of leonine command. By contrast the roll is a broken albatross; flat, unconvincing and relatively feeble. True, there is nearly thirty years between them, but the objection relates to the mechanics by which the sound is transferred or transformed (not Tacet’s responsibility, obviously). This is even truer perhaps of Chopin’s Etude Op. 25 No.10. The passionate sweep and rubato of the 1935 disc attests to a performance of committed excellence. The roll’s runs are alas mechanical, the schema of the playing rendered antiseptic.
One must be grateful that we can ‘hear’ Josef Lhévinne in repertory he didn’t set down in the studio – there is Liszt, Rubinstein, Weber and much else in these two discs – and one can enjoy speculating as to the performances he must have given. But contrasting the same pieces in both disc and roll form reinforces, yet again, how wrong it would be to take these artefacts at face value.
-- Jonathan Woolf, MusicWeb International
Tracklist:
Disc One: 1. Paul de Schlozer: Étude de Concert Es-Dur op. 1,1 2. Chopin: Étude h-Moll op. 25,10 ('Oktavenetüde') 3. Benjamin Louis Godard: En route, Scherzo B-Dur op. 107 4. Felix Mendelssohn Bartholdy: 7 Charakterstücke op. 7 Presto F-Dur Nr. 7 5. Alexander Skrjabin: Nocturne für die linke Hand 6. Schumann: Toccata C-Dur op. 7 7. Franz Liszt: Die Loreley R591, Begleitung für Sopran 8. Gluck/Brahms: Iphigenie in Aulis Gavotte aus der Oper von Gluck 9. Anton Rubinstein: Le Bal, Polka op. 14 10. Andrei Schulz-Evier: Arabesken über Themen des Walzers 'An der schönen blauen Donau'
Disc Two: 1. Carl Czerny: Kunst der Fingerfertigkeit Oktaven-Etüde op. 740,5 2. Anton Rubinstein: Kamennoi-Ostrow op. 10,22 Rêve angèlique 3. Giovanni Sgambati: Quattro pezzi op. 18,2 Vecchio Minuetto 4. Beethoven/Saint-Saens: Die Ruinen von Athen op. 113,4 Chor der Derwische 5. Moritz Moszkowski: Menuett G-Dur op. 17,2 6. Anton Rubinstein: Barcarole c-Moll op. 104,4 7. Anton Rubinstein: Album de Peterhof op. 75,9 Prélude f-Moll 8. Chopin: Mazurka Nr. 23 D-Dur op. 33,2 9. Carl Maria von Weber: Sonate C-Dur op. 24 4. Satz Rondo 'Perpetuum mobile' 10. Chopin: Étude c-Moll op. 25,12 11. Franz Liszt: Reminiszensen de 'Robert le Diable' (Meyerbeer)
total playing time: 107:15
The Welte Mignon Mystery Vol. XVI / Josef Lhevinne
$23.99
CD
TACET Musikproduktion
Apr 15, 2010
TACET180CD
Statkowski: Piano Music
Divine Art
Available as
CD
$19.99
Sep 11, 2015
Roman Statkowski (1859-1925) studied with Anton Rubinstein and Rimsky-Korsakov, later becoming a teacher and inspiring many leading Polish musicians of the 20th c. As a composer his taste was late-Romantic; his large piano music output excels, sparkling in the best tradition of Chopin. Statkowski gave up composition in 1904, devoting the rest of his life to teaching. Pianist Barbara Karaśkiewicz has toured and played across Europe and South America with a broad repertoire, championing rarely-heard composers. This is her fourth album and second recording of several of these pieces.