Blu-Rays
723 products
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Purcell: King Arthur / Jacobs, Akademie fur Alte Musik Berlin [Blu-ray]
Naxos AudioVisual · Apr 2020Blu-Ray$34.99 -
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SaleRameau: Hippolyte et Aricie / van Mechelen, Benoit, Pichon, Pygmalion [Blu-ray]
Naxos AudioVisual · Nov 2021Blu-Ray$34.99$17.49 -
Rameau: Les indes galantes / Bolton, Munchner Festspielorchester [Blu-ray]
BelAir Classiques · Nov 2017Blu-Ray$36.99 -
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Ravel: Orchestral Music, Vol. 1 / Slatkin, Orchestre National De Lyon [blu-ray Audio]
Naxos AudioVisual · Nov 2012Blu-Ray$16.99 -
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Ravel: Valses nobles et sentimentales - La valse - Daphnis e
Accentus Music · May 2019Blu-Ray$53.99 -
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Reich: Rain, Music for 18 Musicians / Opera National de Paris [Blu-ray]
BelAir Classiques · Nov 2015Blu-Ray$36.99 -
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Respighi: La bella dormente nel bosco / Renzetti, Teatro Lirico di Cagliari [Blu-ray]
Naxos AudioVisual · Mar 2020Blu-Ray$34.99 -
Respighi: La Campana Sommersa / Renzetti, Teatro Lirico di Cagliari [Blu-ray]
Naxos AudioVisual · Jun 2018Blu-Ray$34.99 -
Rhapsody & The Two Pigeons / Ashton, Wordsworth, Orchestra of the Royal Opera House [Blu-ray]
Opus Arte · Oct 2016Blu-Ray$39.99 -
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Rimsky-Korsakov: Sadko / Zangiev, Bolshoi Theater Orchestra [Blu-ray]
BelAir Classiques · Nov 2021Blu-Ray$36.99 -
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Rimsky-Korsakov: The Snow Queen / Scottish Ballet Orchestra [Blu-Ray]
Opus Arte · Jan 2021Blu-Ray$26.99 -
Rimsky-Korsakov: Tsar's Bride / Barenboim, Peretyatko, Tomowa-Sinto, Kranzle, Cernoch [Blu-ray]
BelAir Classiques · Sep 2015Blu-Ray$36.99 -
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Rossini: Armida / Zedda, Symphony Orchestra & Chorus Opera Vlaanderen [Blu-ray]
Dynamic · Jan 2017Blu-Ray$36.99 -
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Rossini: Ciro Di Babilonia /Crutchfield, Podleś, Spyres, Pratt, Palazzi [blu-ray]
Opus Arte · Aug 2013Blu-Ray$39.99 -
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Rossini: Il barbiere di Siviglia / Mazzola, London Philharmonic [Blu-ray]
Opus Arte · Jun 2017Blu-Ray$39.99
Purcell: King Arthur / Jacobs, Akademie fur Alte Musik Berlin [Blu-ray]
Also available on standard DVD
The collaboration of the poet John Dryden and Henry Purcell marked a conspicuous leap forward for English opera. Their greatest project, King Arthur, is a five-act ‘dramatick opera,’ the text of which had its origins in a patriotic musical play Dryden had written in 1684 but which he radically overhauled. The result was a work that appealed to the audience’s enthusiasm for fine costumes, lavish sets, ingenious stage machinery and a cast of singers, dancers and instrumentalists, containing vocal show-stoppers such as the imperishable ‘Frost Scene’ and ‘Fairest isle.’ This critically acclaimed staging uses a new performing edition by Rene Jacobs, and is sung in English with German dialogue. Bachtrack.com greatly admired the 2017 performance: “The singing cast- all of which played up to six parts each- were strong throughout Soprano Anett Fritsch marveled as Merlin’s trusty spirit Philidel and Cupido, her coloratura agile and light, her singing and speaking impressive both on stage and whilst airborne. Bass Johannes Weisser played a suitably repulsive Grimbald and convinced vocally in the Cold Genius’ staccato aria “What Ho,” Soprano Robin Johannsen and Altus Benno Schachtner delighted particularly during their touching love duet.”
Quiet Winter Nights
RACHMANINOFF LIVE - PIANO CONCERTOS & THE PAGANINI
Rachmaninoff: Piano Concerto No. 2 / Chailly; Fujita (BR)
For Riccardo Chailly, celebrating Rachmaninoff in Lucerne is something dear to his heart. In 2022, the the Lucerne Festival Orchestra and their music director devoted themselves to the Second Symphony and the Piano Concerto No. 2, the most famous of all four Rachmaninoff concertos. "The harmonic ideas are his special hallmark. One need only hear three chords to recognize his creative genius immediately," Chailly once said of Rachmaninoff's timbres. Japanese pianist Mao Fujita took on this grandiose work's emotional power and virtuosity. Since winning the silver medal in the XVI Chopin Competition in 2019, this exceptional artist has been playing in the world's most renowned concert halls.
Rameau: Hippolyte et Aricie / van Mechelen, Benoit, Pichon, Pygmalion [Blu-ray]
Rameau’s first opera Hippolyte et Aricie delivered a lyrical tragedy of such extraordinary intensity it changed the course of French music, stunning and overwhelming its audiences. This breathtaking spectacle involves prince Hippolyte, who asks his mother-in-law Queen Phédre for help in wooing the beautiful Aricie, little knowing that Phèdre secretly wants Hippolyte for herself. In a single work Rameau re-invented tragédie en musique with dramatic expressiveness and shocking harmonic innovations. It is seen here in an acclaimed Opéra Comique production that personifies Rameau’s assertion that ‘music must speak to the soul, its true aim must be to express thoughts, feelings, and passions’.
Rameau: Les indes galantes / Bolton, Munchner Festspielorchester [Blu-ray]
Ravel: Orchestral Music, Vol. 1 / Slatkin, Orchestre National De Lyon [blu-ray Audio]
Also available on standard CD
RAVEL Alborada del gracioso. Pavane pour une infante défunte. Rapsodie espagnole. Pièce en forme de habanera. Shéhérazade: Ouverture de féerie. Menuet antique. Boléro • Leonard Slatkin, cond; Lyon Natl O • NAXOS 8.572887 (67:37); NAXOS NBD0030 (Blu-ray audio: 67:38)
In the last issue, I found myself enormously impressed by Slatkin’s Berlioz Symphonie fantastique , so when I received his latest CD labeled Ravel Orchestral Works 1, I was expecting him to do as right by one French composer as he did by another. That must sound pretty silly, I know, but in the event, Slatkin doesn’t disappoint. He now presides over a French orchestra, but to listen to these performances, you wouldn’t know that it wasn’t the Philharmonic of London, Berlin, or New York. That’s very high praise for both the Lyon National Orchestra and for what Slatkin has achieved with the ensemble in so short a time. But it doesn’t necessarily make his Ravel special or more desirable than that by other conductors and orchestras.
Unlike Debussy, whose orchestral output is fairly limited, Ravel actually wrote a good deal of original music for orchestra, but no small volume of it is bound up in his early vocal and choral works, and is therefore not usually included in complete collections of scores that are exclusively for orchestra. But then any collection of Ravel’s purely orchestral works, which were originally conceived for orchestra, are mainly ballet and choreographed scores that can be counted on the fingers of one hand, and only one of them is on this disc— Boléro . But what of the other famous pieces included here?
Alborada del gracioso is the fourth movement from Miroirs , originally a suite for solo piano. It and two other numbers from the five-movement suite were subsequently orchestrated by Ravel himself. Pavane pour une infante défunte is a student piece Ravel wrote for solo piano in 1899 while under the tutelage of Fauré at the Paris Conservatory. Ravel orchestrated the Pavane himself, but not until 1910. Rapsodie espagnole was originally composed as a piece for piano duet in 1907, then orchestrated a year later. Ravel probably projected this to be an orchestral work from the start, but wanted to take his time working out the orchestration. Pièce en forme de habanera is, and was, as far as Ravel was concerned, a wordless vocalise for voice and piano. It exists in a number of instrumental arrangements—the present one is adapted for violin—none of which is by Ravel. Shéhérazade: Ouverture de féerie , like the Rapsodie espagnole , was originally sketched for piano, but intended for orchestra. It was destined to become the overture to an opera by the same name which Ravel worked on in 1898 but never completed. Menuet antique is another piece composed for solo piano, this one in 1895. Ravel did get around to orchestrating it himself, but not until 1929. And finally, Boléro . This is the one piece on Volume 1 of Slatkin’s Ravel survey, which, as far as we know, went straight to its orchestral form without passing through a piano version. Interestingly though, it made a backward migration to piano when Ravel subsequently produced two keyboard arrangements, one for two pianos and one for piano four-hands. The piece was commissioned by the famous dancer, Ida Rubinstein—she who played the saint in Debussy’s The Martyrdom of St. Sebastian and scandalized the Parisian archdiocese. It was bad enough to cast a woman in the role of a male saint, but a Jewish woman, and a lesbian to boot, went too far.
It seems that Ravel’s Boléro caused a flap of its own, but it wasn’t an ecclesiastical one. The work was wildly successful from its very first performance at the Paris Opéra in 1928. But not long after, Ravel and Toscanini got into a dispute over the conductor’s tempo when he led the New York Philharmonic in the piece in Paris during the orchestra’s European tour. The two men exchanged heated words backstage, Ravel criticizing Toscanini for taking the piece too fast and not following his indicated tempo. Toscanini is alleged to have replied, “When I play it at your tempo, it’s not effective.” To which Ravel shot back, “Then don’t play it.” I’m afraid I’m with Toscanini on this one. For me, Boléro can’t be played too fast, the faster the better. Much as I take pleasure in most of Ravel’s music and can appreciate Boléro ’s mechanics, it’s one of those few works, like Orff’s Carmina Burana , that induces in me a feeling of revulsion. So, by all means, get it over with as quickly as possible.
Those who prefer their Boléro drawn out will no doubt like Slatkin’s reading of it, but Ravel might have the opposite complaint he voiced to Toscanini. The score is marked 72 to the quarter note. I tested the current performance against my metronome and found that Slatkin begins at 67 and gradually speeds up, finally reaching 72 about 30 seconds from the end. But this is not what Ravel wanted; he was clear that he wanted a steady beat maintained throughout.
As indicated at the outset, this is a finely performed program of Ravel favorites. The Lyon orchestra has the full measure of this music in its DNA, producing the veritable kaleidoscope of colors, both bright and pastel, that Ravel calls for. And unless you’re a Boléro fanatic, I wouldn’t be too hard on Slatkin for his slight deviation from the composer’s explicit instructions. A conductor’s job, after all, is to offer an interpretation. The recording, too, is quite good, though not as dynamic as the Berlioz Fantastique I reviewed from this same source. I’m inclined to recommend this release, but as a nicety rather than a necessity, to those in the market for a new sampler of Ravel favorites.
FANFARE: Jerry Dubins
Ravel: Orchestral Works, Vol. 2
It is also available on standard CD.
Maurice Ravel’s Valses nobles et sentimentales present a vivid mixture of atmospheric impressionism, intense expression and modernist wit, his fascination with the waltz further explored in La valse, a mysterious evocation of a vanished imperial epoch. Heard here in an orchestration by Marius Constant, Gaspard de la nuit is Ravel’s response to the other-worldly poems of Aloysius Bertrand, and the dance suite Le tombeau de Couperin is a tribute to friends who fell in the war of 1914–18 as well as a great 18th-century musical forbear. ‘It is a delightful and assorted collection…presented in splendid performances by the Orchestre National de Lyon led by their music director, the venerable American conductor Leonard Slatkin.’
Ravel: Valses nobles et sentimentales - La valse - Daphnis e
Reich: Rain, Music for 18 Musicians / Opera National de Paris [Blu-ray]
A Blu-ray video of a stunning 2014 performance choreographed by Belgian modern great Anne Teresa de Keersmaeker, performed by members of the Paris Opera Ballet and set to Music for Eighteen Musicians, Steve Reich's major score composed in 1976. In tandem with the score rendered here by Ensemble Ictus and the Synergy Vocals ensemble, ‘Rain’ draws its spatial polyphony which manifests on the stage in a glorious pastiche of dancers and rhythm. Created by De Keersmaeker’s company, Rosas in 2001, “Rain” entered the Paris Opera Ballet's repertoire ten years later and reinforces her key role not just in the world of modern dance but in the worlds of contemporary art.
Respighi: La bella dormente nel bosco / Renzetti, Teatro Lirico di Cagliari [Blu-ray]

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.
Also available on standard DVD
Ottorino Respighi’s La bella dormente nel bosco (‘The Sleeping Beauty’) was originally commissioned by the renowned puppeteer Vittoria Podrecca. The revised version we hear today preserves much of the kaleidoscopic approach and magnified characters and emotions of that original; now enhanced by the composer’s matchless orchestration. This famous story in which the Princess pricks her finger on a spindle and sleeps for centuries until kissed by her Prince is given a magical atmosphere through director Leo Muscato’s colorful staging, and the superb cast of this Teatro Lirico di Cagliari production truly inhabits an enchanted realm.
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REVIEW:
Ottorino Respighi’s La bella dormente nel bosco (‘The Sleeping Beauty’) was originally commissioned by the renowned puppeteer Vittoria Podrecca. The revised version we hear today preserves much of the kaleidoscopic approach and magnified characters and emotions of that original; now enhanced by the composer’s matchless orchestration. This famous story in which the Princess pricks her finger on a spindle and sleeps for centuries until kissed by her Prince is given a magical atmosphere through director Leo Muscato’s colorful staging, and the superb cast of this Teatro Lirico di Cagliari production truly inhabits an enchanted realm.
– Gramophone
Respighi: La Campana Sommersa / Renzetti, Teatro Lirico di Cagliari [Blu-ray]
Also available on standard DVD
The opera La campana sommersa (‘The Sunken Bell’) is Respighi’s operatic masterpiece. A symbolist drama on a supernatural theme, it is steeped in beauty, mystery and foreboding, and orchestrated with the Romantic opulence familiar from his sumptuous trilogy of Roman tone poems. Its triumph at the New York Metropolitan Opera in 1928 was repeated at La Scala, Milan, and this most recent production at the Teatro Lirico di Cagliari, world-renowned for its staging of rarities, was hailed for its ‘brilliant production’ and magnificent performances. Directed by Pier Francesco Maestrini, this production features a lineup of modern opera stars including Valentina Farcas, Maria Luigia Borsi, Agostina Smimmero, Angelo Villari, and more.
RESPIGHI: LA FIAMMA
Respighi: Maria Egiziaca
Rhapsody & The Two Pigeons / Ashton, Wordsworth, Orchestra of the Royal Opera House [Blu-ray]
This release features two Frederick Ashton ballets in one exquisite evening performance. Principals Natalia Osipova and Steven McRae dance Ashton’s Rhapsody, created for The Royal Ballet in 1980 by Mikhail Baryshnikov and Lesley Collier, with spectacular choreography to suite the dancers’ star reputations. Lauren Cuthbertson and Vadim Muntagirov lead a charismatic cast in Ashton’s poignant and heart-warming reflection on love, The Two Pigeons, based on an old French folk tale and first performed on Valentines Day 1961. These two ballets from the company’s founder choreographer capture The Royal Ballet’s famous skill and distinctive style. Barry Wordsworth conducts the Orchestra of the Royal Opera House in the rapturous Rachmaninoff and Messager scores. Financial Times gave this performance five stars, stating: “…Steven McRae… cutting tremendous shapes in the air, wrapping the score round himself…”
Rimsky-Korsakov: Le Coq d'Or (The Golden Cockerel)
Rimsky-Korsakov: Sadko / Zangiev, Bolshoi Theater Orchestra [Blu-ray]
| In the 13th century, the rich merchants of Novgorod mock the dreams of far-away journeys and of commercial conquests brought forth by Sadko, a musician and singer. But Volkhova, the Sea King’s daughter, is enchanted by Sadko’s voice, and promises to help him fulfill his dreams... Sadko is a decisive work in Nikolai Rimsky-Korsakov’s aesthetic evolution. As in many operas, the composer draws his artistic material from Russian folk and fairytales, but also from old musical and poetic forms. The result is a prodigious opera, whose modernity - both dramatic and musical - erupts from the fabulous resources of traditional Russian epics, but also from the wonders of the marine universe, close to his former navigator self’s heart. A subtle analyst of the slavic soul, stage director Dmitri Tcherniakov comes back to the great stage of the Bolshoi Theater and devises a surprising production that perfectly underlines the ambiguities of this paradoxical opera, between past and present, fantasy and reality. He surrounds himself with magnificent Russian soprano Aida Garifullina, but also some of his favorite singers : Mikhail Petrenko, Ekaterina Semenchuk... In the pit and at the head of the Bolshoi Theater Orchestra, young Russian conductor Timur Zangiev breathes in this little-know masterpiece all the energy, all the poetry, and all the passion it requires. |
Rimsky-Korsakov: The Snow Queen / Scottish Ballet Orchestra [Blu-Ray]
This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.
Also available on standard DVD
Scottish Ballet’s 50th anniversary year came to a spectacular close with the world premiere of The Snow Queen. This glittering new production is inspired by Hans Christian Andersen’s much-loved tale – which was also the basis for Frozen. It is set to the music of Rimsky-Korsakov, performed live by the full Scottish Ballet Orchestra. From the bustle of a winter’s market to the shivers of a fairytale forest, take a journey to the Snow Queen’s icy palace. Along the way you’ll meet a colorful cast of characters, from young lovers parted by a spell to a circus ringmaster with a few tricks up his sleeve. This glittering production is sure to delight the whole family. “Scottish Ballet’s Christmas present to us all... a truly memorable high.” (The Glasgow Herald)
Rimsky-Korsakov: Tsar's Bride / Barenboim, Peretyatko, Tomowa-Sinto, Kranzle, Cernoch [Blu-ray]
Also available on standard DVD
Based on an historical case, Nikolai Rimsky-Korsakov’s The Tsar’s Bride takes place in the suburbs of Moscow during the reign of Tsar Ivan IV, “the Terrible”, during the latter half of the 16th c. Widowed, he is looking for a new wife, his third. He chooses the young Marfa. She loves another man but bends to the Tsar’s will and renounces her love for the other. From this plot, Russian director Dmitri Tcherniakov retains only the frame. A live competition is organized for a virtual monarch, much like the reality shows of today. Here, the characters become the various players of the audiovisual industry bringing an acerbic critic to contemporary television. Daniel Barenboim conducts the Staatskapelle Berlin. With Olga Peretyatko, Anita Rachvelishvili and Johannes and Martin Kränzle. Recorded at Staatsoper, Im Schiller Theater Berlin, in October 2013.
Roberto Devereux
ROMANTIC TAKE - MARTHA ARGERICH & GUY BRAUNSTEIN
Romeo and Juliet / Edun, Kendrick [Blu-ray]
William Shakespeare
ROMEO AND JULIET
(Blu-ray Disc Version)
Prince Escalus – Andrew Vincent
Mercutio – Philip Cumbus
Paris – Tom Stuart
Montague – Michael O'Hagan
Lady Montague – Holly Atkins
Romeo – Adetomiwa Edun
Benvolio – Jack Farthing
Abraham / Apothecary – Graham Vick
Balthazar / Peter / Gregory – Fergal McElherron
Capulet – Ian Redford
Lady Capulet – Miranda Foster
Juliet – Ellie Kendrick
Tybalt – Ukweli Roach
Nurse – Penny Layden
Friar John / Sampson – James Lailey
Friar Lawrence – Rawiri Paratene
Dominic Dromgoole, director
Simon Daw, design
Sian Williams, choreographer
Music composed by Nigel Hess
Recorded live at Shakespeare's Globe Theatre, London, August 2009.
Bonus:
- Cast gallery
- Famous speeches
Picture format: 1080i High Definition
Sound format: LPCM 2.0 / DTS-HD Master Audio 5.1
Region code: 0 (worldwide)
Menu language: English
Subtitles: English
Running time: 171 mins
No. of Discs: 1 (BD 50)
Dominic Dromgoole’s production brings refreshing clarity to one of Shakespeare’s most famous and best-loved tragedies, drawing out the contemporary relevance of this passionate teenage love story. Ellie Kendrick, a truly youthful Juliet, and Adetomiwa Edun, a boyish Romeo, head an excellent cast whose period costumes point to the timelessness of parental disapproval, adolescent temperament, rivalry and violence. Filmed before a live audience at Shakespeare’s Globe in the heart of London, its intimate and atmospheric setting adds immediacy and vitality to the humour and passion of Shakespeare’s verse. Filmed in High Definition and true surround sound.
ROMÉO ET JULIETTE
Rossini: Armida / Zedda, Symphony Orchestra & Chorus Opera Vlaanderen [Blu-ray]
Also available on standard DVD
Opera Vlaanderen of Antwerp continues its Rossini Cycle under the musical direction of conductor Alberto Zedda (87), with the rarely performed opera Armida. Armida is clearly a tenor opera par excellence, as we have four tenors here among the main roles. Enea Scala , Robert McPherson, Dario Schmunck and the young Adam Smith. Director Mariame Clément and her usual set designer Julia Hansen will also return to Opera Vlaanderen after the successfull Giasone by Cavalli released by Dynamic. They are now taking a critical look at the world of the Crusaders. Clément sees Armida as the incarnation of the concept of ‘love’, which in itself is magic and for which noble and heroic knightly ideals are cast aside. However, it is a love that turns into a destructive frenzy.
Rossini: Ciro Di Babilonia /Crutchfield, Podleś, Spyres, Pratt, Palazzi [blu-ray]
Also available on standard DVD
The Biblical story of Belshazzar's hubristic arrogance set against the valour of the young warrrior-leader Cyrus provided the 20-year-old Rossini with a dramatic story with West-Eastern resonances which still speak to us today. For the title role of Cyrus, Rossini wrote what would be his longest-ever contralto role, to which the great Rossini singer Ewa Podles is both naturally attracted and ideally suited. She is partnered by two young stars of Rossini singing, Jessica Pratt and Michael Spyres, and a conductor-scholar, Will Crutchfield, of immense experience and sympathy.
What the press said:
''In the title role, the booming contralto Ewa Podles gives the kind of old-style, intensely felt performance that is her trademark. As Amira, the soprano Jessica Pratt established herself in two daunting arias as a brilliant new presence on the bel canto scene.'' New York Times
Gioachino Rossini CIRO IN BABILONIA
(Blu-ray Disc Version)
Ciro – Ewa Podles
Amira – Jessica Pratt
Baldassare – Michael Spyres
Zambri – Mirco Palazzi
Argene – Carmen Romeu
Arbace – Robert McPherson
Daniello – Raffaele Costantini
Ned Keene – George von Bergen
Bologna Teatro Comunale Chorus and Orchestra Will Crutchfield, conductor
Davide Livermore, stage director
Recorded live at the Rossini Opera Festival, Pesaro, August 2012
Bonus:
- Cast gallery
Picture format: 1080i High Definition Sound format: LPCM 2.0 / DTS 5.1
Region code: 0 (worldwide)
Subtitles: English, French, German, Japanese, Korean
Running time: 165 mins
No. of Discs: 1 (Blu-ray)
Rossini: Il barbiere di Siviglia / Mazzola, London Philharmonic [Blu-ray]
The ''sheer visual sophistication'' of Annabel Arden's Barbiere serves ''a triumphant celebration of Rossini's musical genius'', featuring de Niese's ''powerfully sung'' Rosina, Burger's ''gale-force'' Figaro and Stayton's ''pure and mellifluous'' Almaviva - a leading trio ''musically and dramatically beyond compare'' (The Independet - 5 stars). Contributing to the ''ensemble precision'', the rest of the cast includes a ''scene-stealing'' Berta in Kelly, a ''suavely unctuous'' Basilio from Stamboglis and Corbelli's Bartolo, ''an object lesson in comic understatement'' (The Guardian). With Enrique Mazzola at the helm of the London Philharmonic Orchestra, ''the score bubbles along on a Puckish current of merry mischief'' (The Telegraph).