Limited 180gm vinyl LP pressing. Tenor saxophonist Stanley Turrentine imbued every note he played with feeling and soul. His lesser-known 1968 classic, Common Touch, featured organist Shirley Scott, guitarist Jimmy Ponder, bassist Bob Cranshaw, and drummer Leo Morris (aka Idris Muhammad). Highlights include the groovy "Buster Brown" and the slow burn of "Lonely Avenue." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Limited 180gm vinyl LP pressing. Blue Note's roster in the 1960s boasted numerous Hammond B3 organ whizzes including the soulful Kansas City-born master, Big John Patton. The dynamic quintet that he assembled for his 1965 album Oh Baby! Packed a punch with the B3 master joined by Blue Mitchell (trumpet), Harold Vick (tenor saxophone), Grant Green (guitar), and Ben Dixon (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Double 180gm vinyl LP pressing. Joe Lovano's sublime 2003 album, I'm All For You: Ballad Songbook, found the saxophonist wrapping his ravishing sound around timeless melodies like, "Stella By Starlight," "I Waited For You," and "Like Someone In Love." This elegant set also introduced Lovano's marvelous quartet featuring Hank Jones (piano), George Mraz (bass), and Paul Motian (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Double 180gm vinyl LP pressing. Charlie Hunter's 1995 Blue Note debut Bing Bing Bing! Was a groove-heavy tour-de-force that announced the arrival of a virtuosic new guitarist on the scene. Hunter's unique concept on his 8-string guitar allowed him to lay down a bass line and play chords as well as a melodic line at the same time, producing music that was at once impressive and irrepressible. With his powerful trio featuring tenor saxophonist Dave Ellis and drummer Jay Lane plus contributions from trombonist Jeff Cressman, Ben Goldberg, pedal steel guitarist David Phillips, and percussionist Scott Roberts, Hunter delivered a 10-song set of propulsive originals including "Greasy Granny" and "Fistful of Haggis" plus an unforgettable cover of Nirvana's "Come As You Are." Hunter would go on to record six more excellent albums for Blue Note, and also gain notice for playing on D'Angelo's 2000 neo-soul masterpiece Voodoo. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.

Limited 180gm vinyl LP pressing. Extension was the last of three unique Blue Note sessions led by the singular saxophonist George Braith in the early 1960s. The album was rooted in soul jazz - with Grant Green (guitar), Billy Gardner (organ), and Clarence Johnston (drums) - but Braith's adventurous spirit led the music into unexpected realms on memorable originals like "Nut City." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Limited 180gm vinyl LP pressing. The soulful Louisiana-born tenor saxophonist, Don Wilkerson, made his Blue Note debut in 1962 with Preach Brother! - one of the most exuberant yet under-recognized soul jazz classics of the Blue Note catalog. The album featured the Ray Charles alum with Grant Green (guitar), Sonny Clark (piano), Butch Warren (bass), and Billy Higgins (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Limited 180gm vinyl LP pressing. One of the finest pianists and composers of the hard bop era, Sonny Clark arrived fully formed on his supremely swinging 1957 Blue Note debut, Dial "S" for Sonny. Clark assembled a top-flight sextet for the occasion with Art Farmer (trumpet), Curtis Fuller (trombone), Hank Mobley (tenor saxophone), Wilbur Ware (bass), and Louis Hayes (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Limited 180gm vinyl LP pressing. Lou Donaldson had already helmed 7 Blue Note sessions by the time he made his undisputed masterpiece Blues Walk in 1958. Joining the saxophonist were Herman Foster on piano, Peck Morrison on bass, Dave Bailey on drums, and Ray Barretto on congas for a 6-song set that yielded one of his most memorable themes with the cool struttin' title track. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.

Limited 180gm vinyl LP pressing. Organist "Brother" Jack McDuff came to Blue Note and made one of the most ambitious albums of his career with Moon Rappin'. Released in 1970, it features five funky, spaced-out originals including "Oblighetto," which would later be sampled by A Tribe Called Quest as the foundation of their classic tracks "Scenario," and "Check the Rhime." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Limited 180gm vinyl LP pressing. Ronnie Foster caught the ear of Blue Note Records after appearing on Grant Green's album Alive! And made his own Blue Note debut with Two Headed Freap. It includes covers of Al Green and Wilson Pickett along with originals like "Mystic Brew," which A Tribe Called Quest would later sample on their classic track "Electric Relaxation." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Vinyl LP pressing. Saxophonist and composer Charles Lloyd has been a free spirit, master musician, and visionary. At 84, he remains at the height of his powers and as prolific as ever. As a sound seeker, Lloyd has perhaps found no greater manifestation than on his Trio of Trios project, which encompasses 3 albums in different trio settings. The third, Trios: Sacred Thread, features guitarist Julian Lage and percussionist Zakir Hussain.

Vinyl LP pressing. As a sound seeker, Charles Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three albums with an overarching theme, each presenting him in a different trio setting - a trio of trios. The second release in the trilogy, Trios: Ocean, features guitarist Anthony Wilson and pianist Gerald Clayton.

Charles Lloyd - "Trios: Ocean" - As a sound seeker, Charles Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three albums with an overarching theme, each presenting him in a different trio setting-a Trio of Trios. The first The second, Trios: Ocean (out September 23), features guitarist Anthony Wilson and pianist Gerald Clayton.

Alto saxophonist Lou Donaldson hadn't recorded for Blue Note since 1963 when he returned to the label in 1967 and began a new chapter in his lengthy career. Sweet Papa Lou had helped lay Blue Note's soul jazz foundation alongside Hammond B3 organists including Jimmy Smith, Baby Face Willette, and Big John Patton going back to the late-1950s thru the early-60s on standout dates including his own Here 'Tis, Good Gracious!, and The Natural Soul. Upon his return Donaldson pushed ahead with a new hard-grooving sound on 1967's Alligator Bogaloowhich was the first of his many collaborations with organ virtuoso Lonnie Smith and also featured the young guitar star George Benson and the impossibly funky drummer Leo Morris (aka Idris Muhammad). On Mr. Shing-A-Ling he added the bluesy trumpeter Blue Mitchell to the mix, and for 1968's soul jazz manifesto Midnight Creeper he got the whole gang back together for a greasy 6-song set including the jaunty title track, "Love Power," "Bag of Jewels," and "Dapper Dan."

Double vinyl LP pressing. The acclaimed Cleveland-born saxophonist Joe Lovano came to Blue Note Records in 1990 and over the next 25 years became one of the most recorded artists in the label's history, building a formidable and far-ranging catalog that explored the full breadth of his artistry. Recorded in September 1997, Trio Fascination: Edition One stands out as one of the more remarkable sessions in Lovano's discography with the saxophonist joining forces with two all-time legends-bassist Dave Holland and drummer Elvin Jones-in a spare trio setting that finds these three masters conversing freely. Throughout Lovano can be heard on tenor, soprano, alto, and straight alto saxophones, as well as alto clarinet, and the set consists of nine creative Lovano originals including the pulsing opener "New York Fascination," the spacious "Sanctuary Park," the Sam Rivers tribute "Studio Rivbea," and a stunning rendition of the lone standard "Ghost of a Chance." This Tone Poet Vinyl Edition marks the album's first-ever release on vinyl.