The stunningly creative decade following Coleman Hawkins’ return to the States from Europe in 1939 is chronicled on this remastered four-disc set. Containing tracks recorded under both his own name and with other bandleaders, this four-disc set includes “When Lights are Low,” “One Sweet Letter from You,” “Easy Rider,” and many more.

This CD contains the material Hawkins recorded for Al Benson's Parrot label in Chicago. Discographical details about these tracks remain incomplete but it seems all items were made in Aug. 1953 - despite various other recording dates found in reference-books and biographies. He was playing a residency at the "Toast of the Town" club in Aug. 1953 when Benson seized the opportunity to record for his new label. Only 4 tracks were actually issued on 45/78s - incidentally one with a romantic typo: "I'll Follow My Secret Heart" appeared as "I'll Follow My Sacred Heart!" Benson obviously tried to experiment, yet neither the vocal choir nor the organist helped Hawkins a lot. It seems that a 10" or 12" LP was originally planned but Benson never issued it. Tracks: I'll See You Later - What a Difference a Day Made - I'll Follow My Sacred Heart - Blue, Blue Days - Flight Eleven - Modern Fantasy - Confessing' - September Song - You Can't Take That Away from Me - Should I - Last Stop - Lullaby of Birdland - Get Happy - Out of Nowhere - Blue Lou - Stompin' at the Savoy - Just You, Just Me.

NTSC Region 0. This release presents an impressive concert by a true all star combo. Recorded in London in 1964, the event brings together a group of veteran musicians with distinguished careers behind them. Featuring Coleman Hawkins, Harry Edison, Jo Jones, Sir Charles Thompson, Jimmy Woode and George Arvanitas. As a bonus to this amazing performance a complete short film made in Brussels by Coleman Hawkins backed by Jimmy Woode on bass, French pianist George Arvanitas, as well as American drummer Kansas Fields. The most unusual tune is Hawkins unaccompanied opening improvisation as he was the first musician to commercially record an unaccompanied tenor saxophone solo. Featured performances include 'September Song', 'What's New', 'WIllow Weep for Me' and more. Impro-Jazz. 2006.

HAWK FLIES HIGH

Digitally remastered edition of this release by the Jazz legend. Coleman Hawkins' the Hawk Swings is's set originally issued on Crown. It shows the pioneer of Jazz saxophone was as relevant in the early 1960s as he was in the '20s/'30s. High quality Hard Bop with a bluesy edge, this record features a line-up of musicians familiar to those who read the backs of Blue Note and Prestige LPs: Ossie Johnson drums, Thad Jones on trumpet, George Duvivier on bass and the excellent Don Costa on piano and vibes. Boplicity.

What happens when jazz saxophonist Coleman Hawkins encounters another great sox player Ben Webster? Find out with this classic album repressed on 180 gram vinyl.

DUKE ELLINGTON MEETS

CD Limited Edition - Includes 16-page booklet - *AllMusic. This release contains the complete classic album Coleman Hawkins Encounters Ben Webster, as well as the other six tunes from the session, originally issued on other Hawkins' albums and long out of print anthologies. Four songs from sessions recorded on both the previous and the same day by each saxophonist alone with the same rhythm section have been added as a bonus. THE COMPLETE ALBUM + 10 BONUS TRACKS - CD EDITION - 17 TRACKS - TT: 78:41 - LIMITED EDITION - INCLUDES 16- PAGE BOOKLET

Prestige RVG Remastered Super Limited Encore Press. Universal Japan. 2023.

Classic recording from the most influential tenor sax player in the history of modern jazz, Coleman Hawkins, performing a selection of jazz standards. Also featured are Hawk originals "Red Beans," "Hawk Eyes" and "Through for the Night". Digitally remastered.

BODY & SOUL REVISITED

Hawk Talk is a superbly rich and lush album. Hawkins displays a real sensitivity to classical music and, perhaps more than any other album, displays a variety of musical timbres. Highlights include the melancholic ballad "Lonely Tenor" and the sultry "Whisper to Me".

Coleman Randolph Hawkins, nicknamed Hawk and sometimes "Bean", was an American jazz tenor saxophonist. While Hawkins is strongly associated with the swing music and big band era, he had a role in the development of bebop in the 1940's.

Presented here are two complete sessions each from tenor legend Coleman Hawkins and Chu Berry.

FOUR CLASSIC ALBUMS

Coleman Hawkins - "Coleman Hawkins and Confreres (Verve Acoustic Sounds Series)". Released in 1958 on Verve, Hawkins playing is particularly confident and eloquent throughout the set. His group of "confreres" on the session is fortified by the Oscar Peterson Trio along with sit-in guests, including Hank Jones (piano), Herb Ellis (guitar), and Roy Eldridge & Buck Clayton (trumpet) among others. The relaxed atmosphere of the session is particularly noticeable in the title, "Sunday," in which Roy Eldridge comes into the limelight with a brilliant solo. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of so many horn players who followed is best heard after Roy's solo in "Honey Flower." Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Track Listing
1. Body and Soul
2. When Day Is Done
3. Bouncing With Bean
4. April in Paris
5. Angel Face
6. I Love You
7. There Will Never Be Another You
8. Little Girl Blue
9. Bean Stalks Again, The
10. Have You Met Miss Jones?

Personnel includes: Coleman Hawkins (tenor saxophone); Thelma Carpenter (vocals); Benny Carter (alto saxophone, trumpet); Eustice Moore, Budd Johnson (alto saxophone); Fats Navarro, Jimmy Nottingham, Tommy Lindsay, Joe Guy (trumpet); Jimmy Buffington (French horn); J.C. Higginbotham, J.J. Johnson, Urbie Green, Jack Satterfield (trombone); Julius Baker, Sid Jekowsky (flute); Danny Polo (clarinet); Phil Bodner (oboe); Hal McKusick, Zoot Sims, Al Cohn (reeds); Marty Wilson (vibraphone); Gene Rodgers, Hank Jones (piano); Lawrence Lucie, Chuck Wayne, Barry Gailbraith (guitar); Johnny Williams, Milt Hinton, Oscar Smith, Jack Lesberg (bass); Walter Johnson, Max Roach, Osie Johnson, Art Herbert (drums); Phil Kraus (bells).

Recorded between October 11, 1939 and January 20, 1956. Includes liner notes by Ira Gitler.

Digitally remastered by Joe Lopes and Jay Newland (1991, BMG Recording Studios, New York, New York).

On APRIL IN PARIS, the king of tenor saxophone plays in myriad musical settings recorded over three decades. Hawkins' inimitable dark-toned sound is documented over these ten tracks. However, his classic recordings from the '30s and '40s demonstrate his legacy best. Whether it is "Body and Soul" or "Bouncing With Bean," Hawk's woody, vibrato-laden approach is in full bloom.

Songs such as "There Will Never Be Another You," "Little Girl Blue," and "Have you Met Miss Jones?" are enhanced by the delicate and lush sound of a string orchestra. Hawkins, known for a thick, almost abrasive sound, plays lighter and more romantically (a la his friend Lester Young) on these tracks.

Track Listing
1. Tuxedo Junction
2. After Hours
3. Tippin' In
4. Rockin' Rollers' Jubilee
5. Weary Blues - (bonus track)
6. Easy Rider
7. Swing Out
8. Big Wig in the Wigwam - (bonus track)
9. Swingin' on Lenox Avenue - (bonus track)
10. Gin Mill Special
11. Cherry
12. Dolomite
13. Song of the Wanderer - (bonus track)
14. Junction Blues
15. Sweet Georgia Brown
16. Five O'Clock Whistle - (bonus track)
17. Soft Winds
18. Nona
19. Blackout
20. Don't Cry Baby
21. Bear Mash Blues

Personnel: Erskine Hawkins (trumpet), Ida James (vocals), Jimmy Mitchelle (alto saxophone, vocals), William Johnson, Bobby Smith (alto saxophones), Julian Dash, Paul Bascomb, Aaron Maxwell (tenor saxophones), Heywood Henry (baritone saxophone, clarinet), Sam Lowe, Wilbur Bascomb, Marcellus Green, James Harris, Charles Jones, Willie Moore, Robert Johnson (trumpets), Edward Sims, Robert Range, Richard Harris, Norman Greene, David James, Donald Cole (trombones), Avery Parrish, Ace Harris (pianos), William McLemore, Leroy Kirkland (guitars), Leemie Stanfield (bass), James Morrison, Edward McConney, Kelly Martin (drums).

Recorded in New York between 1938 and 1942, and Chicago on January 10, 1945. Includes liner notes by Stanley Dance.

Booklet includes a discography and detailed personnel listings.

Personnel: Erskine Hawkins (trumpet).

Recording information: 09/12/1938-01/10/1945.

This is an excellent one-CD sampler of the music of Erskine Hawkins' Orchestra. Although serious collectors will want to get the comprehensive Classics releases, this is a perfect place for more general listeners to begin. Hawkins' three biggest hits ("Tuxedo Junction," "After Hours," and "Tippin' In") lead off the set which otherwise has highlights from 1938-42. With the exception of 1945's "Tippin' In" (which features some memorable lead alto by Bobby Smith), all of Hawkins' key soloists are here, including the leader and Dud Bascomb on trumpets, either Paul Bascomb or Julian Dash on tenor, baritonist Haywood Henry, and pianist Avery Parrish (who made "After Hours" famous). Timeless swing. ~ Scott Yanow

Limited 180gm vinyl LP pressing. Watch Your Step was a 1982 album by Ted Hawkins, a collection of previously recorded songs. From his obscure beginnings in Biloxi, Mississippi; to playing on the streets of Venice, California for small change; to experiencing notoriety in Europe as thousands flocked to his concerts before his untimely death: Ted Hawkins lived what he sang; of that, there is no doubt. His powerful, soulful voice awed listeners as he shared his beautifully troubled world. For the first-time fans can experience Watch Your Step on a 180gm vinyl. Ted Hawkins was born in Biloxi, Mississippi. He was an enigmatic figure for most of his career. He split his time between his adopted hometown of Venice Beach, California, where he was a mostly anonymous street performer, and Europe and Australia, where he and his songs were better known and well received in clubs and small concert halls.

Coleman Hawkins was a hugely influential exponent of the tenor saxophone in jazz, being widely regarded as the first artist to establish the instrument as an essential component of the genre's sound. Beginning his career in the early days of jazz in the late '20s, he became a major figure during the swing and big band eras spanning WWII, but also made a significant contribution to the bebop scene into the 1950s. His distinctive but highly adaptable style and sound enabled him to perform over the years in small bands and large orchestras alike both as sideman, leader and featured soloist, and this collection draws on examples of all those elements of his career, from his early recordings with Fletcher Henderson's Orchestra in 1927 through to bebop sessions alongside lush recordings with strings in the mid-'50s. It's a great value 48-track 2-CD, and along the way, there are contributions from many great names of the genre, too numerous to list here, but including Miles Davis, Dizzy Gillespie, Glen Miller, Benny Goodman, Cozy Cole, J.J. Johnson, Charlie Christian, Benny Carter, and many more. It's a worthy addition to the Fabulous label's Jazz Legends series. It does not duplicate any tracks included on our existing Fabulous label Coleman Hawkins CD 'Bean Soup' (FABCD 136).

Alexander Hawkins is a creative epicentre from the London jazz scene and is regarded in the UK as one of the most innovative musicians of the younger generation with a surprising radius of action. He plays with Evan Parker, Wadada Leo Smith, Taylor Ho Bynum, Louis Moholo, Shabaka Hutchings and Elaine Mitchener. 'Iron into Wind' is the name of his new piano solo. The phrase "Iron into Wind" evokes for him both the transience of improvisation and a fascination with solid material, represented by the powerful blocks of sound to be heard in several of these pieces. Richard Willimas writes in the liner notes: "The mood varies from the two-handed avant-gospel figurations of "Congregational" to the hurtling "�tude" via the austere ruminations of "Tumble Mono", the knotted blues of "Strange Courage" and the explosive accelerations of "It Should Be a Song", with a diversion, in "Pleasant Constellation", by way of variations on an element from Sun Ra's "Fate in a Pleasant Mood". What he achieves here is a fine balance of all his interests, creating a self-portrait of a wonderfully inventive modern musician."

After the album "Togetherness Music", British pianist and composer Alexander Hawkins presents another musical panorama: An ensemble in which his trio with bassist Neil Charles and drummer Stephen Davis meets saxophonist and clarinetist Shabaka Hutchings, guitarist Otto Fischer, and drummer Richard Ol�t�nd� Baker. For anybody who has followed Hawkins's work since his emergence on the British improvised music scene in the mid 2000's this is a fresh band full of familiar musicians with whom Hawkins has played in a wide variety of formations. The new pieces "Break a Vase" presents emerge from Hawkins' own imagination, but they also capture the thrust of energy in collaborating with these outstanding musicians. "Hawkins gives one of his most complete performances to date," writes Kevin Le Gendre in the liner notes. "Nothing is perhaps more majestic than the title track, which comes from Derek Walcott's acceptance speech for the Nobel Prize. 'Break a Vase, and the love that re - assembles the fragments is stronger than that love which took it's symmetry for granted when it was whole.' Enjoy then all these wily bits and pieces that come together in the kind of daring, courageous construction that is made to last."

Sofia Jernberg and Alexander Hawkins are among the most multifaceted and expressive musical personalities with a surprising radius of action. Swedish singer Sofia Jernberg explores the boundaries of vocal technique in a variety of creative contexts, ranging from Sch�nberg's Pierrot Lunaire to Mats Gustafsson's Fire! Orchestra. Alexander Hawkins is often described as unrivaled in modern creative music and is considered one of it's most innovative and imaginative pianists and composers. In the duo, traditional songs from Ethiopia, Armenia, Sweden and elsewhere become the starting point for the development of an exciting and very personal sound world. David Toop writes in the liner notes: "Where is home, where is return for the scattered? Soft and crystalline, a music of edges, silence and tangential shoots, Musho dwells in these questions, invites the listener to consider displacement, migration, identity, responsibility, bloody history, the seepage of culture and community, but more than that, invites listening." Musho is predictably a fantastic work of contemporary music.

British pianist and composer Alexander Hawkins is a creative epicenter of the London jazz scene and is regarded as one of the most innovative musicians with a surprising radius of action. His trio with Neil Charles and Stephen Davis was formed in 2012 and masterfully celebrates the connection of freedom and structure, composition and improvisation. Carnival Celestial is a fantastic work of musical presence and impressively proves what is possible with piano, bass and drums - one of the more convention-laden formats in jazz practice. "Hawkins, Charles, and Davis clearly have moved the piano trio forward and stretched it's conceptual horizons with Carnival Celestial, and in doing so, they have contributed to it's ongoing vitality," writes Bill Shoemaker in the liner notes.

W. Dizzy Gillespie, Ben Webster, Max Roach+ 1944.