Almost 50 years after his first DG recording of Franck's symphony with the Orchestre de Paris, Barenboim now presents a new interpretation with the Berliner Philharmoniker. In the outer movements in particular, he focuses on the large, monumental sound that emphasizes the hymnal aspect of Franck's symphony which fuses the spirit of Beethoven with French elegance. CD Digipak.

In this 1983 performance, Maazel conducts Beethoven's liberation opera full of energy and precision, partnered by a highly dramatic Leonore, a Florestan in heroic voice and the Vienna Philharmonic in brilliant form.

Liszt: Symphonic Poems

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

Herbert von Karajan broke boundaries in many aspects of conducting, among those being that he was the first conductor to become interested in filming his performances to preserve his cultural heritage. This exceptional documentary begins with his first concert productions, taken in Japan in 1957. Following those first recordings is his cooperation with director Henri-Georges Clouzot, then Karajan’s own film company Telemondial. Karajan’s language for orchestral film productions is seen here through all of its stages. This documentary also includes interviews with Karajan and his collaborators.

Picture Format: 1080i, 16:9
Sound Format: PCM Stereo
Subtitles: German, English, French, Spanish, Italian, Korean, Japanese
Region Code: 0 (All)
Total Running Time: 84 mins

This is a DSD (Direct Stream Digital) recording

Brahms: The Symphonies, Haydn Variations & 8 Hungarian Dance

Tchaikovsky, Rimsky-Korsakov, Respighi, Stravinsky, Mussorgs

Herbert von Karajan broke boundaries in many aspects of conducting, among those being that he was the first conductor to become interested in filming his performances to preserve his cultural heritage. This exceptional documentary begins with his first concert productions, taken in Japan in 1957. Following those first recordings is his cooperation with director Henri-Georges Clouzot, then Karajan’s own film company Telemondial. Karajan’s language for orchestral film productions is seen here through all of its stages. This documentary also includes interviews with Karajan and his collaborators.

Overtures

Wilhelm Furtwängler (1886-1954),one of the greatest of 20th century conductors, leads four equally distinguished mid-century violinists and three eminent European orchestras in live performances of violin concertos by Beethoven (Röhn, Berlin), Mendelssohn (de Vito, Torino), Brahms (Menuhin, Lucerne) and Sibelius (Kulenkampff, Berlin). + Recorded during and after WWII, these performances have been newly re-mastered for this release.

A brilliant violinist with virtuoso flair, effortless technique and wonderful artistry. Bronislaw Gimpel has made many recordings and his legacy is also preserved on many radio broadcasts, such as those in this album. Born in Lvov, Poland, in 1911, Gimpel began the violin at 5. His first public appearance came in 1919, when he played the Mendelssohn Concerto. His international performances began at 14, when he performed the Goldmark Concerto with the Vienna Philharmonic. He immigrated to the United States in 1937 and Otto Klemperer invited him to be the concertmaster of the Los Angeles Philharmonic, which he also occasionally conducted. He remained there until 1942. In the latter half of the 1940s he was a frequent soloist and conductor of the ABC Radio Orchestra in New York. In 1950 he formed the Mannes-Gimpel-Silva Piano Trio which had a great success. In 1956 he returned to Europe where he re-established a substantial concert career and his engagements included guest soloist with the Berlin Philharmonic. He returned to the United States in 1967 to take up a position on the Faculty of Fine Arts at the University of Connecticut and returned once again to Europe in 1973 to teach at the Royal Northern College of Music in Manchester. Gimpel passed away in 1979, at the age of 68.

Brahms: Violin Concerto (2015) Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra. Heroic, dramatic, reflective and joyous, Brahms's Violin Concerto - written for the great Joseph Joachim, a close friend of the composer - is one of the monuments of the Romantic repertoire. In a performance of epic sweep, Itzhak Perlman and Carlo Maria Giulini do full justice to it's ambitions.

Emphasizing it's reputation as probably the greatest of all violin concertos, Perlman has described Beethoven's masterpiece as "classical and transparent", saying "You can't hide behind it". In this live recording, made with with Daniel Barenboim and the Berliner Philharmoniker, his playing is as fearless and authoritative as it is beautiful.