I turned 65 on April 16, 1995, and I thought it would be a lot of fun to invite musicians from my past and present to join me for a week of musical celebration... we managed to get together over 50 players for what was probably the most memorable week of my career." - Herbie Mann. This historic recording features guests Randy Brecker (trumpet), Ron Carter (acoustic bass), Paquito D'Rivera (alto sax), Tito Puente (timbales), Bobby Watson (alto sax) and many others. Highlights: "Give And Take, " "Au Privave" and "Jungle Fantasy.

2021 release. The defining blues voice of his generation releases the eagerly-anticipated follow-up to his Grammy-nominated debut, 2019's Kingfish. 662 (the area code of his Clarksdale stomping grounds) is a powerful and personal album, a fiery coming-of-age record. The lyrics reflect Ingram's newfound maturity and how your roots inspire where you're heading. Musically, the record delivers a heaping helping of the deep, visceral Ingram guitar magic his fans love, fueling a combustible mix of molten blues rock, down home shuffles and soulful grooves.

In her intriguing new album, viola da gambist Johanna Rose places a prelude by Sainte-Colombe (father) in front of the six movement Bach suite in D minor, and finished the D major Bach suite with a chaconne by Sainte-Colombe. The third 'suite' is an all family affair with music by both father and son, fashioned into a suite by Rose.

Harry Christophers has been at the forefront of choral music for the last 45 years and this album, in celebration of his 70th birthday, demonstrates the breadth of his musical passions and the wealth of repertoire he has recorded over the years. Featuring 39 tracks hand-picked by the conductor, the works on this collection document Harry Christophers' life in music-from his early years as a chorister at Canterbury Cathedral, through his time at Magdalen College, Oxford, and subsequent founding of The Sixteen, to more recent years as Artistic Director of America's renowned Handel and Haydn Society. This collection charts his discovery as a boy of Purcell and Poulenc to his enduring love for the music of Victoria and Handel and his celebrated partnership with James MacMillan. Each track holds special significance and the stories behind the choices are documented in notes especially written by Harry Christophers for this album.

Principal cast: Mildred Natwick (Ida); Hans Conried (Harry); Lillian Roth (Gert); Gil Lamb (Walter); Lillian Hayman (Melba); Lucie Lancaster (Eunice); Goldye Shaw (Fritzi); Dorthea Freitag (Lorraine); Joey Faye (Detective Callahan); Henrietta Jacobson (Grandmother); Coley Worth (Officer Kowalski); Tommy Breslin (Eddie).

Music composed by John Kander, lyrics by Fred Ebb.

'72 Angels is a large-scale work for mixed choir and saxophone quartet. It is structured as seventy-two prelude-evocations and an epilogue. Each prelude sets to music one of the seventy- two names derived from an esoteric interpretation of Exodus 14:19-21. Angelic beings, spiritual guides, higher energies or messengers are a common theme throughout many belief systems in human history. My intention in 72 Angels was to focus on what the religious, spiritual, esoteric and mythological traditions of different cultures have in common. I would like to focus on what unites us through shared connections. These seventy-two evocations celebrate all angels in their multifaceted variations... My hope is that every listener or musician will adopt his or her own personal interpretation' - Lera Auerbach. The voices of the Netherlands Chamber Choir, directed by Peter Dijkstra, bring these angels to life here, accompanied by the Raschèr Saxophone Quartet.

Fans of the Berlin based Nils Frahm are by now familiar with his beguiling live shows where more often than not fellow touring artists are encouraged to join Frahm on stage - the likes of Rachel Grimes, Rob Lowe of Balmorhea as well as label colleagues Peter Broderick and Olafur Arnalds have all obliged with fascinating results. It will come as no surprise then that Nils Frahm, an accomplished composer and producer who signed to Erased Tapes in 2009, has extended his collaborative live musings to encompass the recording studio, working for the first time with noted cellist and fellow Berliner Anne Muller to produce 7fingers. With their first collective release Frahm and Muller have built a world where modern classical and electronica collide creating an 'intoxicating and delicious' collection of songs. Primarily a pianist Nils Frahm provides evidence with 7fingers that he can effortlessly turn electric throwing in loops, samples and glitches to accompany and showcase Muller on cello. Anne Muller, a renowned musician noted for her work with the Wolf-Ferrari-Ensemble, Phillip Boa and recent tours with Agnes Obel, proves an amp musical partner for Frahm. As the recognition continues to grow for Nils Frahm's previous solo piano works Wintermusik and The Bells, 2011 sees a new side to this young talent as he embarks on a detour into strings, symphonies and glitch beats alongside the estimable Anne Muller. 1. Teeth 2. Seven Fingers 3. Let My Key Be C 4. Show Your Teeth 5. Because This Must Be / Augmentation 6. Journey For a Traveller 7. Reminds To Teeth 8. Duktus 9. Long Enough

The new album 8 CANARIAN COMPOSERS, performed by the acclaimed Phace ensemble under the direction of Nacho de Paz, offers a unique journey through contemporary composition linked to the Canary Islands. Eight composers-Cecilia Díaz Pestano, Dori Díaz Jerez, Gustavo Díaz Jerez, José Luis Perdigón de Paz, Laura Vega, Juan Manuel Ruiz, Leandro Martín, and Rubens Askenar-present a kaleidoscope of musical languages that reveal the vitality and diversity of today's creation. Far from regional or stylistic labels, the project invites us to listen to how territory, memory, and personal experience continue to resonate in contemporary sound. The works, inspired by motherhood, the sea, science, folklore, and spirituality, showcase multiple ways of inhabiting and reimagining music from the islands. With Phace-resident ensemble at the Wiener Konzerthaus-delivering extraordinary precision and artistry, and Nacho de Paz, one of Spain's leading conductors of new music, shaping it's expressive landscape, 8 CANARIAN COMPOSERS becomes both a portrait of a living scene and a reflection on the creative power of place.

Founded at the Musik Akademie der Stadt Basel, Switzerland, Philon Trio is a chamber ensemble consisting of David Dias da Silva on clarinet, Adam Newman on viola, and Camilla Köhnken on piano. It’s in the context of a residency at Canada’s Banff Center for Arts and Creativity in Alberta that they recorded the excellent work 8 Pieces, Op. 83 by the German composer Max Bruch. Bruch was 72 in 1910 when he composed Acht Stucke Op. 83 for his son, Max Felix, already a professional clarinetist. Written in a late but conservative Romantic style, far removed from the language of Bruch’s contemporaries Stravinsky, Bartók, and Schoenberg, this work is deep, intense, passionate and intimate.

The Salzburg Chamber Soloists were formed by Lavard Skou-Larsen in 1991 with the goal of performing chamber music with the freedom and expression of soloists. Vivaldi's Four Seasons are instantly recognizable even to those with a low affinity for classical music, and they are performed here by the Salzburg Chamber Soloists with intensity and passion. Piazzola's Las Cuatro Estaciones Portenas provide the perfect foil to Vivaldi's seminal work, in the form of four sensual tangos.

Three CDs. Celebrate the legendary pop sounds of the 1980s with this brand-new 3CD collection featuring a spectacular 60 pop classics from 1980-1984. CD1 bursts into life with Wham!'s chart-topping 'Wake Me Up Before You Go-Go', followed by a run of familiar favourites from ABC and Kenny Loggins, and timeless sing-alongs from Dexys Midnight Runners with 'Come On Eileen' and Bow Wow Wow's 'I Want Candy'. Classics from Adam & The Ants, Haircut 100, Kajagoogoo and Nik Kershaw pave the way for enduring favourites including Kim Wilde's 'Kids In America', Rockwell's 'Somebody's Watching Me' and The Pointer Sisters' 'Jump (For My Love)', before closing on the dancefloor smash 'Let's Hear It For The Boy' from Deniece Williams. CD2 opens with Duran Duran and their iconic 'Rio', followed by a global smash from Culture Club with 'Karma Chameleon'. The hits continue with standout tracks from Sister Sledge, Spandau Ballet and Blondie, alongside some of the eras most popular new artists including Toyah, Haysi Fantayzee and a solo Alison Moyet. There's a retro feel to the rest of disc two with 60s Jazz and Rock 'n' Roll influenced Pop from Matt Bianco, Shakin' Stevens, Stray Cats and closing with Bad Manners version of Can Can'. CD3 begins with Frankie Goes To Hollywood's 9-week chart-topper 'Two Tribes', followed by 1981's biggest seller 'Don't You Want Me' from The Human League. Artists enjoying early chart success include Heaven 17, Tears For Fears and Men At Work. UB40 and Musical Youth feature with Reggae influenced pop, leading into a joyful run of pure pop high-energy including huge hits from Dave Stewart & Barbara Gaskin, Aneka, The Weather Girls, The Nolans, Dollar and finishing on a No.1 high with Bucks Fizz's 'My Camera Never Lies'.

Chicago tenor saxophone legend and proprietor of the longest standing and most adventurous avant garde jazz club in Chicago, Fred Anderson celebrated his 80th birthday this past March and Delmark was there to capture it. All three of Fred's earlier Delmark albums were live at the Velvet but the excitement level here is unmatched as the show was sold out weeks in advance. Fred is joined by Kidd Jordan - tenor saxophone, Jeff Parker - guitar, Harrison Bankhead - bass, Chad Taylor - drums. Also available: On the Run (DMK 534), Back at the Velvet Lounge (DMK 549), Timeless (DMK 568, DVD 1568).

Double vinyl LP pressing with 28-page 12 x 12" book. On March 15, 2018, legendary saxophonist, composer and jazz mystic Charles Lloyd celebrated his 80th birthday at The Lobero - his hometown venue in Santa Barbara, CA. He was joined by an unprecedented group of musicians including guitarist Julian Lage, pianist Gerald Clayton, bassist Reuben Rogers, and drummer Eric Harland.

At times a Cab Calloway-type zany MC, at others a crooner (who makes the language of Goethe look noble in terms of seduction), a big-band entertainer A la francaise like Henri Salvador, or even a whimsical character revisiting French chanson, Robeurt Feneck seems to come straight from the opium-dens of the Roaring Twenties. As a solo excursion for the Pink Turtle drummer (a worldfamous outfit if ever there was), the Mad in Swing orchestra has an excellent fealing for parodies and plays host to almost every style in jazz, from Swing (of course) to Cool Jazz — note the sauce added by Francois Biensan to bring even more zip to the pop of the 70s and 80s — via Cuban music or New Orleans-type gospel. Yes, Robeurt Feneck, the dandy and seducer, sure knows how to please the ladies… Setting the record straight for everyone, this is a disc where pants that don’t reach your ankles never looked so good! Augustin BONDOUX

BAVARIA

The Places
The Road of Romance, in South Bavaria, leads through the countryside to the great castle of Weikersheim, former residence of the Counts and Princes Hohenlohe. Further exploration of Bavaria and the Bavarian Forest leads to Prunn Castle on its rocky eminence, and finally to Würzburg on the River Main and the Marienberg Fortress.

The Music
Max Bruch, a native of Cologne, enjoyed a career that took him, as a conductor, to Liverpool, Coblenz, Breslau and Bonn, before his final years in Berlin. His first Violin Concerto remains among his most popular works. Carl Maria von Weber led an even more varied life that took him to musical centres in Germany and Austria. He was a pioneer of German romantic opera, and three opera overtures are chosen here. Der Freischütz (The Marksman) evokes the spirit of the German forest, while Euryanthe explores more exotic territory, as does Oberon, Weber's final opera, written for London in 1826, the last year of his life.

Picture format: NTSC 4:3
Sound format: Dolby Digital / DTS Surround
Region code: 0 (worldwide)
Running time: 53 mins
No. of DVDs: 1 (US and Canada)