Vinyl LP pressing. Out Of/Into, the all-star collective that began it's life as the Blue Note Quintet in celebration of Blue Note Records' 85th anniversary, is a profound embodiment of the label's ethos, presenting state-of-the-art music and musicians - pianist Gerald Clayton, alto saxophonist Immanuel Wilkins, vibraphonist Joel Ross, drummer Kendrick Scott, and bassist Matt Brewer - while also honoring Blue Note's rich legacy.

Norman Brown's most popular album of the last 20 years!!! Grammy Award-winning Contemporary Jazz/R&B superstar Norman Brown has sold over 4 million albums in his extraordinary career and virtually lives at the top of the Billboard Contemporary Jazz sales and radio charts. Having shared the stage with virtually every Contemporary Jazz superstar from Boney James to Dave Koz to Gerald Albright, Norman is also touring nationwide as co-leader of the supergroup BWB (Norman Brown, Kirk Whalum and Rick Braun)!! Let's Get Away which is already approaching 100 million streams, has Norman Brown's hit-making talents on full display. Featuring inspired original compositions such as the vibey "LA Chill," the funk/blues tinged "Talk It Out," and the romantic tribute to Wes Montgomery, "Heading Wes," Norman tops it all off with a brilliant rendition of the classic "Down Here On the Ground!"

Frank Sinatra - "Songs For Swingin' Lovers (Blue Note Tone Poet Edition)" [180g Heavy Vinyl LP] Following his melancholy masterpiece In The Wee Small Hours, legendary vocalist Frank Sinatra brightened the mood with the exuberant Songs For Swingin' Lovers released on Capitol Records in 1956 and featuring uptempo numbers arranged by Nelson Riddle. This mono Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder.

Limited splatter colored vinyl. Claudio Simonetti composed the soundtrack for the 1985 horror film "Demons," directed by Lamberto Bava and produced by Dario Argento. The soundtrack, in addition to original songs composed by Simonetti, also includes songs by other rock and metal artists of the time. In particular, the song "Demon" features vocals by Rick Springfield.

Limited blue colored vinyl LP pressing. Santa, take the freeway down! 'The Chess Records Christmas Album' gathers holiday classics and hidden gems from the legendary Chicago label. Highlights include Chuck Berry's yuletide staples "Run Rudolph Run" and "Merry Christmas Baby," the joyful harmonies of The Moonglows' "Hey Santa Claus," the jazz brilliance of Ramsey Lewis and Kenny Burrell, plus rarities from The Soul Stirrers, The Salem Travelers, Lenox Avenue, and more. From gospel to soul to electric blues, 'The Chess Records Christmas Album' is a celebration of the label's 75-year legacy and a welcome alternative to the usual jingled bells and decked halls.

Vinyl LP pressing. In a review of one of their early performances together, writer Wolfgang Sandner made the interesting point that Tunisian oud virtuoso Anouar Brahem is as far removed from Arab music as it is traditionally played in his homeland as Norwegian saxophonist Jan Garbarek is from the jazz mainstream. Certainly, Brahem and Garbarek are two very independent spirits, outsiders who meet here as equals - accompanied, on parts of this intriguing, often thrilling, production by a third original, the Pakistani tabla master, Ustad Shaukat Hussain. Originally released in 1994. ECM Luminessence Series.

Beaux Gris Gris & The Apocalypse are proud to announce the release of Hot Nostalgia Radio Live-a monumental 24-track, 2-hour live album captured during the band's all-star performance at The Corn Exchange in Devizes. Out worldwide November 7, 2025, the release will be available as a collectors edition triple vinyl.

Duke Jordan was on the front lines of the bebop revolution as the pianist in Charlie Parker's quintet and later recorded his sole Blue Note album, Flight To Jordan, in 1960 - an exemplar hard bop date featuring Dizzy Reece (trumpet), Stanley Turrentine (sax), Reggie Workman (bass), and Art Taylor (drums). This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Introducing a new piano trio from Norway, Tord Gustavsen's young group - already making waves in the Far North where "Changing Places" has soared into the pop charts - is telling new stories within the framework of the jazz tradition. This is music that sings, at once gentle and robust. The songs Gustavsen writes sound like standards-in-the-making. Lyrical, immediately memorable, they are songs of an appealing freshness yet sophisticated in their involvement with the melodic line. And the trio improvises, with flair and originality, inside their structures.

Andrew Hill - Compulsion!!!!! Blue Note Tone Poet Edition / Blue Note Tone Poet / One of the boldest statements in Andrew Hill's discography, 1965's Compulsion!!!!! was the pianist's expression of the avant-garde through the prism of jazz's roots in African rhythms. Hill's percussive piano drives an intrepid ensemble featuring Freddie Hubbard, John Gilmore, Cecil McBee & Joe Chambers. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Trombonist Bennie Green made his Blue Note debut with his delightful 1958 album, Back On The Scene, featuring saxophonist Charlie Rouse, pianist Joe Knight, bassist George Tucker and drummer Louis Hayes. From buoyant swing to Latin grooves to tender ballads the band delivers a thoroughly enjoyable program. This mono Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Trumpeter Lee Morgan was just 19 years old and still early on in his lengthy Blue Note association when he cut his brightly swinging 1957 album, City Lights, featuring Curtis Fuller, George Coleman, Ray Bryant, Paul Chambers and Art Taylor. The set includes 3 compositions by Morgan's mentor Benny Golson. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Vibraphonist Joel Ross returns with his 5th Blue Note album, Gospel Music, featuring an expanded sextet line-up of his band Good Vibes with Josh Johnson on alto saxophone, Maria Grand on tenor saxophone, Jeremy Corren on piano, Kanoa Mendenhall on bass and Jeremy Dutton on drums. The album is Ross' sonic interpretation of the biblical story, an exploration of his faith, and the fulfilment of his musical upbringing in the church, which delivers a message of hope and love. 2 LP set.

Jon Batiste - "BIG MONEY". 7x Grammy-winner Jon Batiste returns with a new album, BIG MONEY. An exploration of the real currency of life as we know it today, Batiste melds classic and modern styles of R&B, Americana, soul, roots, jazz, gospel and more to create sounds of jubilee and diasporic expression. The soundtrack of a movement. Social music.

The soundtrack for the animated film Arco (directed by Ugo Bienvenu, winner of the Annecy 2025 Crystal Award for Best Feature Film, also presented at the Cannes Film Festival & co-produced by Nathalie Portman) was composed by Arnaud Toulon. Between orchestral flourishes and delicate electronic touches, he composes immersive, sensitive, and luminous music that evokes the great scores of Joe Hisaishi while asserting a resolutely contemporary identity. Conceived as a true sonic journey, the soundtrack accompanies Arco's temporal wanderings with rare cinematic intensity. Each piece oscillates between poetry and dramatic tension, making this work an experience in it's own right, to be discovered far beyond the images.

Now Music is proud to announce the second of this vinyl series, 'NOW Presents. 12-inch 80s: Volume Two: 1983-1984', as a stunning 5-LP boxset. Kicking off in 1983 with Wham and the 12-inch version of their #2 smash 'Bad Boys' ahead of the massive collaboration between Paul McCartney and Michael Jackson on 'Say Say Say' in it's extended version. Spandau Ballet, Eurythmics and The Cure with the extended version of 'The Lovecats' complete the first side, and Tears For Fears open the flip side with 'Change' ahead of some of the best extended pop from '83, including from Altered Images, Haysi Fantayzee, Men Without Hats, and finishing with the extended version of the debut hit for Marilyn 'Calling Your Name'. LP2's first side is a celebration of 1983's fusion of synth-pop, electronic beats and hip-hop influence and vocals. First up, the most successful 12-inch single of the decade; 'Blue Monday' from New Order, alongside the massive 'I.O.U' (Megamix) from Freeez, Rock Steady Crew's extended version of '(Hey You) The Rock Steady Crew' and the genre-melding 'Double Dutch' from Malcolm McLaren - while over on Side B, huge floor-fillers from Lionel Richie with the 12-inch Version of 'All Night Long (All Night)', KC & The Sunshine Band with the #1 'Give It Up', here in it's 'John Luongo Disco Mix', plus Donna Summer, Laura Branigan and Matthew Wilder's enduringly popular 'Break My Stride'. LP3 contains a mixture of essential 12-inches from both '83 and '84, with a trio of iconic tracks opening; extended mixes of Heaven 17's 'Temptation' and The Human League's '(Keep Feeling) Fascination', along with the first Top 10 hit 'Love On Your Side', the 'Rap Boy Rap' version from Thompson Twins. More peerless pop from Bananarama and Adam Ant finish side A - whilst side B celebrates Hi-Energy gold from Frankie Goes To Hollywood with the 'New York Mix' of 'Relax', Evelyn Thomas and the extended anthemic 'High Energy' alongside Bronski Beat with 'Why' and Dead Or Alive's breakthrough chart hit 'That's The Way (I Like It)' in it's extended version. LP4 opens with a side of massive chart hits from Culture Club with their mash-up US 12-inch mix of 'It's A Miracle' and 'Miss Me Blind' and Tina Turner with her signature 'What's Love Got To Do With It' (Extended 12-inch Remix), 'I Feel For You' hit the top spot for Chaka Khan, and Grandmaster Flash & Melle Mel had a massive hit with 'White Lines (Don't Do It)' - the 12-inch Long Version is included here. Flip the LP over for more essential h-energy from Hazell Dean and Divine, plus '80s disco favourites from The Pointer Sisters and Miami Sound Machine. The final LP kicks off with the 'Dance Mix' of Duran Duran's huge #1 'The Reflex' ahead of extended versions of 1984's sophisticated synth pop from Nik Kershaw and Howard Jones, plus Scritti Politti with their sublime 'Absolute' (Version), before the side closes with the 12-inch Version of 'Pearly Dewdrops' Drops' - a timeless gem from the Cocteau Twins and over on the last side three incredible 12-inches: 'The Killing Moon' gave Echo & The Bunnymen their second Top 10 single and has become a contemporary classic - featured here as the 12-inch 'Up All Night Version' - Propaganda made their debut with 'Dr Mabuse' and 'Das Testament Des Dr Mabuse' (12-inch Edit for Germany) still sounds as breathtaking 40 years on - and to close this amazing collection, a second appearance from Frankie Goes To Hollywood: 'Two Tribes', was not only their second single in the decade end Top 5, but also spent longer - 9 weeks - at #1 than any other song - and the legendary 'Annihilation' mix is the perfect way to sign off on this stunning collection, bringing 44 essential 12-inch versions together on one vinyl set.

With so much virtuosity living inside bassist Gary Peacock and guitarist Ralph Towner, one might expect from this duo a showcase of lively showmanship. And while this is most certainly at it's heart, on the whole we are given an understated album recorded out of deepest respect for it's listeners. The improv is robust yet tender and marked by a distinct patina around the edges. Oracle is like the ocean: we know it's overall shape, but the movement of every wave is at the whim of something unseen that flows through all of us.

Never previously released on vinyl, Melody Gardot exclusively releases her 'Bye Bye Blackbird' Acoustic EP for RSD 26. The EP captures Gardot's voice with beautiful simplicity as she's accompanied by jazz guitarist David Preston. The EP contains covers written by Cole Porter, George Gershwin and more.

It's time to celebrate an incredible decade in pop music - with 46 tracks on 3-LPs pressed in suitably 70s wallpaper favourite colours - one for each disc - orange, beige and brown - and including an amazing 20 #1 singles... Time to immerse yourself in rock, glam, disco, punk, new wave, soul, easy listening and pure pop gold... NOW That's What I Call The 70s! Kicking off with one of Queen's best loved anthems, 'Don't Stop Me Now' ahead of the timeless 'Mr Blue Sky' from Electric Light Orchestra. Stars don't come much bigger than Elton John, his classic 'Rocket Man (I Think It's Going To Be A Long Long Time)' is next before Rod Stewart's #1 'Maggie May' and Roberta Flack's stunning 'Killing Me Softly With His Song'. Donna Summer scored a huge hit with her version of 'MacArthur Park' and closing the first side is Blondie's #1 disco excursion 'Heart Of Glass'. Flip the LP over for a side of pop and glam favourites; #1s from David Essex and Steve Harley & Cockney Rebel leading into glamtastic chart toppers from Sweet, Suzi Quatro, Wizzard and Mud - plus Alvin Stardust and the David Bowie-penned 'All The Young Dudes' from Mott The Hoople. LP2 includes some of the most influential artists of the era: Bob Dylan with 'Knockin' On Heaven's Door', The Police with 'Message In A Bottle', 'London Calling' from The Clash, and The Boomtown Rats with 'Rat Trap' - the first #1 single from a punk or new wave act. Glam art-pop from Roxy Music and Sparks leads to the side concluding with Gary Numan and his 1979 #1 'Cars', pointing the way to the synth-led 1980s. Over on the other side, disco #1s from Baccara and Village People, and huge tracks 'Good Times' from Chic and 'September' from Earth, Wind & Fire. Barry White hit the top spot in 1974 with 'You're The First, The Last, My Everything', and Stevie Wonder and Diana Ross reinforced their superstar status, whilst closing this LP, Commodores with their 1978 #1 'Three Times A Lady'. Rock in the '70s is represented on LP3 by Bruce Springsteen with his signature 'Born To Run', Meat Loaf with the epic drama of 'Bat Out Of Hell', Status Quo with 'Rockin' All Over The World' - their Top 3 smash from 1977, that nearly 8 years later would open 'Live Aid', and Gerry Rafferty who scored a massive hit with 'Baker Street'. Don McLean and Bonnie Tyler follow, with 'Mull Of Kintyre' - a gigantic record breaking hit for Paul McCartney & Wings, which spent 9 weeks at #1, and became the first single to sell over two million copies in the UK ending this side... and over to the final side with Neil Diamond and the enduringly popular 'Sweet Caroline', ahead of Dolly Parton with her unforgettable 'Jolene', and easy-listening pop from The Manhattan Transfer with 'Chanson D'Amour', and Dean Friedman w/ Denise Marsa on the brilliant 'Lucky Stars'. Boney M. not only hit #1 in 1978 with 'Rivers Of Babylon', but it became the year's best seller and is another track to have sold over 2 million copies. A true one-off 'Uptown Top Ranking' is up next from Althea & Donna, the first of a closing trio of #1s, with 10cc and their beautiful 'I'm Not In Love', and 'Bridge Over Troubled Water' by Simon & Garfunkel - one of the most loved songs of all time - and this 1970 #1 completes this superb collection. Celebrate the diversity and creativity of an amazing time in pop music with 46 fabulous tracks from this incredible decade... NOW That's What I Call The 70s

Triple colored vinyl LP pressing. The past few years has seen an explosion in pop music, with new artists breaking with unforgettable songs and (re)establishing pop, with influences from different genres and places, at the top of the charts. NOW Music are very proud to present NOW That's What I Call Pop! - 38 massive pop anthems - including 8 UK #1s. Including tracks by Sabrina Carpenter, Noah Kahan, Myles Smith, Benson Boone, Billie Eilish, Teddy Swims, Post Malone & Morgan Wallen, Dasha, SZA, Tate McRae, Lana Del Ray, Dua Lipa, Ariana Grande, Miley Cyrus, and many others.

Khun Narin's Electric Phin Band are a multi-generational psychedelic powerhouse from rural Thailand whose ecstatic, amplifier-blown folk music has quietly become one of the most unlikely global cult phenomena of the last decade. Hailing from Phetchabun Province, the group formed as a community celebration band - playing weddings, temple fairs, ordinations and village parades. At the center of their sound is the electrified phin, a traditional three-stringed Thai lute whose piercing, spiraling melodies cut through walls of percussion and portable PA distortion. What might begin as a local procession quickly transforms into something transcendent: hypnotic riffs cycling endlessly, rhythms pushing forward with relentless momentum, musicians of all ages locked into communal euphoria. Ten years after their last release, Khun Narin's Electric Phin Band return with their first new album in a decade - and their first ever recorded inside a professional studio. Produced by Tommy Brenneck (known for his work with Amy Winehouse, Charles Bradley, Sharon Jones, Beyonce, Mark Ronson, and The Budos Band), the album captures the band with a depth and clarity never heard before - without sacrificing the ecstatic propulsion that defines them. The result is both refinement and revelation. The phin still soars in sharp, spiraling lines; the percussion still drives with marathon intensity; but now every texture resonates with new dimension. It is the sound of a village tradition amplified for the world stage - communal, kinetic, and joyfully uncontainable. Khun Narin's Electric Phin Band do not simply perform songs; they create momentum. They build trance from repetition. They turn celebration into transport. A decade later, their return feels less like a comeback and more like a continuation of something timeless - music that exists beyond borders, beyond genres, and beyond expectation.