The edition brings together Berliner Philharmoniker recordings from the last ten years. It includes the nine completed symphonies and the Adagio of the Tenth, whose performance under the direction of Claudio Abbado on the 100th anniversary of Mahler’s death is one of the highlights. In addition to chief conductor Kirill Petrenko and his predecessor Sir Simon Rattle, the edition features other outstanding Mahler interpreters closely associated with the orchestra: Gustavo Dudamel, Bernard Haitink, Daniel Harding, Andris Nelsons and Yannick Nézet-Séguin.

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. One of the most revered artists of our time, Mitsuko Uchida is known as a peerless interpreter of the works of Mozart, Schubert, R. Schumann and Beethoven, as well for being a devotee of the piano music of Alban Berg, Arnold Schoenberg, Anton Webern, and György Kurtág.

These discs are hybrid Super Audio CDs playable on both regular and Super Audio CD players.

The radio recordings between 1939 and 1945 with the Berlin Philharmonic and Wilhelm Furtwängler are among classical music’s most compelling sound documents. Created at the peak of the collaboration between orchestra and conductor, Furtwängler’s artist personality is conveyed more vividly than anywhere else. What can be heard is music in which inspiration and the expressive will know no bounds and in which, not least, the existential experience of the Second World War reverberates. For the first time, the Berlin Philharmonic are releasing a complete edition of these recordings.

Wilhelm Furtwängler is accorded almost mythical status to this day. Biographically and artistically rooted in the 19th century, he embodies a bridge to the late-Romantic period and the founding years of the Berlin Philharmonic, whose chief conductor he was from 1922.

Furtwängler’s auratic charisma stems from an intriguing basic interpretive concept which avoided authoritarian gestures and deliberately aimed at the blurring of tonal contours. The result was a warm, mixed sound, in which developments and intensifications never appear calculated, but seem to grow organically.

This edition not only brings together all surviving radio recordings of the period, but also draws on the best available material – in particular, original tapes, which were taken to the Soviet Union after the war and only returned to Germany from the early 1990s onwards. Especially for this edition, the recordings have been carefully restored, digitally sampled using state-of-the-art technology, and remastered in 24-bit resolution. A total of 21 concerts are presented here, in whole or in part. The edition’s features include numerous historical photos, articles on the history behind the recordings, plus an extensive essay by the American musicologist Richard Taruskin on Furtwängler’s art – all of which results in a release which provides an opportunity to discover and relive this great chapter in the history of the Berliner Philharmoniker in all its facets as never before.

-----

REVIEW:

Do you want this box? Yes, you do. Is it worth it? Again, yes, almost certainly, it is. For one thing, these are the recordings that have come, more than any other, to define this conductor’s identity, and his legacy. The audio restoration does wonders for the piano concertos in particular. These are the concerts that, so they said later, made life worth living for many Berliners. They matter.

– Gramophone

This set includes 4 CDs, 1 blu-ray audio disc and 1 blu-ray video disc.

For Simon Rattle, Jean Sibelius is “one of the most staggeringly original composers that there is”. And indeed, this music has a unique musical language whose many beauties are particularly succinctly conveyed in Sibelius’s seven symphonies. In 2015, to celebrate the 150th anniversary of his birth, Simon Rattle and the Berliner Philharmoniker presented the cycle live, which was met with unanimous delight by audiences and critics alike. “The Philharmoniker show that with them and Simon Rattle, Sibelius is in excellent hands,” wrote the Berliner Zeitung.

The recording presents the symphonies on 4 CDs, two Blu-ray discs as HD video, in uncompressed audio resolution and DTS surround sound. The extensive product features include a comprehensive booklet and an hour-long video interview.

In these recordings, Nikolaus Harnoncourt and the Berliner Philharmoniker present a brilliant and multifaceted interpretation of Franz Schubert’s eight symphonies. This Schubert is colorful and dramatic – and represents a unique synthesis in which the famous sound of the Berliner Philharmoniker is as evident as Nikolaus Harnoncourt’s familiarity with the transparency and sound speech of historical performance practice. The CD hardcover edition enables playback with either the best CD sound or – when used as an SACD – in high-resolution audio quality and in surround sound. Founded in 1882, the Berliner Philharmoniker has consistently been ranked as one of the best orchestras in the world. In 2006, ten European media outlets voted the ensemble number three on a list of “Top Ten European Orchestras,” and in 2008 it was voted the world’s number two orchestra in a survey by Gramophone.

Claudio Abbado (1933-2014) was one of the outstanding personalities in the history of the Berliner Philharmoniker. He made his debut with the orchestra in 1966 and was their chief conductor from 1990 to 2002. In May 2013, their unique partnership ended with Claudio Abbado's last concert with the orchestra – a “triumph”, in the words of the Frankfurter Allgemeine Zeitung. The programme included two of the most important works of musical Romanticism: Hector Berlioz's visionary Symphonie fantastique and Felix Mendelssohn's magical, shimmering music for A Midsummer Night's Dream. After the highly-praised first release of the concert, the edition is now available in a new, lower-priced version on 2 CDs/SACDs which can be played on any CD or SACD player. The hardcover digibook contains a booklet with many illustrations and extensive accompanying texts.

-----

REVIEW:

The Symphonie Fantastique is dark and youthfully overwrought in general, and it's marvelous. There are also many fine moments in the Mendelssohn, where Abbado did not let the work's overfamiliarity worry him in the least; the gossamer overture got the concert off to a strong start, and it never really declined. Strongly recommended.

– All Music Guide

Classical Music

"[M]ightily attractive for the overall quality of the performances…. [The Berlin Philharmonic] play with altogether more heft, a quality born of longstanding tradition and communal spirit. … [T]he playing is always brilliant, with blazing tremolos from the strings, distinctive colorings from the woodwinds and golden orations from the brasses." – James R. Oestreich, The New York Times

With such fresh and invigorating performances this new set conducted by Rattle breathes new life into these Schumann symphonies and is certainly the one to own. [...]

The sound engineers at the Philharmonie are to be congratulated for providing appealing, transparent, well balanced sound with all the instrumental detail wonderfully audible. These are live recordings containing virtually no extraneous noise and I notice that the applause has been removed. As one might expect there has been a lot of time and care lavished on this inaugural release of the Berliner Philharmoniker’s own label. Typical of the work this orchestra undertakes, everything is done with integrity, precision and total empathy for the music. The set is performed with impressive solidity, feeling natural and unmannered with Rattle choosing judicious pacing throughout communicating a spring-like freshness to Schumann’s romantic vision. I can see these Rattle recordings of the Schumann symphonies becoming the benchmark for many years to come such is the excellence of the Berliner Philharmoniker’s performances.

– Michael Cookson, MusicWeb International

I enjoyed these performances greatly. Rattle displays a fine affinity with these scores and though the orchestra members must have played these symphonies many times there’s never the slightest suspicion of routine here: everything sounds fresh and newly discovered – though I hasten to add that there’s never a suspicion of disruptive point-making. In the Behind the Scenes feature one of the orchestra’s first konzertmeisters, Daniel Stabrawa, describes Rattle as one of the few conductors who know what Schumann really means and you sense that the orchestra has relished discovering these scores in performance with him.

This lavish production launches the orchestra’s own label in splendid style and I’m thrilled that I’ve had the chance to experience these fine performances.

– John Quinn, MusicWeb International

-----

For Simon Rattle, Robert Schumann is "the echt Romantic." And in fact, the exuberance of the period, its passion, and its melancholy can be heard with unique intensity in Schumann's music to this day. For the Berliner Philharmoniker, Schumann's symphonies have always been part of their core repertoire. The 1953 Wilhelm Furtwängler recording in particular has attained cult status. And so it only stands to reason that the Berliner Philharmoniker should launch their Berliner Philharmoniker Recordings label with a cycle of the four Schumann symphonies.

The Schumann symphonies have accompanied the orchestra throughout 2013 – in Berlin and on tour in Europe and Asia. The Berlin Tagesspiegel wrote of a "defining moment," while the Frankfurter Allgemeine Zeitung praised the "truly sensational quality." Another special feature of this recording from the Philharmonie is the decision to use the early version of the Fourth Symphony from 1841, whose appeal for Simon Rattle lies in its extra "lightness, grace, and beauty" compared to the established later version. The presentation of the product, its packaging, and the special features, go far beyond what standard CDs offer.

The linen-bound CD/Blu-ray edition includes the Schumann cycle in different formats. In addition to the traditional audio CDs, there is also a Blu-ray Disc which enables music lovers to listen to the recording in audiophile studio quality of 96kHz/24bit or as HD video. If you are looking for the recording in even higher resolution, there is an accompanying code which allows you to download a version online in up to 192kHz/24bit. An additional code grants 7 days' access to the Berliner Philharmoniker's video platform, the Digital Concert Hall. The release also includes bonus material such as behind-the-scenes videos and a comprehensive booklet with articles about the composer, his symphonies, and the Schumann tradition of the Berliner Philharmoniker.

Contents of Blu-ray Discs

High Definition Concert Recordings: Harmonielehre, Short Ride in a Fast Machine, City Noir, Lollapalooza, Scheherazade.2, The Wound-Dresser, and The Gospel According to the Other Mary.
Bonus: John Adams in Conversation with Sarah Willis and John Adams in Conversation with Peter Sellars
Documentary: A Portrait of John Adams as the Berliner Philharmoniker's "Composer in Residence"
John Adams is considered the musical voice of America. His tonal language is at once unmistakable and of infinite variety. Minimalism mixes with imaginative orchestration and a jazz-inflected spirit to create a cosmos full of energy and colour that constantly reveals new facets. In a unique transatlantic partnership, John Adams has accompanied the Berliner Philharmoniker for a whole season as composer in residence. The orchestra performed a wide variety of his works, from the oratorio “The Gospel According to the Other Mary” and the famous “Harmonielehre” to more unfamiliar treasures. The concerts were conducted by chief conductor Sir Simon Rattle and outstanding guests: Gustavo Dudamel, Alan Gilbert and Kirill Petrenko. In the course of this partnership, John Adams himself also made his debut as conductor of the Berliner Philharmoniker.

Claudio Abbado (1933–2014) was one of the outstanding personalities in the history of the Berliner Philharmoniker. In May 2013, their unique partnership ended with Abbado’s last concert with the orchestra. The program included two of the most important works of musical Romanticism: Hector Berlioz’s visionary Symphonie fantastique and Felix Mendelssohn’s magical, shimmering music for A Midsummer Night’s Dream. To mark the second anniversary of Claudio Abbado’s death on 20 January 2016, audio and video recordings of this memorable evening see release in this hardcover luxury edition. With comprehensive articles, bonus videos and previously unpublished photographs, it documents Abbado’s work with the orchestra whose chief conductor he was from 1990 to 2002.

The recordings impressively convey the special atmosphere of the evening: the great affection the orchestra and the audience had for Claudio Abbado – and of course the enthusiasm for the musical performances. Renowned not least for his clever concert programming, Abbado combined two works here that deal with the theme of dreams in music in very different ways: Mendelssohn’s A Midsummer Night’s Dream conveys the multifaceted magical atmosphere of Shakespeare’s original, while Berlioz uses modern means to tell his delirious tale of fateful love and drug-induced hallucinations. Abbado’s performance brings out the full splendor of these scores. It is – as the Frankfurter Allgemeine Zeitung wrote – a “wonder, the freedom and youthful-like spirit with which the soon to be octogenarian expends himself, which he radiates and which he presents to his audience from the conductor’s stand.”

The edition contains the recordings on CD and in high resolution audio on a Blu-ray disc which also features a video of the concert. The bonus material includes a historical documentary about Abbado’s first year as chief conductor of the Berliner Philharmoniker.

Concert video:
HD recording of the entire concert

Bonus videos:
Documentary: “Abbado in Berlin – The First Year”
Members of the Berliner Philharmoniker remember Claudio Abbado

Anton Bruckner is a composer with an unmistakable musical language: darkly glowing, overwhelmingly beautiful, but also energetic and innovative. For the Berliner Philharmoniker, this music has been part of their artistic identity for over a hundred years. The orchestra now presents Bruckner's symphonies in an exclusive edition, recorded over the last ten years together with some of the foremost Bruckner interpreters of our time. The Berliner Philharmoniker is a German orchestra based in Berlin which is consistently ranked among the top orchestras in the world, distinguished amongst peers for it's virtuosity and compelling sound.

Anton Bruckner is a composer with an unmistakable musical language: darkly glowing, overwhelmingly beautiful, but also energetic and innovative. For the Berliner Philharmoniker, this music has been part of their artistic identity for over a hundred years. The orchestra now presents Bruckner’s symphonies in an exclusive edition, recorded over the last ten years together with some of the foremost Bruckner interpreters of our time. Bruckner’s symphonies are a universe of immeasurable tonal, expressive, and metaphysical dimensions. It is precisely the changing perspectives of different conductors that make it possible to explore this diverse wealth. The edition is moreover a document of a successful artistic collaboration with highly esteemed partners of many years’ standing: Herbert Blomstedt, Bernard Haitink, Mariss Jansons, Paavo Järvi, Zubin Mehta, Seiji Ozawa, Christian Thielemann and Simon Rattle. The high-quality hardcover edition presents the recordings on nine albums as well as pure audio and video recordings. The extensive booklet contains an essay by the renowned musicologist Richard Taruskin plus portraits of the conductors, introductions to the individual symphonies and numerous photos.

REVIEW:

This may be a premium-priced product but the set undoubtedly offers premium quality, which justifies the price tag, with terrific audio and video as well as excellent documentation. Even more importantly, you get all nine symphonies played by a peerless orchestra. Furthermore, as I hope my comments on the individual performances have shown, there are some considerable interpretations in this set – and not one that is less than very good. I think it’s a decided asset that we see and hear at work not just one conductor but several, all of them excellent Bruckner interpreters.

So, though it’s an expensive proposition, this is a set that will grace any Bruckner collection. With it the Berlin Philharmonic has set out to celebrate their proud Bruckner tradition and they’ve certainly achieved that.

— MusicWeb International

It is always a milestone in the artistic work of the Berliner Philharmoniker when, together with their chief conductor, they play the complete symphonies of Ludwig van Beethoven. Under the direction of chief conductor Sir Simon Rattle, the cycle was performed at the end of 2015 – in Berlin, Paris, Vienna and New York. The reaction was overwhelming, and audiences responded with standing ovations to performances which impressively revealed the virtuosity and revolutionary energy of the works. The recording of the Berlin performances is now available in an exclusive hardcover edition which includes the cycle on CD as well as in HD video and high-resolution audio on Blu-ray. This beautifully produced edition includes many extras including a video introduction with Sir Simon Rattle and a documentary about the making of the recordings.

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984. The performances were given a rapturous reception in the auditorium and in the press – as one critic wrote, the audience was overwhelmed by a “collective sense of happiness”. With vibrant freshness, the performances brought the whole combative energy of these works to life. At the same time, they revealed Beethoven’s incomparable spirituality, which – according to Mitsuko Uchida – “allows us to see to the end of the universe”.

-----

REVIEW:

Uchida takes enormous care over articulation, clarity, voicing and dynamics. And this is true in the simplest passages as well as the most virtuoso. Uchida’s fastidious articulateness makes every stitch count, yet her phrasing is generous, so the detail always remains in its rightful place as part of a larger unfolding. What’s most valuable about these performances, I think, is their exploration of the music’s dramatic potential.

– Gramophone

This set contains 2 DVDs, 1 Blu-ray Video Disc, and a 7-day Digital Concert Hall pass.

Sir Simon Rattle was in no doubt: the performance of the St. Matthew Passion which he realized together with the Berlin Philharmonic and the Rundfunkchor Berlin in 2010 was for him “the single most important thing we ever did here.” Critics around the world agreed. They praised the semi-staged “ritualization” by American star-director Peter Sellars, as well as the outstanding musical performances by the soloists, including Magdalena Kozená, Christian Gerhaher, Thomas Quasthoff, and Mark Padmore as the Evangelist. Now the performance is published as a hardcover linen edition with a comprehensive booklet and a voucher for the Berlin Philharmonic's Digital Concert Hall.

"Sellars' surprisingly simple ideas draw us deeply into the drama and prove enormously moving." – NPR

"The female singers are very good – the soprano Camilla Tilling ethereal and the mezzo-soprano Magdalena Kozena impassioned – but the men are tremendous, including the pure-toned tenor Topi Lehtipuu. The bass-baritone Christian Gerhaher, singing from far above the other performers, is a resonant, otherworldly Jesus. Mr. Padmore is one of the major Evangelists of our time, and he is heartbreakingly eloquent here, less a biblical narrator than a guide through a dark night of the soul. And if it’s possible for this deeply moving recording to take on any more poignancy, it is probably the final major video release featuring Mr. Quasthoff." – The New York Times

2 DVDs [NTSC 16:9 / PCM Stereo • DTS 5.1]

Blu-ray Disc in high definition video [1080i Full HD 16:9 / 2.0 PCM Stereo • DTS-HD Master Audio 5.1]

Playing time - Concert: 195 mins • Bonus: 51 mins

Subtitles: English, German, French, Spanish, Japanese, Korean

Region: 0 (All region)

7- day pass to the BPO's Digital Concert Hall video streaming service