Classical Music

A glorious collection of Christmas music spanning over 900 years, centered around Britten's A Ceremony of Carols – a work seen as both a signal of Britten’s turn back towards English musical and cultural traditions and as a distinctly modern composition. Owen Rees and the Choir of The Queen's College, Oxford present this alongside works that alternate between the early 17th century – by that most prolific composer and arranger of Lutheran Christmas music, Michael Praetorius – and the present: music by Judith Weir (1984), David Blackwell (2011), Jonathan Dove (2000), Dobrinka Tabakova (2018), Toby Young (2017), and Cecilia McDowall (2007). At one point we interrupt the pattern of alternation to look back half a millennium further than Praetorius, with Hildegard of Bingen’s O virga ac diadema. ‘An undoubted jewel in Britain’s choral scene’ (BBC Music Magazine), the Choir of The Queen’s College Oxford is among the finest and most active university choirs in the UK. Previous releases with Signum A New Heaven (2017) and The House of the Mind (2018) both went straight to no. 1 in the Specialist Classical Chart in their first week of release.

A Certain Darkness Is Needed to See the Stars" (38:51 min.) is an energetic, minimal, polyrhythmic composition. It was played on a single prepared drum set (with aluminium foil), without any loops or overdubs. Time and form dissolve as loops and repetitions take hold. The piece expands and contracts. It changes texture while still maintaining a steady pulsating fluidity. The listener is forced to cede control and relax into it. You never know how long any given theme will stay the same, nor what will follow.

Bassist Steve LaSpina has been contributing his phenomenal musicianship both as performer and composer to this label since the late 90s. Since his debut album SCCD 31313 New Horizon SteepleChase has been LaSpina’s main outlet for his marvelous compositions. This is his 12th leader album, which explores some of his old tunes as well as new works, giving us a rare opportunity of experiencing how original compositions in jazz develop after decades of live performance on stage. "(SCCD 31376 When I'm Alone) is a thoughtful and invigorating set ... LaSpina refuses to hog the limelight and turns in an exemplary team performance. His only apparent indulgence - to feature seven of his own tunes - turn out to be one of the session's key strengths. This intelligent and inventive session is warmly recommended." (Richard Palmer - Jazz Journal International) “Bassist Steve LaSpina is a marvellously gifted player, a superb accompanist and a lyrically inventive soloist. … As demonstrated here, LaSpina is also a composer and leader willing to focus on nuance and subtlety - dare one say, musicality! - rather than displays of in-your-face technical bravado …” (Chuck Berg - JazzTimes)

Prepare to be musically transported by A Change of Worlds, the latest release from Ensemble Galilei and Sono Luminus. Through the unique combination of old Irish tunes, traditional American folk melodies, and inspired original selections, A Change of Worlds transcends a myriad of musical genres.

Comprised of very talented and capable members who are both classically trained and traditional musicians, Ensemble Galilei brilliantly melds a wealth of technical capability with an abiding passion for ancient music. Through their infectious improvisational energy, the vibrancy of this ensemble captivates the listener, from the downbeat of the first tune, to the final chord on the album.

All of the music recorded for this CD is part of First Person: Seeing America – a collaboration between Ensemble Galilei and The Metropolitan Museum of Art. The multi-disciplinary project includes photographs from the Met, poetry and prose about America, and the music of Ensemble Galilei, and premiered in New York in October of 2010. It will tour through 2015.

A Changed Heart is both a journey through the paschal mystery and a journey of new direction and change. With A Changed Heart, bestselling composer and author David Haas provides invaluable assistance to those preparing retreats, bible studies, and adult and youth catechetical event and is a moving companion for personal study. Your spiritual pilgrimage is guided by a variety of resources: a book of prayers and reflections, a companion CD, and a collection of the printed choral music. The CD recording of the songs invites contemplation, enhancing the experience of the book as you listen, sing and pray. The music collection includes printed copies of the choral arrangements of the 15 songs that comprise A Changed Heart. All of these pieces are also available individually.

Personnel: Julian Cole (viols, rebec, double bass, recorders, percussion); Chris Rua (viols, recorders, shawm, oboe, harp, percussion); Lisle Kulbach (recorders, rebec, psaltery, harp, viols, violin, six-hole pipe); Tom Zajac (recorders, Renaissance flute, hurdy-gurdy, Jew's harp, bagpipe, pipe, tabor, sackbut, percussion), The Young Singers from the Washington Revels, The Handbell Choir of St. Peter's School Philadelphia, Pennsylvania (background vocals).
Recorded at St. Columbia's Episcopal Church, Washington, D.C. in June 1992. Includes liner notes by Susan Cooper.

This album traces pianist Alexandra Dariescu's journey through discovery, memory, and celebration, uniting masterworks with neglected gems and world premieres. Mozart's radiant Rondo in D major, K. 382, opens the programme, paired with Emmy Sch�fer Klein's long-forgotten Child's Dream and James Lee III's newly composed Humble Birth. Music by Clara Schumann, Nadia Boulanger, Florence Price, Amy Beach, Germaine Tailleferre, Leokadiya Kashperova, and others highlights the voices of women across centuries. Interwoven are personal favourites-Bach/Siloti's Prelude in E minor, Villa-Lobos's sparkling O polichinelo-alongside youthful treasures by Carl Filtsch and Tudor Ciortea. Together, they form a vivid portrait of music as dream, memory, and renewal.

Region: 0 (all region)
Format: NTSC, Digital 2.0, 5.1 / DTS 5.1, Aspect Ratio 16:9
Run Time 61:27
Booklet notes in English and Chinese

The Places
Beijing (Peking), the capital of China, has been the site of various cities with different names. Under Kubla Khan, who established the Mongolian Yuan dynasty (1279-1368), a new city, Khanbalik (Cambaluc) was built, to be destroyed by the Ming Emperors, the second of whom made Beijing once again the capital. Many of the historical remains come from the period of the Ming dynasty (1368-1644), and the following Qing (1644-1911). These include the former imperial palace, known as the Forbidden City, and other palaces, parks and dwellings. The Great Wall is represented by the well known sight of the Jinshanling section of this ancient structure, built during the early years of the Ming dynasty.

The Music
The music chosen for this tour of Beijing is played on Chinese instruments, and makes use of traditional works and more modern arrangements, in traditional style. The instruments to be heard include the Chinese flute (dizi), the zither (qin), the Chinese lute (pipa), the three-string lute (sanxian) and the two-string Chinese fiddle (erhu). The Shepherd and His Flute, for example, is played on the Chinese dulcimer (yangqin), The Moon Over Guanshan on the sanxian and Song of the Tea-Pickers, taken from Yue Opera, is arranged for an instrumental ensemble. As with Chinese traditional visual arts, the titles of pieces explain their mood and origin.

Picture format: NTSC 16:9
Sound format: Dolby Digital 2.0 / Dolby Digital 5.1 / DTS 5.1
Region code: 0 (worldwide)
Booklet notes: English, Chinese
Running time: 66 mins
No. of DVDs: 1

This tour starts with the ancient walled city of Pingyao, with visits to the Qu and Wang courtyard houses and the Shuanglin Temple. There are views of Mount Wutai, as well as the Hanging Monastery at the foot of Mount Heng.

Start in the old town of Kashgar, where the tomb of Abakh Khoja contrasts with the busy city life of Urumqi. From strange rock formations in the countryside, to the alpine scenery of Kanas Lake and the fertile vineyards of Grape Valley.

Claire Huangci proves herself to be a vividly expressive interpreter of Chopin, the first since Artur Rubinstein to offer a complete cycle of the Nocturnes by Frédéric Chopin. During her background research work into Chopin’s oeuvre she repeatedly came across poems by French authors such as Charles Baudelaire, Victor Hugo and Tristan Corbière. She began to form associations and found a poem contemporary to each of Chopin’s nocturnes. You will find the links between poetry and music in the booklet. Claire Huangci herself explains: “They may add a further dimension to your listening pleasure, so that everyone can conjure up an image of what I see as I play. I do hope that these lovely verses will act as an impetus to allow listeners’ fantasy to take flight and to create their very own Chopin diary.” This approach is proof of Claire Huangci’s artistic maturity – an approach that will open up new avenues in our appreciation of Chopin. Frédéric Chopin was a special pioneer in Claire Huangci’s eyes. The child prodigy became acquainted with his works at a very young age and grew up with them. They were decisive to her personal development and artistic career, which took off at an early stage on an international level thanks to concert performances, arts grants and a host of awards. This resulted in a virtuoso life of short-distance and long-haul flights, juggling appearances at New York’s Carnegie Hall, Osaka’s Symphony Hall or the Gewandhaus in Leipzig with life at home in Philadelphia. She has played with a host of orchestras including the Radio Symphony Orchestra of Stuttgart, the China Philharmonic Orchestra, the Indianapolis Symphony and the Moscow Radio Symphony. Accompanying her on her journey, so to speak, were not just her teachers, such as Eleanur Sokoloff, Gary Graffman and Arie Vardi, but the composer Frédéric Chopin: she owes her artistic breakthrough to his music. Time and again she has analysed, documented and profiled Chopin. Claire Huangci has brought together all of this experience and these insights on her new album, forming them into a “Chopin Diary”. The Nocturnes are the epitome of Chopin’s artistic work. They attest to the composer’s emotions on the cusp of the Romantic era and are simultaneously evidence of a restless life that hung between his artistic popularity, his dire state of health and an uncertain future. Composed in an atmosphere of domestic security, as night fell, they reflect his stimulating artistic day-to-day life. They are deemed to be perfect in form, combining all stylistically defining moods in a virtuosic form that to this day is unsurpassed. Some of the total of 21 Nocturnes form part of the standard repertoire for young pianists, yet Claire Huangci’s approach to them is a highly personal, unique one: “With her differentiated agogic approach and superior technique, Claire Huangci proved that she is now the most expressive Chopin performer of her generation", according to Gerd Kurat of the Südkurier newspaper. She rounds off the program with the Nocturne Oubliée and the Etude in C sharp minor, recorded together with cellist Tristan Cornut.

Classical Music

From the first few seconds of this new recording from Brian Jones and his Trinity Choir, you know it's Christmas. The flute and bell sounds, the dancing rhythm from the organ, the prodigiously joyful voices, and the catchy, unmistakably Rutter-esque melody combine to set off the sparks that promise a bright, happy, thoughtfully and lovingly compiled program. I say "lovingly" because this is the type of programming that, as usual with Jones, is not made with the "snooty" or "snobbish" in mind, but comes purely from the heart and from the experience of a director who knows and cares about the real listening tastes of his audience. (You've got to admire anyone who convincingly and with conviction programs "The Holy City" alongside works by Britten and Vaughan Williams, as he did on an earlier recording for Gothic Records.) And, as reflected here, those tastes, especially in Christmas music, cover a fairly wide range--from Rutter (three pieces) to Poulenc (O magnum mysterium) to Luboff (his well-loved arrangement of the Austrian carol Still, still, still).


The opening tune indeed is by John Rutter, a setting of the 15th-century text "Sing we to this merry company", and it's quickly followed by the Luboff arrangement, Gerald Near's setting of Ding! dong! merrily on high, and the well-known Pearsall version of In dulci jubilo. The combination of familiarity and audience-favorite continues throughout the rest of the 21 selections, with classics such as Rutter's all-time most-popular What sweeter music, Elizabeth Poston's Jesus Christ the apple tree, and Poulenc's motet O magnum mysterium. But mixed in among these revered gems are many less well-known pieces, including a snazzy, bluesy Noël nouvelet arranged by Stephen Jackson, Michael Head's charming and lovely The little road to Bethlehem, and of course a Charles Wood arrangement, Once as I remember (Wood is a Jones favorite).


The choir, one of North America's treasures, always is a treat to hear, displaying not only an enormous stylistic command but also uncommon technical range and interpretive sensitivity. I've said this before, but it's still true: The soprano section would be the envy of any choir. However, the entire ensemble manages a consistent cohesiveness and sonic refinement that's rare among amateur choirs in any part of the world. Even in small details, the choir shows extraordinary care and attention--for instance, in the perfectly rendered endings to the simple but so-often-troublesome "Gloria" line in Ding! dong! merrily on high. And for sheer strength and unity of sound, listen to the choir's rendition of Holst's On this day earth shall ring. Other highlights include Bob Chilcott's Mid-winter, a setting of the Christina Rossetti text "In the bleak mid-winter" that's become an instant favorite all over the world. Jones himself contributes a very effective arrangement of O little town of Bethlehem that joins the two "competing" tunes St. Louis and Forest Green. Although I would prefer a warmer, softer-edged sound in the Poulenc to really capture the "mysterium" in the work, and slightly better-tuned tenors in some places (What sweeter music, for example), this is a first rate recording that will satisfy all listeners looking for an ideal all-around Christmas choral collection. The sound, made in Boston's Trinity Church, captures the detail of choir, organ, and occasional percussion while faithfully capturing the fullness and resonance of the church's magnificent space.
--David Vernier, ClassicsToday.com

Based on Charles Dickens' 1843 classic novella, A Christmas Carol was presented annually at New York City's Paramount Theatre in Madison Square Garden from 1994 through 2003. Over its nine years, A Christmas Carol featured a slew of notable actors as “Scrooge” including F. Murray Abraham, Tim Curry, Tony Randall, Roddy McDowall (in his final role), Frank Langella, Tony Roberts, Jim Dale, and Roger Daltrey. A Christmas Carol featured a creative team of Broadway’s heavy hitters: Alan Menken, Music; Lynn Ahrens, Book and Lyrics; Mike Ockrent, Book and Direction and Susan Stroman, Choreography.

A Christmas Carol: Victorian Carols with Readings from Dicke

Classical Music

For TRACKLIST/PERFORMERS SUMMARY, please expand note below:

One of the best parts of the Halle Christmas celebration is the inclusion of the entire Halle family- the Halle and Halle Choir, as well as Halle’s Youth Choir and Children’s Choir. This lovely collection of popular, rare, and newly discovered holiday gems will bring festivity to all of your holiday gatherings. Compositions include works from film composers such as John Williams and Nigel Hess, as well as choral superstars like John Rutter and John Gardner. Especially notable is the orchestral showpiece Noel!, which was written specifically for Halle and conductor Stephen Bell by Roderick Elms, and is receiving here its world premiere recording. “A lovely festive celebration and a reminder of what Christmas is all about” (Oldham Chronicle)

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TRACKLIST/PERFORMERS:

A Christmas Overture - Nigel Hess
O Holy Night Adam - arr. Battiwalla *
Tomorrow Shall Be My Dancing Day - John Gardner ^
In Dulci Jubilo - arr. Pearsall *^
Noel - Roderick Elms
Somewhere in my Memory - John Williams ~
Fairytale Sleighride - Adam Saunders
Angels’ Carol - John Rutter *
Waltz, Winter Bonfire - Sergei Prokofiev
Personent Hodie - arr. Gustav Holst *
The Holy Boy - John Ireland
Jesus Christ the Apple Tree - Elizabeth Poston ^
A Christmas Carnival - Richard Bissill
In The Bleak Midwinter - Harold Darke/Christina Rossetti *^
Dance of the Tumblers - Nikolai Rimsky-Korsakov
Christmas on the Beach at Waikiki - Marta Keen arr. Alwyn Green ~
Sleighride - Leroy Anderson
We wish you a Merry Christmas *^

Conductor
Stephen Bell

Soloists/Artists
Hallé Choir *
Hallé Youth Choir ^
Hallé Children's Choir ~

Includes work(s) by various composers. Ensembles: Bournemouth Symphony Orchestra, Bournemouth Symphony Chorus. Conductor: Peter Breiner.

Classical Music

Originally issued on the 2LP set Nativity in 1976, this classic Vox recording is a fine example of Robert Shaw’s expertise as a choral conductor. The album features a selection of carols, choral works and orchestral Christmas favourites performed by the Atlanta Symphony Orchestra and Chorus. Produced by the legendary Elite Recordings team of Marc Aubort and Joanna Nickrenz, and newly remastered from the original analogue tapes in high-definition.

Classical Music

A CHRISTMAS FESTIVAL is that rarity when it comes to holiday music: an album driven by more than the common theme of the music. While it does feature a host of seasonal favorites, the show stars remarkable performances, making it a joy any time of year.
The album has been digitally remastered from original recordings made in the late 1960s. The first half of the album features the organ of St. Michael's Church in New York City, played by E. Power Biggs. The majesty of the room can be felt in both the rich organ tones as well as in the chorus' delivery. The second half of the album features the vocals of soprano Phyllis Curtin. In contrast to the all-male vocals of the St. Michael's performances, Curtin gives the album a refreshing female presence. Even when singing with full orchestra, her voice gives intimacy to the music.

Includes the greatest story ever told. Ensemble: Philharmonic Symphony Orchestra. Conductor: Richard Hayman.

John Rutter directs the Cambridge Singers, The Royal Philharmonic Orchestra, and the award-winning Farnham Youth Choir alongside guest soloists Melanie Marshall, Clara Sanabras and Elin Manahan Thomas, for an unforgettable festival of Christmas music.

REVIEW:

Fans of John Rutter--and particularly of his Christmas music and programs--will certainly rejoice and be merry with the release of this, "the first all-new Christmas recording from John Rutter and the Cambridge Singers for 20 years". Listeners familiar with the Cambridge Singers' half-dozen or so earlier Christmas albums will be especially pleased to find the premieres of five new Rutter works and 10 new arrangements. Opening and (almost) closing the disc are two old favorites: David Willcocks' arrangements of O come all ye faithful and Hark! the herald angels sing--but with newly written fanfares by Rutter, whose annual London Christmas Festival concerts provided the idea and much of the material for this program.

As for Rutter's original pieces--Ave Maria; Rejoice and be merry; Magical Kingdom; New Year; I wish you Christmas--there are no surprises here, just more of the same instinctively tuneful lines, ingratiating, pop-flavored harmonies, and thoughtful treatment of texts that for decades have endeared his music to millions of singers and audiences. Seasoned Rutter listeners will especially savor the composer's trademark rhythmic style and harmonic changes in I wish you Christmas (which he wrote for the 2006 Festival) and New Year (a 2006 commission for Sandringham Church to celebrate the 80th birthday of Queen Elizabeth), for which he also wrote the texts.

Other notable entries are Bob Chilcott's The Shepherd's Carol, written in 2000 for the famed King's College service of Nine Lessons and Carols, and Nigel Hess' Christmas Overture, a tightly woven orchestral medley of traditional Christmas tunes written for the 2007 Festival that skillfully exploits both the full orchestra and the festive characteristics of the carols themselves.

There are several selections for solo voice as well, the most enjoyable of which are performed by Clara Sanabras (Rutter's setting of the Catalan carol El Noi de la Mare) and Melanie Marshall (two other Rutter arrangements, of Jester Hairston's Mary's Boy Child and the Caribbean carol The Virgin Mary had a baby boy).

In addition to the expectedly excellent performances by the Cambridge Singers, we also enjoy contributions by the fine Farnham Youth Choir on several tracks--and the Royal Philharmonic treats Rutter's orchestrations with appropriate style and enthusiasm. There's a big, festive feel to the sound and overall ambience of this production (recorded in London's Cadogan Hall), which absolutely suits the occasion--and Melanie Marshall's closing rendition of Have yourself a merry little Christmas (another Rutter arrangement) brings it all home with a nice personal blessing. A great job, and a welcome early Christmas present!

--David Vernier, ClassicsToday.com

“I adore well-executed choral music for the holidays, and Gloriae Dei Cantores certainly fills the bill. Sing Noel is an outstanding. . . moving release of intensely lovely seasonal music.”
—Christmasreviews.com

“One of the finest crafted, best blended, and innately musical ensembles with which I have had the pleasure to work.”
— Keith Lockhart, Conductor, Boston Pops

Includes work(s) by various composers. Conductor: Konrad Ruhland.

Footprint Records is proud to present a very special Christmas gift: the album 'A Christmas Wish,' performed by the Gothenburg Youth Choir under the choral direction of Anne Johansson. The Gothenburg Youth Choir, one of Sweden's most acclaimed, consists of boys and girls between the ages of 16 and 25. Anne Johansson, who has dedicated her professional life to teaching secondary-school children to sing, is an authority on young voices. The album contains arrangements of traditional Christmas songs from Sweden and France, as well as compositions by Benjamin Britten, Max Reger, and others- it is the perfect accompaniment to the Yuletide season. The Gothenburg Youth Choir wishes you and your family a very Merry Christmas!