'S Make It, recorded in 1964 and released the following year on Limelight, captures drummer Art Blakey leading a transitional edition of his Jazz Messengers. At the time, Blakey was navigating the departure of several key members and searching for a new configuration, resulting in a distinctive short-lived lineup within the band's long history. The sextet featured Lee Morgan (trumpet,) Curtis Fuller (trombone,) John Gilmore (tenor saxophone,) John Hicks (piano,) and Victor Sproles (bass.) Together, they delivered a hard-driving program that reflects both Blakey's established hard-bop intensity and the shifting personnel landscape of the mid-1960s Messengers. Blakey's drumming anchors the session throughout with the galvanic rhythmic command that defined his leadership across decades. The Verve Vault Series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.

Born on the road in Japan, Jazz Messengers '70 is the only recorded document of a short-lived but powerful Messenger lineup. With Blakey at the helm, the band reclaims classic repertoire with urgency, fire, and a future-facing edge.

These five works, from three different stages of Hans G�l's long life (1890-1987), all show his consummate craftsmanship but are otherwise quite different in character. The passionate Piano Quartet (1914), downstream from Brahms and Dvor�k, brings the grand gestures of Romanticism into the early twentieth century. The 1935 Sonatina in F major for violin and piano, recently rediscovered, and the three Sonatinas from 1956 put a premium on textural clarity and lyrical approachability; here the contrapuntal ingenuity, ceaseless thematic development, harmonic freedom and rhythmic unpredictability of G�l's language animate the music from within. Newcastle-born pianist Sarah Beth Briggs was a finalist in the BBC Young Musician competition at the age of eleven and studied with Denis Matthews and Edith Fischer. Katalin Kertesz is the leader of the Kertesz Quartet, with which she recently recorded the four string quartets by the nineteenth century Czech composer heinrich Wenzel Veit. Nichola Blakey, viola, enjoys a busy freelance career, giving performances across the UK. Cressida Nash, cello, is a founding member of Musicians South West.

The Messengers expanded to a sextet with the addition of Curtis Fuller in 1961 and went into their most fruitful period. This Copenhagen live concert from 1962 could be arguably “the best edition of the Jazz Messengers ever” as liner-note author Neil Tesser suggests. Hubbart, Shorter and Fuller on the front line flexing their young muscles were all on their way to stardom. Recorded during their 1962’s European tour this album with all unissued recordings will be a valuable addition to Messengers’ legacy.

Vinyl LP pressing. The line up of drummer Art Blakey's Jazz Messengers shifted in 1961 with trumpeter Freddie Hubbard replacing Lee Morgan, pianist Cedar Walton replacing Bobby Timmons, and the addition of Curtis Fuller on trombone who joined existing members Wayne Shorter on tenor saxophone and Jymie Merritt on bass. This powerful new sextet line up first recorded on the album Mosaic, and quickly returned to the studio the next month to begin recording Buhaina's Delight.

Limited 180gm viny LP pressing in gatefold jacket. Mastered by Kevin Gray at Cohearent Audio from the original analog tape. Recorded in 1961, but not released until 1967, The Witch Doctor features one of Art Blakey & The Jazz Messengers' all-time great line-ups: Wayne Shorter on tenor saxophone, Lee Morgan on trumpet, Bobby Timmons on piano, and Jymie Merritt on bass. Shorter and Morgan each contribute two tunes, with Timmons penning one. Highlights include Morgan's spectacular 6/8 modal piece "Afrique" and Shorter's minor masterpiece "Those Who Sit And Wait." Bobby Timmons brings the deep soul goods on his composition "A Little Busy," and the album closes with a fleet-footed romp through Clifford Jordan's tune "Lost And Found." Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging.

Art Blakey & The Jazz Messengers' Hard Drive is a classic album from the hard bop era. The seven track collection was recorded in New York City in October of 1957 and released on the Bethlehem label in December of that same year. It finds drummer/leader Blakey flanked by the likes of Bill Hardman (trumpet), Johnny Griffin (tenor saxophone), Junior Mance/Sam Dockery (piano) and Spanky DeBrest (bass). Remastered 96 kHz/24 bit audio pressed on 180 gram vinyl LP at Precision Record Pressing in Canada.

Art Blakey - BIG BAND Featuring JOHN COLTRANE and DONALD BYRD Remastered on 180gram Black VinylVinyl LP pressing.

Art Blakey & The Jazz Messengers - "Caravan (Original Jazz Classics Series)" / Originally released in 1963, "Caravan" was Art Blakey and The Jazz Messengers' first album for Riverside Records. Featured in addition to Blakey are Freddie Hubbard (trumpet), Curtis Fuller (trombone), Wayne Shorter (sax), Cedar Walton (piano) and Reggie Workman (bass). This new edition is released as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket.

Vinyl LP pressing. Archive release. A never-before-released studio album by Art Blakey & The Jazz Messengers recorded at Rudy Van Gelder's Hackensack, New Jersey studio on March 8, 1959, and featuring the legendary drummer - whose centennial is being celebrated this year - along with trumpeter Lee Morgan, tenor saxophonist Hank Mobley, pianist Bobby Timmons, and bassist Jymie Merritt. The six-song set includes two previously unissued compositions: 'Quick Trick' and 'Jimerick'.

Limited 180gm vinyl LP pressing. From the first bars of the immediately recognizable 'Alamode', this album is an explosion of beauty. This first sextet iteration of Art Blakey's Jazz Messengers includes a young Wayne Shorter (tenor saxophone), Lee Morgan (trumpet), Curtis Fuller (trombone), Bobby Timmons (piano) and Jymie Merritt (bass). The band ferociously pushes the pace with each track, leaving no prisoners in their wake.

Art Blakey & The Jazz Messengers - "Like Someone In Love (Blue Note Classic Vinyl Edition)" - The 1960 edition of the Art Blakey & The Jazz Messengers was one of the band's greatest line-ups with the drummer joined by trumpeter Lee Morgan, saxophonist Wayne Shorter, pianist Bobby Timmons and bassist Jymie Merritt. Opening with a sublimely swinging version of the title track, the rest of Like Someone In Love presented originals by Morgan and Shorter. Capitol Music Group; Blue Note; Jazz; Catalog Special Pkg:180g Heavy Vinyl. This Blue Note Classic Vinyl Edition

Art Blakey & The Jazz Messengers - "A Night In Tunisia (Blue Note Classic Vinyl Series)" / One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons and bassist Jymie Merritt, as heard on the 1960 album, A Night In Tunisia. Opening with a fiery version of Dizzy Gillespie's famous piece, the rest of the set showcased new bandmember originals. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180gram vinyl at Optimal. Special Pkg:180g Heavy Vinyl [LP]