The Olufsen Years 1988-1994

Just in Time is a long-overdue spotlight on one of jazz's most quietly influential pianists. Recorded in 1989 with Bob Cranshaw on bass and Kenny Washington on drums, this trio session captures Willis's lyrical touch, harmonic depth, and rhythmic sophistication in full bloom. Willis's career began with a voice solo in Aaron Copland's The Second Hurricane under Leonard Bernstein, but jazz soon claimed him. By 19, he was playing with Jackie McLean and Hugh Masekela, and later with Stan Getz, Cannonball Adderley, and Blood, Sweat & Tears. His style-rooted in Bill Evans, Wynton Kelly, and Herbie Hancock-melds cerebral modernism with soulful hard bop. The album features a mix of standards and originals, including the swinging title track, the introspective "Soul Search," and the Monk-inspired "T's Bag Blues." His Latin-tinged "Te Quiero Mi Hermano" and homage to Herbie Hancock on "One Finger Snap" reveal a pianist deeply attuned to rhythm and tradition. Critic Russ Musto writes, "Considering the pianist's continuous growth in forty years of playing, I'd say it's timing is prime. I'll take it now. And look to the future for more." Willis himself praises Cranshaw's ballad work and calls Washington "perhaps the finest young drummer to come along in a long time." G1251 is not just timely-it's timeless. A must-have for collectors and a revelation for new listeners. ".Larry Willis plays piano with style, soul and a constant stream of heart." (Jerome Wilson, Cadence)

Originally released in 1979 and reissued on CD in 1996 with bonus material, G1128 stands as a vibrant snapshot of two masterful trumpeters-John McNeil and Tom Harrell-at a pivotal moment in modern jazz. Now, for the first time, this landmark session returns in stunning 24bit/96kHz remastered fidelity on heavyweight 180g vinyl, preserving the warmth and swing of the original analog tapes. Backed by a stellar rhythm section featuring Kenny Barron (piano), Buster Williams (bass), and Billy Hart (drums), McNeil and Harrell engage in a spirited, lyrical dialogue that's as respectful of tradition as it is forward-looking. Their interplay is marked by mutual admiration rather than rivalry-Harrell's bright, unflappable tone contrasts beautifully with McNeil's introspective, saxophone-inspired phrasing. For audiophiles, collectors, and jazz devotees alike, this is not just a reissue-it's a rediscovery. "... it's never a duel of trumpets here but it's the duet of trumpets... When the two trumpeters share technique and inspiration, one cannot but enjoy the inevitable result... " (Alain Tercinet, JAZZ HOT).

Chicago's grand tenor man Earle Lavon "Von" Freeman Sr. (October 3, 1923 - August 11, 2012) was a revered and most loved elder of the jazz scene in the Windy City. Von has been on producer Nils Winther's top priority list of the musicians he wanted to record. The dream came true in the late spring of 1992, when Von was 72. Von's powerful tenor is tastefully supported by his trusted rhythm section of Jodie Christian (piano), Eddie de Haas bass) and Wilbur Campbell (drums).. "This is an excellent introduction to the Chicago style of tenor playing and to four extremely creative musicians at their peaks." (Cadence)

June 15, 1976 Long tall Dexter plunges into a blowing spree in this unusual piano-less trio format. "... It contains some of his freest solos, notably On Green Dolphin Street... " (The Penguin Guide to Jazz) C. Andrew Hovan the author of the new liner notes for the album writes: "Lullaby for a Monster", recorded just before his triumphant homecoming, stands as a powerful reminder of an era when jazz giants roamed in abundance. A favorite among musicians, this album deserves wider recognition within Gordon's impressive discography." "... intense and vibrant music throughout... " (DIAPASON, France) "... in this stripped down setting Dexter Gordon is truly on fire... " (Soulpope - The Jazz Beat) 180g Audiophile Vinyl

40 years ago Bill Evans and Jim Hall recorded two brilliant duo albums called "Intermodulations" and "Undercurrent". Andy Laverne and John Abercrombie whose collaboration dates back to the late 1960s have been inspired by the Evans-Hall recordings and have been experimenting with the format. Andy LaVerne remarks, "Over the years we have collaborated as a duo many times in concerts, club dates, workshop sessions. I guess Bill and Jim set a wonderful example to us of what could be achieved by the piano/guitar instrumentation". This LP, though it is neither re-creation nor copying of the original material, is an evolution of the predecessors. 180g Audiophile Vinyl

For Us

Swiss Nights, Vol. 3 180g Audiophile Vinyl

Digitally remastered edition of this 1976 album from the veteran singer/songwriter and performer. Chip Taylor is best known as the composer of 'Wild Thing'. He recorded this one album for CBS Records which has been long out of print on both vinyl and CD. For those not familiar with his name, Chip Taylor has written songs for Willie Nelson, Linda Ronstadt, the Hollies, Johnny Tillotson, Jackie Deshannon, amongst many others, in a career that has spanned five decades. 180g Audiophile Vinyl

First Set 180g Audiophile Vinyl

Trio 1 180g Audiophile Vinyl

Gypsy Dreams 180g Audiophile Vinyl

Violets For Your Furs 180g Audiophile Vinyl

Dancing On The Tables 180g Audiophile Vinyl

The Glass Room

The last of the seven recordings Chet Baker made for SteepleChase is from 1986. Chet visited Copenhagen in February 1986 to make a TV show and then went into a Copenhagen studio with American/European first- rate rhythm section. It was two years before his tragic and untimely death in Amsterdam at age 58. Baker's life was still shaky but productive as far as recordings and live performance are concerned. "... A rather melancholic session, but one of the better ones from the period. Lacy is a much-underrated piano player. He gives Chet a great deal of room... Lundgaard and Uotila are both thoroughly professional and contribute to a fine, unpredictable set." (The Penguin Guide To JAZZ) 180g Audiophile Vinyl

The Touch Of Your Lips 180g Audiophile Vinyl

Don't Look Back 180g Audiophile Vinyl

Swiss Nights, Vol. 1 180g Audiophile Vinyl

Double Bass 180g Audiophile Vinyl

Hindsight

Questions

Mama Rose 180g Audiophile Vinyl

The House That Love Built

Third Set 180g Audiophile Vinyl