Rusalka, a water spirit, lives with her family in the pure waters of the forest lake. When she falls in love with a Prince, she sacrifices her voice and leaves her home in the hope of finding true love in a new world - a world that does not love her back.�Natalie Abrahami and Ann Yee create a poetic, contemporary new staging of Dvorak's lyric fairy tale, revealing our uneasy relationship with the natural world and humanity's attempts to own and tame it. Semyon Bychkov conducts an all-star cast featuring Asmik Grigorian in the title role.

Rusalka, a water spirit, lives with her family in the pure waters of the forest lake. When she falls in love with a Prince, she sacrifices her voice and leaves her home in the hope of finding true love in a new world - a world that does not love her back.�Natalie Abrahami and Ann Yee create a poetic, contemporary new staging of Dvorak's lyric fairy tale, revealing our uneasy relationship with the natural world and humanity's attempts to own and tame it. Semyon Bychkov conducts an all-star cast featuring Asmik Grigorian in the title role.

Singer Asmik Grigorian has chosen to record both versions of Richard Strauss's ultimate masterpiece, composed in 1948: the version with orchestra and the much rarer version with piano. For her, this work is associated with the idea of solitude, but not an unhappy solitude, rather a journey towards infinity: "Now all my senses long to sink into slumber. And the soul, unguarded, longs to soar up in freedom, so that, in night's magic circle, it may live deeply and a thousandfold." writes Hermann Hesse in Beim Schlafengehen (Going to Sleep), the third song in the cycle. For this unique coupling, Asmik is joined by two long-time accomplices: conductor Mikko Franck, with the Orchestre Philharmonique de Radio France, and pianist Markus Hinterhauser, artistic director of the Salzburg Festival. The combination of the two versions opens up new sensations: after the well-known abundance of Strauss's orchestration an incredible sensitivity is revealed by the piano version.

Singer Asmik Grigorian has chosen to record both versions of Richard Strauss's ultimate masterpiece, composed in 1948: the version with orchestra and the much rarer version with piano. For her, this work is associated with the idea of solitude, but not an unhappy solitude, rather a journey towards infinity: "Now all my senses long to sink into slumber. And the soul, unguarded, longs to soar up in freedom, so that, in night’s magic circle, it may live deeply and a thousandfold." writes Hermann Hesse in Beim Schlafengehen (Going to Sleep), the third song in the cycle. For this unique coupling, Asmik is joined by two long-time accomplices: conductor Mikko Franck, with the Orchestre Philharmonique de Radio France, and pianist Markus Hinterhauser, artistic director of the Salzburg Festival. The combination of the two versions opens up new sensations: after the well-known abundance of Strauss's orchestration an incredible sensitivity is revealed by the piano version.

Based on a short novel by Dostoyevsky, Prokofiev's The Gambler unfolds in the fictional casino town of Roulettenburg, where a variety of characters converge and clash. These characters include a General indebted to a covetous Marquis, the General's resentful stepdaughter Polina, and Alexey, who harbors feelings for her. Director Peter Sellars, known for his insightful interpretations of overlooked masterpieces, challenges us to mirror the bravery of Dostoyevsky and Prokofiev - the courage to confront our inner darkness. The musical direction of Russian conductor Timur Zangiev shines together with the vocal performances of the exceptional cast: "Asmik Grigorian portraying a passionate Polina, and Sean Panikkar delivering a powerful performance as Alexei" (Financial Times) "Peter Sellars... has done what this exceptional director always tries to do: present an old, distant story as an analysis of the here and now" (Suddeutsche Zeitung) "A triumph of vision and passion" (European News Agency) "Grand sound cinema" (Bachtrack)

Based on a short novel by Dostoyevsky, Prokofiev's The Gambler unfolds in the fictional casino town of Roulettenburg, where a variety of characters converge and clash. These characters include a General indebted to a covetous Marquis, the General's resentful stepdaughter Polina, and Alexey, who harbors feelings for her. Director Peter Sellars, known for his insightful interpretations of overlooked masterpieces, challenges us to mirror the bravery of Dostoyevsky and Prokofiev - the courage to confront our inner darkness. The musical direction of Russian conductor Timur Zangiev shines together with the vocal performances of the exceptional cast: "Asmik Grigorian portraying a passionate Polina, and Sean Panikkar delivering a powerful performance as Alexei" (Financial Times) "Peter Sellars... has done what this exceptional director always tries to do: present an old, distant story as an analysis of the here and now" (Suddeutsche Zeitung) "A triumph of vision and passion" (European News Agency) "Grand sound cinema" (Bachtrack)

Opera confronts us with extremes of emotion, sometimes delivering unforgettable, life-changing experiences. Fuoco Sacro (‘Sacred Fire’) seeks out singers who have the power to pierce our hearts, presenting three of them at work in the most intimate details of their rehearsals and preparations. Ermonela Jaho, Barbara Hannigan and Asmik Grigorian are watched closely as some of their secrets are revealed: how they inhabit their roles and transform words and notation on a page into that intangible but powerful magic being communicated to audiences from the opera stage. Over 90 minutes of extras are included featuring vocal warm-ups and live performances accompanied by pianists Evgenia Rubinova, Reinbert de Leeuw and Francesco Piemontesi.

Shortlisted for the Gramophone Awards!

Following her triumphs on the stages of the Salzburg and Bayreuth festivals and at Covent Garden, Asmik Grigorian now belongs to the world’s vocal elite. She joins Alpha Classics for several projects and presents here her very first recital, devoted to one of her favorite composers, Sergei Rachmaninov. This album, titled Dissonance, assembles vocal works carefully chosen by the soprano for the contrasts they generate when grouped together: ‘Most of Rachmaninov’s songs really call for operatic power. In fact, he wrote mini-operas lasting a few minutes.’ While this album is called Dissonance, in reference to the ‘internal conflicts’ that punctuate these songs, the duo formed by the Lithuanian singer and her pianist compatriot Lukas Geniušas is one of total consonance!

"[Grigorian's] powers of expression are as fierce in front of the microphone as they are on the stage...Her tone at its fullest, all velvet-wrapped steel, gleams with enough edge to cut through anything a full-throttle Rachmaninov piano part can throw at it, and Geniušas does not give the impression of holding back[.] As a duet partner, he’s just soloistic enough, with an attentive ear for the detail of what Grigorian wants to achieve with the shape of a phrase.

"The program, in a sequence chosen by the performers, ranges from some of the Op. 4 songs Rachmaninov wrote as a student to his Op. 34. Some last barely 90 seconds, but here they still seem like a scene rather than merely a song – a panoramic view, not a snapshot. Grigorian and Genušias will make you wonder why you don’t hear them more often." -The Guardian

"There’s a palpable energy between the [performers] on this recording. [Grigorian] unfurls her otherworldly quality—what Barrie Kosky once called 'Planet Grigorian'—like a banner; [Geniušas] provides the breeze to hold it aloft. By no means are the songs on Dissonance calm or gentle, but Grigorian and Geniušas handle them lovingly." -Van Magazine

When young Japanese geisha Cio-Cio-San marries American naval officer Pinkerton, she believes she is entering a marriage for life. Forsaking her religion and community, she dreams of a future with her new husband, only to learn that for Pinkerton, their marriage is merely an illusion - one with tragic consequences. With it's exquisite score, Giacomo Puccini's poignant 1904 opera is as beautiful as it is shattering. Drawing inspiration from 19th-century European images of Japan, Moshe Leiser and Patrice Caurier's production stars Asmik Grigorian with Kevin John Edusei conducting.

When young Japanese geisha Cio-Cio-San marries American naval officer Pinkerton, she believes she is entering a marriage for life. Forsaking her religion and community, she dreams of a future with her new husband, only to learn that for Pinkerton, their marriage is merely an illusion - one with tragic consequences. With it's exquisite score, Giacomo Puccini's poignant 1904 opera is as beautiful as it is shattering. Drawing inspiration from 19th-century European images of Japan, Moshe Leiser and Patrice Caurier's production stars Asmik Grigorian with Kevin John Edusei conducting.