Braxton hails from west Texas... Lubbock, to be exact. This album is a love letter that pays tribute to his roots and formative years on the Great Plains. The CD, Flashback, contains material that reflects Tom's past through the lens of his contemporary smooth jazz perspective. Family, community, fun, and precious memories are the themes. Genre SMOOTH JAZZ

Classical Music

Classical Music

THE ESSENTIAL Toni Braxton delivers 32 tracks to create the definitive 2 CD overview. All of the chart-topping hits are included, from "Unbreak My Heart" and "Another Sad Love Song" to "Breathe Again", "Seven Whole Days" to "Spanish Guitar", along with rarities and select remixes. THE ESSENTIAL Toni Braxton plants the perfect portrait of a vocalist who continues to captivate audiences with her unique blend of sophistication and sex appeal.

Track listings include: "Give You My Heart," "How Many Ways," "Breathe Again," "Let It Flow," "Hit the Freeway," "Seven Whole Days (Live)," "Spanish Guitar."

In September 2023, PMP is proud to release Anthony Braxton's "Four Compositions (Wesleyan) 2013", a limited deluxe 4-CD box set documenting the one-time meeting of an all-star trio featuring the legendary saxophonist and composer alongside Roland Dahinden (trombone), and Hildegard Kleeb (piano). This is the first album of the new Czech label PMP. Art Lange describes the impetus for the session in the liner notes: The 4 CD set box Four Compositions (Wesleyan) 2013 is built on the latest evolutional stage of Anthony Braxton's lifelong conceptualization and personalization of notation called Falling River Music. Braxton's systematic approach balances methodology and mythology, utilizing a variety of graphic designs as symbolic and representational characterizations of his sound vision. The scores incorporate numerical and alphabetical equations, abstract diagrams, and sections of conventional notation, along with spontaneously conceived, painted gestures connected to a web-like pattern of shorthand. In this album, Braxton explores the concept of "aesthetic networking "by having three musicians play from different scores simultaneously, creating a unique blend of impressions. The collaborative efforts of Roland Dahinden (trombone) and Hildegard Kleeb (piano) bring an intimate awareness of Braxton's language types and transformational procedures, resulting in rotating voicings, morphing tonalities, and labyrinthine counterpoint. Braxton's characteristic reed colors and personal lyricism are also showcased, along with occasional electronic elements, to enhance the overall sonic experience.

SOLO WILLISAU

With Richard Abrams, Fred Anderson.

To paraphrase the old stock brokerage commercial: "When Anthony Braxton plays, people listen". And they have been doing so for decades, through dozens of recordings spanning an evolution that is remarkable for it's independence and virtuosity. Braxton's first two albums, "Three Compositions of New Jazz" (1968, DMK #415) and "For Alto" (1969, DMK #420) were released on Delmark, and it's only fitting that the present rare quartet version of his self-described "Ghost Trance Music" be released more than thirty years later on the same label. Features Anthony Braxton on woodwinds, Kevin Uehlinger on piano/melodica, Keith Witty on bass, and Noam Schatz on percussion.

Anthony Braxton was first documented as a player in 1967 on Muhal Richard Abrams' Levels and Degrees of Light (DMK 413) Nine months of gestation produced this, his first recording as a leader. Braxton the player/composer/constructor is here at full length. In retrospect he was a much more developed and confident musician than he may have seemed at the time.

TRIO & DUET

What's New In The Tradition

In The Tradition Vol. 1

Here is the second volume of “In The Tradition” with all titles in first takes to complete the session which started with Volume one. The session was originally meant for Dexter Gordon. As Dexter was taken ill at the time of recording, Braxton filled in and the rest is history. “ This music confirms Braxton’s talent for striking a fine balance between the purely experimental and the more conventional.” (Jazz Journal)

Classical Music

Classical Music

Classical Music