Songs Of Wintter Watts / John Carlo Pierce, Joel Bacon
Centaur Records
CD
$17.99Jan 15, 2021
Born in 1884 in Cincinnati, Wintter Watts, a prolific yet largely forgotten early twentieth-century composer, wrote music filled with beauty, warmth, and depth. This recording of his songs shows just what has been missed through performances of his music being so rare. American tenor John Carlo Pierce enjoys an international reputation for beautiful sound and incisive acting. He holds a Master of Music degree from the Eastman School of Music and Doctor of Musical Arts degree from the University of Connecticut. He was recently assistant professor of voice at New Mexico State University, and director of the Doña Ana Lyric Opera, the university’s educational opera program. He has directed productions of Dido and Aeneas, Serse, Orphée aux enfers, and Suor Angelica. In his current position as associate professor of voice at Colorado State University, he teaches lyric diction, opera history and literature, and has directed Serse and Die Zauberflöte. He is joined by fellow Colorado State professor, Joel Bacon.
Linn Records is thrilled to introduce soprano Rowan Pierce in what promises to be a sensational debut recording. The Cares of Lovers comprises songs from across Purcell's brief career from She loves and she confesses too, one of his very first published pieces (1683), to Sweeter than roses from his final months (1695). Although they all display the same matchless ingenuity and uncanny ability to set English words to music, a highlight includes Tell me, some pitying angel - a triumph of dramatic composition and the equal of any Italian cantata of the period. Since winning the President's Award at the Royal College of Music in 2017, Pierce has won acclaim for her performances at The Barbican, Royal Festival Hall and at the BBC Proms. Her performance in Purcell's The Fairy Queen, with the Academy of Ancient Music, won praise for her 'expressive' (Financial Times) and 'heart-piercing' (The Independent) singing. Richard Egarr and William Carter, two baroque music heavy-weights, join Pierce for this recording, made in Haarlem, Netherlands.
More than 50 composers from 13 different countries contributed to this collection of music with computers. Their pieces represent major directions of how avantgarde composers utilize the potential of new technology. The Historical CD of Digital Sound Synthesis. Randall, James: Mudgett, Monologues for a Mass Murderer/ Sound examples of Jean-Claude Risset's Introductory Catalogue of Computer Synthesized Sounds.
Cage, J.: Piano Music, Vol. 3 - Suite for Toy Piano / The Se
Wergo
CD
$20.99Mar 01, 1991
It may come as a surprise but one of the leading creators of Keyboard music in the twentieth century is a composer by the name of John Cage. Cage's reputation is so deeply associated with the avantgarde, with chance music, graphic notation, performance art, technology and Zen Buddhism that is early, conventionally-notated music for percussion ensemble and keyboards is sometimes neglected. Or was until recently. In the last few years - with the advent of performances and recordings like this one - there has been a renewed appreciation of Cage's achievements in the earlier part of his creative life. Of course, Cage's keyboard music is not just keyboard music. Cage's once infamous "prepared piano" - born out of need as well as desire - is a keyboard instrument unto itself, as different from the romantic piano as that instrument is from the baroque harpsichord. But even in his "unprepared" piano music, Cage shows his individuality and distance from European tradition. This production received the quarterly German Record Critics' Award.
CAGE, J.: Piano Music, Vol. 2 - The Perilous Night / 3 Dance
Wergo
CD
$20.99Dec 01, 1988
John Cage’s occupation with the sound possibilities of the prepared piano became the dominant tonal feature of his music after he moved to New York in 1942, and for many years it remained his preferred form of expression.
Works for Piano and Prepared Piano, Vol. II, is an exquisite collection of dynamic pieces that John Cage wrote before he developed an interest in the I Ching, the ancient Chinese “book of changes,” or in atonality.
