The Schumann Quartet dedicates its latest studio production "1923" to that year in which new musical paths were sought, found, or questioned, and at the same time, the birth of radio heralded a new age for composers and the dissemination of their works. The CD program combines selected quartet music by Paul Hindemith, Alban Berg, Erwin Schulhoff, and Leoš Janácek.

Experience Matthias Kirschnereit's fascinating musical life in the album "Time Remembered." This extraordinary playlist of 36 hand-picked pieces tells personal stories and brings memories to life. From Bach, Bussoni, and Bruckner to Handel, Janácek, Ligeti, Rachmaninoff, Satie, and Bill Withers - this musical journey spans almost 400 years of music history and takes you into different genres and styles. Discover the turning points, rough edges, and Matthias Kirschnereit's constant urge to express himself through music. From moving to Namibia at the age of nine to leaving grammar school without A-levels to become a pianist, his musical horizon expanded abruptly. Today, after almost 50 CD recordings, thousands of concerts played worldwide, and awards, Matthias Kirschnereit is still searching for new things, challenges, and tasks.

This album already carries the intention in its title: "A Tribute to Bach" is meant to be a deep bow by the world-renowned recorder player Maurice Steger to the great master of the music world; Johann Sebastian Bach. For his Bach project; Maurice Steger has chosen six compositions that follow six different musical genres and placed the recorder at the forefront of solo instrumentation. In doing so; he places himself in the tradition of Bach himself; who has been proven to have repeatedly undertaken new instrumentations for his works in the course of his life. The result in terms of sound is fascinating: Bach becomes a convincing recorder player through Maurice Steger's interpretation.

After the successful release of "Odyssey," pianist Danae Dörken presents her second album on Berlin Classics. Together with her sister - Kiveli Dörken - she invites the listener to embark on an emotional and psychological journey through a very personal selection of music that characterizes the Greek gods Apollo and Dionysus. This unique journey aims to become aware of the characteristics represented in each of us and create a balance between them. The technical brilliance present in their playing and the insightful, sensitive interpretations already make this album a highlight. Their deep personal connection and the decades of playing together at the piano are audible in every moment of these recordings and set this album apart.

Introducing the enchanting sounds of lutenist David Bergmüller. Immerse yourself in a musical journey with his captivating solo recital. With a repertoire carefully handpicked, David's music unveils a realm of intricate melodies and serene tones that resonate close to silence. Each note carries a meditative character that transcends time. This album's music acts as a soothing antidote in a world constantly bombarded with stimulation. It effortlessly captivates our senses, offering a peaceful sanctuary amidst the chaos. Drawing from the rich tradition of French lute music, David Bergmüller adds his unique touch with skillful arrangements that breathe new life into the compositions. Experience the magic of this exceptional collaboration, where centuries-old melodies blend seamlessly with David's artistic vision. Prepare to be spellbound by the beauty of this repertoire that continues to fascinate and provide a much-needed counterpoint to our overstimulated lives.

Founded in 1841 under the participation of Constanze Mozart, the Mozarteumorchester Salzburg today enjoys the highest reputation worldwide for its lively and style-conscious Mozart interpretations. In numerous ways, it connects the Viennese Classical period to the music of the 19th/20th, and 21st centuries. The orchestras' constant preoccupation with his core repertoire also shapes its approach to the music of later periods. Thus chamber-musical transparency, articulatory clarity, and nuanced sonority are a trademark that makes the Mozarteum Orchestra special and recognizable, also when playing the music of other composers. This CD is the first release of a series, which begins at the orchestras' programmatical core: Mozart, and ventures onto Richard Strauss, Anton Bruckner and Hans Werner Henze.

Introducing the latest album from the Goldmund Quartet - a world-renowned classical music ensemble known for its exceptional performances. This album features a collection of timeless works, including Schubert's hauntingly beautiful "Erlking," the melancholic yet powerful "Death and the Maiden," and the stunningly ethereal "Swan Song." With their masterful use of phrasing and tonal quality, the quartet brings out the beauty of each piece, capturing the essence of Schubert's original compositions. And, as a special treat, the album also includes a breathtaking rendition of Schubert's "Ave Maria," showcasing the quartet's ability to evoke emotion and captivate audiences with their nuanced and emotional interpretation. Immerse yourself in the sublime artistry of the Goldmund Quartet with this extraordinary album.

On the Shoulders of Giants is the latest album from the renowned cellist Claudio Bohórquez, with works ranging from Schumann to Webern, from Schubert to Messiaen, this album is a journey on the shoulders of musical giants, both in the compositions and in the interpretations. Accompanied by the legendary conductor and pianist Christoph Eschenbach, Bohórquez delivers an extraordinary performance that is a treat for the ears and soul. With his exceptional skill and technique, he explores the depths of the cello's sound, bringing out the unique beauty and emotion of each piece. The album features Schumann's Adagio & Allegro op. 70, a powerful and expressive work that showcases Bohórquez's impeccable bowing and phrasing. The 2 Pieces for Cello and Piano by A. v. Webern are a masterclass in modernist composition, with Bohórquez and Eschenbach expertly navigating the intricate and complex melodies. Schubert's Sonata (Arpeggione) is a true gem of the cello repertoire. Finally, O. Messiaen's Louange à l‘Éternité de Jésus is a beautiful and moving work that showcases the cello's ability to convey deep spiritual emotions.

Introducing the latest recording with Luisa Imorde and the Bremer Philharmoniker, featuring two great romantic Piano Concertos from Clara Schumann and Carl Maria von Weber. Following the success of her previous albums dedicated to Beethoven/Wölfl, Bach/Kapustin, and Couperin/Messiaen, the pianist now presents her latest recording that explores the romantic repertoire with orchestra. This album features two Piano Concertos that beautifully capture the essence of the romantic era, complemented by solo piano pieces by Robert and Clara Schumann and C.M. von Weber. Weber's departure from the classical to the romantic era and Schumann's legacy as a female composer bear witness to the mastery of both in Luisa Imorde's outstanding interpretation.

The new album "Oceanic" by Iveta Apkalna is a collection of two expansive organ works and two orchestral interludes with maritime connotations, showcasing Apkalna's special relationship with the sea as a musician who grew up on the Baltic. The album features Bernd Richard Deutsch's "Okeanos," which Iveta Apkalna describes as the best contemporary organ concerto. It also includes Maurice Ravel's "Une barque sur l'océan," a key work of musical Impressionism, and Jean Sibelius's "The Oceanides," a personal "Rondo of the Waves" along similar lines to Debussy's "La mer."

Insomnia is a persistent or recurrent sleeplessness. When we sleep fitfully or lie awake night after night, we conjure up all manner of images, fantasies and feelings, which in the hours of darkness or twilight mostly seem confused, larger than life and very existential. That is how it is with our choice of Lieder. The pieces examine the great feelings and issues like love, death, hate, yearning, under the magnifying glass of nocturnal sensitivity. Worlds arise in which one no longer knows what is true and what is not. And that is what is special about our Insomnia: everything is possible, and everything is to be found in the ears and the eyes of the listener.

One of the most versatile trumpeters in the classical world, Simon Höfele, releases a new album “Nobody Knows” together with the BBC Symphony Orchestra under Geoffrey Paterson and Ilan Volkov. On his 4th album on Berlin Classics, he plays the trumpet concertos by Bernd Alois Zimmermann, Christian Jost, and Toshio Hosokawa, spanning an arc from the 20th to the 21st century. He proves once again that the trumpet can do more than just "shine". “These three works are really important to me. I have played all three before, and I was always fascinated by their darkness.”, he explains his choice of repertoire. “This is heavy, almost depressive music, and that applies to all three of these works. This is heavy music in two respects: loaded with gloom, and also not at all easy to play. This is a definitive political message to “Nobody Knows de Trouble I see”, which makes it even more fascinating.

That (these recordings) are now available at budget price is a cultural achievement by [Berlin Classics]. Seize the opportunity. -- MusicWeb International

The fusion of lyricism and music in the Lied style, a form in which Schumann succeeded so subtly, finds a particular parallel in the interpretations of Schumann’s work by Peter Schreier and Norman Shetler. Their recordings, dating back half a century, are still regarded as reference works for their calmness and composure, as well as their warmth and intimacy. These works are presented with the same care and devotion as the music itself in these liner notes, as we are invited to experience the personal struggles and triumphs of one of the most famous composers of the Romantic era.

REVIEWS:

I don’t think I exaggerate if I state that Peter Schreier, among tenors, was the pre-eminent interpreter of German Lieder during the second half of the twentieth century...his verbal acuity, his ability to adjust the colour of the tone in order to express feelings and atmosphere and his sense for nuance set him apart from almost any other singer during that period.

Is Schreier dragging [tempi, compared to other singers]? No - that is not my feeling. His deep involvement and the hushed intensity in his declamation invest the text and music with such importance that any criticism is silenced.

This Dichterliebe should satisfy even the most discriminating connoisseur. This also goes for the other two cycles, Liederkreis Op. 24 and Op. 39. Besides the 37 songs that constitute the three cycles there are another 75 from various groups that Schreier for some reason preferred not to record in their entirety. These 75 are just as idiomatically performed. I am full of admiration for the consistency of Schreier’s singing – consistency in this case means that he treats each song according to its contents.

For those who are only familiar with the most well-known of his songs there will be revelations aplenty. Some of the “new” songs may need a couple of hearings to reveal their greatness, for instance the four Lieder aus dem Schenkenbuch im Divan. More immediate are perhaps the Fünf Lieder Op. 40, even though the second of them, Muttertraum, is uncommonly chromatic for Schumann. Der Soldat and Der Spielmann are charming and Verratene Liebe is quite irresistible. Here also is one of Schumann’s most touching songs, the Rückert setting Der Himmel hat eine Träne geweint, followed by Ich hab’ in mich gezogen and don’t miss Zum Schluss.

On CD 4 there are more gems. Zwölf Gedichte von Justinus Kerner Op. 35 is a longstanding favorite. I thought nobody would ever outdo Thomas Hampson, but Schreier is possibly even more involved. No. 2, Stirb, Lied’ und Freund’! is heart-rending in Schreier’s hands, Auf das Trinkglas eines verstorbenen Freundes (No. 6) is magical and Stille Tränen is so exquisitely interpreted. At first hearing this group of songs — it isn’t really a song-cycle — may seem rather alien to those who only know the “usual” Schumann. They are more akin to Brahms’ late songs. Give them a chance and they will open up and Schreier is the best possible guide into this new world.

Also lend an ear to the inwardly sung Schneeglöcken (CD 4 tr. 14). Finally Schreier takes us to the realm of darkness in Sechs Gedichte von Nikolaus Lenau und Requiem...Schreier is great here.

These recordings were originally produced by VEB Deutsche Schallplatten, which was the only record company in the German Democratic Republic. In the West they were also available on Deutsche Grammophon through a license agreement. That they now are available at budget price is a cultural achievement by Brilliant. Seize the opportunity.

--MusicWeb International (Göran Forsling)

- Under the direction of violin virtuoso Midori Seiler, this album presents a very lively musical portrait of the former Köthener Hofkapelle, now revived as Köthener BachCollektiv
- With exceptional virtuosos and composers, Bach went to the limits of what was then playable and experimented with instruments, scorings, sounds and musical forms
- New reconstructions of Bach Concertos BWV 1056R & 1064R by Midori Seiler
- Musical treasures and world premiere recordings by A. R. Stricker (Sonata D major), J. Spiess (Concerto E minor) and G. Linike (Suite D major)

Experience the rich and vibrant sounds of Europe's Romantic tradition with our latest CD featuring music by four talented composers. Discover the little-known talent of Sigurd Lie, a highly skilled violinist and composer from Norway who studied with leading teachers in Leipzig and Berlin. Immerse yourself in the enchanting folk tale inspiration of Lie's "Huldra aa'n Elland" for violin and orchestra and be captivated by the playful and seductive solo violin performed by the renowned violinist Ragnhild Hemsing. Follow in the footsteps of Lie's compatriot, Johan Svendsen, a famous violinist and composer who studied in Leipzig and Paris and is best remembered for his Romance for Violin and Orchestra, Op. 26. Svendsen's work was admired by Belgian violinist and composer Eugène Ysaÿe and was reprinted 65 times. This CD is a must-have for any lover of the Romantic era, the diverse sounds of Norway and Europe, and the virtuosic performances of Hemsing.