Rec. In London, great neo-Dixie 1966-92.

There is only one way to enhance one's performance and that is to practice until there is a level of confidence in act, and pride in the outcomes. Guitarist and composer Diego Barber seeks new challenges relentlessly. His pursuit of excellence in all his endeavors has led him to the extreme heights of classical guitar technique, contemporary composition and long-distance running, all of these requiring grueling regimens of focused study. // For his new recording, Drago, Barber departs from his recent focus on blending contemporary classical music and jazz to focus on electronic music, utilizing elements from both the classical and dancefloor models. A two-year long study of Logic music programming has led the fleet fingered string specialist to eschew the guitar for the most part to focus on composing pieces in a new and highly personal way. // The incredible music on Diego Barber's Drago is a departure from his typical output but it also shows the development of an artist who accepts musical challenges and finds exhilaration in chasing the unknown.

2017 release. Barber's work utilizes his dual affinities for classical music and jazz. Having come from a strict classical guitar background, Barber's jazz playing has really blossomed since moving to New York. His composing bears witness to passions, as he writes in a classical style with jazz elements, creating a poetic blend of highly composed lyrical pieces that open up for the expressionism of jazz improvisation. For One Minute Later, Barber recruited an incredible rhythm section in bassist Ben Williams and drummer Eric Harland. Both musicians are incredible technicians and fantastic accompanists. Harland has made a name for himself as one of the most exciting and expressive drummers in jazz, while Williams has become a force because of his ultra clean tone and incredible groove. It was Barber's discovery of wunderkind percussionist Alejandro Coello that drove Barber to make this recording. Barber was introduced to Coello by friend and virtuoso classical guitarist Ricardo Gall�n. Barber was astounded by the proficiency of the 25 year old from Salamanca, who had just begun to teach at Hochschule f�r Musik Franz Liszt in Weimar, Germany (the youngest person to have done so).

TALES

CHOICE

This recording consists of three of my early compositions produced at the Center for Computer Research in Music and Acoustics at Stanford University. The first two of them, especially "Dreamsong", became very well-known and influential in the filed of electroacoustic music and have received many honors. In those early days of computer music my colleagues and I were pioneering the development and use of many of the techniques of digital synthesis, recording, and sound processing that are now commonplace. Due to the almost fanatical emphasis on sound quality that was then a part of the CCRMA atmosphere, these works continue to stand on a par with the best that current instruments can produce. I hope that you will experience some of the excitement and inspiration that I felt in bringing this unusual music to life. (Michael McNabb)

Classical Music