Today! Is Skip James' second album, originally released in 1966. The album features James solo on all but one track, "How Long," which includes Russ Savakus on bass. AllMusic asserts, "wonderful vocals, superb guitar and a couple of tunes with tasty piano make this essential."

LIVE AT BUDDY GUY'S LEGENDS

Limited 180gm vinyl LP pressing. Last Night Blues is Lightnin' Hopkins' 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins' and Terry's different yet complementary styles to create a well-rounded listening experience. AllMusic declared, "this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth."

Vinyl LP pressing. Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco. Featuring originals and King's rendition of classics, the album demonstrates Albert King's blues prowess. According to Rolling Stone, this album is "Just the unadulterated pure and simple blues."

AIN'T NOBODY'S BUSINESS: THE SINGLES COLLECTION

Pkg:180gram Heavy Today! Is Skip James' second album, originally released in 1966. The album features James solo on all but one track, "How Long," which includes Russ Savakus on bass. This 180-gram LP pressed at QRP includes an obi with notes by Scott Billington, a paper-wrapped jacket and (AAA) lacquers cut from the original master tapes by Matthew Lutthans at The Mastering Lab. AllMusic asserts, "wonderful vocals, superb guitar and a couple of tunes with tasty piano make this essential."

Acrobat has devoted a number of collections to the blues guitarists and singers who represent what is known as the Piedmont school of blues - artists whose roots were in the region surrounding Atlanta, Georgia, and developed a fairly distinctive style of blues during the late 1920s and through the '30s, the best-known names including Blind Blake, Barbecue Bob, Blind Willie McTell, Josh White, Blind Boy Fuller and Buddy Moss. Curley Weaver was another prominent Piedmont bluesman, and an especially noted guitarist who was often invited to play on sessions with artists mentioned above, and whose recording career, albeit fitfully, extended through to 1950. This 50-track 2-CD collection comprises recordings under his own name for the Columbia, QRS, Okeh, Banner, Vocalion, Decca, Sittin' In With and Regal labels. It includes recordings which were duets with Eddie Mapp, Ruth Willis, Fred McMullen, Clarence Moore and Blind Willie McTell along with titles where he performed as a member of the Georgia Cotton Pickers alongside Barbecue Bob and Buddy Moss, and The Georgia Browns, and on which he accompanied Buddy Moss or Blind Willie McTell. It's a great showcase for a lesser-known blues luminary who nevertheless made a considerable contribution to the Piedmont sub-genre.

Limited 180gm vinyl LP pressing. A compilation of singles released from 1953 and 1958, I'm Jimmy Reed is his debut full-length album. Initially released in 1958 on Vee-Jay Records, this album features "Ain't That Lovin' You Baby," which hit #8 on the Billboard R&B chart. Record Collector Magazine hails the album as "Arguably the first great blues album" and "testament to the thrilling talent of one of the form's most influential figures." Bluesville Acoustic Sounds Series is remastered from the original tapes.

Gary Moore - "Bad for You Baby" [2 LP] Bad for You Baby is the 17th studio album by legendary Irish blues guitarist and singer Gary Moore. Released in 2008, it was the final album to be released in Moore's lifetime. Includes "Down the Line," "Did You Ever Feel Lonely?" and the title track. 2 LP set with printed inner sleeves.

Limited edition 180-gram vinyl reissue of the classic album The Big Soul of John Lee Hooker features the legendary bluesman's soulful recordings along with select bonus tracks

Lightnin' Hopkins (1912-1982) was a country bluesman of the highest caliber whose career began in the 1920s and stretched all the way into the 1980s. One of the most influential blues guitarists to come out of the state of Texas, Hopkins' unique fingerpicking guitar style would alternate single-note leads with rhythm and bass guitar, adding percussive elements by slapping or tapping the body of his guitar. The Rooster Crowed in England was recorded in 1959, a few years before Hopkins' first trip across the Atlantic. His first London trip would take place as part of the 1964 International American Folk Blues Festival. THE COMPLETE ALBUM + 2 BONUS TRACKS - 180-GRAM VIRGIN VINYL - LIMITED EDITION

A prominent member of Chess' house band who elevated the recordings of Muddy Waters, Little Walter came into his own as a frontman with a unique, amplified approach to the harmonica - arguably doing for the blues harp what Chuck Berry or Jimi Hendrix did for the electric guitar. This must-hear collection offers a dozen of his greatest singles, including the No. 1 R&B hits "Juke" and "My Babe," "Mean Old World," "Blues with a Feeling" and more, plus original liner notes by legendary Chicago historian Studs Terkel. Bring home the sound of America's greatest blues label in high fidelity with the Chess Records 75th Anniversary Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered from the original analog tapes and pressed on 180-gram vinyl at Quality Record Pressings (QRP). Each disc is packaged in tip-on gatefold sleeves printed on high-grade board.

Vinyl LP pressing. John Lee Hooker, known as "The King of the Boogie" and "the Boogie Man", was a true Blues icon. Quality rather than quantity is the key to Hooker's singular success. He did not have a huge number of hits in the R&B chart, but those that did make a major impact would provide some of the key musical architecture for future blues and rock artists. When he came to prominence in the late '40s, he was playing blues in a way that was regarded as somewhat spare, his dark repetitive vocals supported only by his amplified guitar and his stamping foot. His was no overnight stardom. Having paid his dues over many years, once he started recording, he did so prolifically. This fine collection of his earlier songs demonstrates Hooker's blues virtuosity while at the same time establishing his work as a signpost to a deeper understanding of the British Blues explosion. It features a host of early hits including the iconic No.1's "Boogie Chillen'" and "I'm In The Mood", alongside "Hoogie Boogie", "Hobo Blues", "Crawlin' King Snake", "Dimples", "No Shoes" and, naturally, the timeless "Boom Boom"

AMERICAN BLUES POP ROCK ROOTS MUSICIAN " "I was so happy to hear the latest new music from Matthew Curry. I've always really admired Mathew's music, ever since he, and his band began playing shows with us, maybe 6, or 7 years ago. The audience loved his well crafted songs, soaring guitar solos, and soulful singing. We were part of that audience. He is the real deal. His most recent album, 'Open Road', is further proof that Matthew Is continuing to hone his formidable chops. Mathew rips it up on the title track, which reminds me of a Delaney & Bonnie style Eric Clapton tune, and I say this with admiration, since that is one of my favorite Clapton eras. 'On My Way', is just great rointuneck 'n roll, in sort of a Skynyrd vein. 'I Think Of You', a beautiful ballad of lost love, and hope. Then there is some extreme angst in 'Workin' It Out'. A really interesting production, and once again, some killer guitar playing, and amazing vocals. Every song on the album has something special that sets it apart, and makes this a complete package. I've listened to all the songs several times, and I continue to hear things I hadn't noticed before. There's so much great music on this recording. I can't recommend it enough. Check it out, I know you'll feel the same!" - Pat Simmons (The Doobie Brothers)

I was so happy to hear the latest new music from Matthew Curry. I've always really admired Mathew's music, ever since he, and his band began playing shows with us, maybe 6, or 7 years ago. The audience loved his well crafted songs, soaring guitar solos, and soulful singing. We were part of that audience. He is the real deal. His most recent album, 'Open Road', is further proof that Matthew Is continuing to hone his formidable chops. Mathew rips it up on the title track, which reminds me of a Delaney & Bonnie style Eric Clapton tune, and I say this with admiration, since that is one of my favorite Clapton eras. 'On My Way', is just great rointuneck 'n roll, in sort of a Skynyrd vein. 'I Think Of You', a beautiful ballad of lost love, and hope. Then there is some extreme angst in 'Workin' It Out'. A really interesting production, and once again, some killer guitar playing, and amazing vocals. Every song on the album has something special that sets it apart, and makes this a complete package. I've listened to all the songs several times, and I continue to hear things I hadn't noticed before. There's so much great music on this recording. I can't recommend it enough. Check it out, I know you'll feel the same! - Pat Simmons (The Doobie Brothers)

For Robin Trower, stage and studio are two sides of the same coin. If you've followed the seven-decade career of the award-winning British bluesman, you'll know every song on One Moment In Time: Live In The USA. But unless you've pushed your way to the front of his sell-out shows, you've never heard them like this before. "I'm a different player on the stage," considers the 80-year-old. "It's almost impossible to get to that point in the studio. It's the sound of the guitar, it's the volume, it's the crowd. For what I do, it takes one hundred per cent commitment for it to work. But if you do it well, it's life-affirming."

Recorded Live in Albert Cummings Home Town Williamstown MA

Recorded Live in Albert Cummings Home Town Williamstown MA

For Robin Trower, stage and studio are two sides of the same coin. If you've followed the seven-decade career of the award-winning British bluesman, you'll know every song on One Moment In Time: Live In The USA. But unless you've pushed your way to the front of his sell-out shows, you've never heard them like this before. "I'm a different player on the stage," considers the 80-year-old. "It's almost impossible to get to that point in the studio. It's the sound of the guitar, it's the volume, it's the crowd. For what I do, it takes one hundred per cent commitment for it to work. But if you do it well, it's life-affirming."

Packed with eclectic songs, supercharged guitar and emotional heat, Albert Cummings' sixth album No Regrets kicks open a new creative door for the six-string virtuoso who's so far made his bones in the blues. With the new album, Cummings has delivered a release that poignantly captures the core of his influences, displaying the impact that R&B, Rock, Soul, Country and the Blues have had on both his playing and writing. "This album is really who I am, as an artist and a man," says Cummings. "It's a return to my true musical roots and the first step in really defining my identity as a mature artist. I approached this with one intent, deliver a collection of great songs that I'll be proud to perform for the rest of my life without feeling confined to a specific genre. I am a Blues man, and I will always be one, but inevitably that foundation now reveals a couple of other floors being constructed as the house rises."

Albert Cummings first recording, recorded in Albany NY in 90 minutes.

The period from around 1950 to 1965, when B.B. King released numerous recordings on RPM Records and Kent, can be considered not only the earliest but also one of the most glorious chapters in the career of this blues giant. This album, originally released in 1964, is Kent's ultimate "greatest hits" compilation - the most powerful collection of B.B.'s early masterpieces.

CAREER ANTHOLOGY: VOCALION & BLUEBIRD RECORDINGS

I want to shock people," says Solomon Hicks with a megawatt smile. And whether you were there at his barely legal teenage club shows, caught on for 2020's breakout debut Harlem - or are hearing him for the first time on new album How Did I Ever Get This Blue - the rebel energy of this acclaimed New York singer-songwriter always moves the needle. His new songs race from earworm originals, past pop covers torn up with electronica and punky riffs, to reignited blues standards that prove how potent this genre still is in the right hands. "With this new record," reflects Hicks, "I wanted to showcase where my ear, my head and my guitar playing is at right now

Laura Chavez is an American blues, soul, and rhythm and blues guitarist, songwriter and record producer. She has worked with many other musicians, including Deborah Coleman, Candye Kane, Dani Wilde, The Mannish Boys, Mike Ledbetter, Monster Mike Welch, Vanessa Collier, Casey Hensley and Whitney Shay. Her playing style is based in the Texas and Chicago blues traditions, both classic and modern genres.[3] In 2021, she was nominated at the 42nd Blues Music Awards in the category 'Instrumentalist - Guitar'.[4] This was her second such nomination, as Chavez had been listed two years earlier in the same category.[5] In 2023, Chavez finally triumphed in the same category 'Instrumentalist - Guitar'