These three facets in the prism of Mozart's operatic genius shine in Glyndebourne's typically thought-provoking productions, featuring skilled singer-actors buoyed by the Orchestra of the Age of Enlightenment's luminous period sound. Nicholas Hytner's beautiful, 'shockingly traditional' production of Cos� fan tutte frames artful performances teased by Ivan Fischer from an outstanding international cast of convincing young lovers. Michael Grandage's staging of Le nozze di Figaro is Glyndebourne's seventh in a line stretching back to the company's 1934 debut production. Marshalled by the 'ideal pacing' of Robin Ticciati, a youthful cast of principals has 'no weak link' and 'looks gorgeous' (The Sunday Times). David McVicar's Die Entfuhrung aus dem Serail offers a 'mesmerising, sensitive... outstanding' portrayal of Enlightenment-era fascination with the East that is both 'exquisitely acted and sung' (The Guardian), and Ticciati leads the OAE through a restored, authentic rendition of the critical score with 'lovely fizz' and 'poignant gravitas'. (The Independent). "Glorious orchestral playing and magnificent singing under Ivan Fischer" (Cosi fan tutte - BBC Music Magazine) "Finely conducted by Robin Ticciati, McVicar's production of Mozart's Turkish comedy is a vocal and visual treat." (Die Entfuhrung - The Stage) "... this is a Figaro of rare grace, naturalness and charm." (Le Nozze di Figaro - The Daily Telegraph)