Vinyl LP pressing. Motion I is the debut album from Out Of/Into, the collective formerly known as The Blue Note Quintet, featuring pianist Gerald Clayton, alto saxophonist Immanuel Wilkins, vibraphonist Joel Ross, drummer Kendrick Scott, and bassist Matt Brewer. The band was formed in celebration of Blue Note Records' 85th Anniversary and embarked on an extensive U.S. tour in 2024 during which they honed a distinctive, progressive sound that is the perfect embodiment of the Blue Note ethos. "Blue Note has been such a wonderful home for the community, for incredible musicians, for creativity, for all these years," says Clayton. "You can't help but think about all those masters, all those heroes that you've grown up listening to. To get a chance to pay tribute and try to carry some of that essence forward is truly just an honor."

Bill Frisell's newest project, In My Dreams, is a family reunion of sorts, which brings some of the acclaimed guitarist's closest friends together into a unique sextet - featuring Jenny Scheinman on violin, Eyvind Kang on viola, Hank Roberts on cello, Thomas Morgan on bass, and Rudy Royston on drums. Their deep musical history goes back decades, though never in this configuration, and together they travel wide expanses of American music including Frisell originals as well as jazz and Americana staples. Produced by Lee Townsend, the album is released as part of Frisell's 75th birthday celebrations. 2-LP set.

Bill Frisell's project, In My Dreams, is a family reunion of sorts, which brings some of the acclaimed guitarist's closest friends together into a unique sextet - featuring Jenny Scheinman on violin, Eyvind Kang on viola, Hank Roberts on cello, Thomas Morgan on bass, and Rudy Royston on drums. Their deep musical history goes back decades, though never in this configuration, and together they travel wide expanses of American music including Frisell originals as well as jazz and Americana staples. Produced by Lee Townsend, the album is released as part of Frisell's 75th birthday celebrations.

The Lawrence Marable Quartet Tenorman Blue Note Tone Poet Edition (LP) A West Coast jazz date that blows with hard bop gusto, Tenorman by the Lawrence Marable Quartet featuring James Clay was a hard-swinging session led by the esteemed drummer (Marable) that served as an introduction of the young Texan tenor (Clay) with support from pianist Sonny Clark and bassist Jimmy Bond. This mono Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

Tenor saxophonist Melissa Aldana's third Blue Note album, Filin, is an exquisite ballads album that presents stunning new versions of songs drawn from the Filin music tradition of Cuba, a style of popular song from the 1940s-60s that was deeply influenced by American musicians such as Nat King Cole. The album title is a homophone with the word feelin' and the deeply felt performances find Aldana with a remarkable quartet featuring the Cuban pianist Gonzalo Rubalcaba with Peter Washington on bass and Kush Abadey on drums, as well as special guest vocalist Cecile McLorin Salvant on two tracks. The band also interprets songs by Brazilian composers Hermeto Pascoal ("Little Church") and Cartola ("Las Rosas No Hablan").

Limited 180gm vinyl LP pressing. J.J. Johnson adapted the language of bebop to the trombone winning the admiration of Dizzy Gillespie and Charlie Parker. After playing on Miles Davis' first Blue Note session, J.J. led several dates from 1953-55 with the likes of Clifford Brown, Charles Mingus, Horace Silver and Hank Mobley that were compiled on The Eminent Jay Jay Johnson, Vol. 2 (BLP 1506). This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original masters, and pressed on 180g vinyl at Optimal.

Vinyl LP pressing. Tenor saxophonist Melissa Aldana's third Blue Note album, Filin, is an exquisite ballads album that presents stunning new versions of songs drawn from the Filin music tradition of Cuba, a style of popular song from the 1940s-60s that was deeply influenced by American musicians such as Nat King Cole. The album title is a homophone with the word feelin' and the deeply felt performances find Aldana with a remarkable quartet featuring the Cuban pianist Gonzalo Rubalcaba with Peter Washington on bass and Kush Abadey on drums, as well as special guest vocalist Cecile McLorin Salvant on two tracks. The band also interprets songs by Brazilian composers Hermeto Pascoal ("Little Church") and Cartola ("Las Rosas No Hablan").

Double 180gm vinyl LP pressing. John Scofield's quartet with tenor saxophonist Joe Lovano was one of the premier modern jazz groups of the 1990s and the guitarist's second Blue Note album, Meant To Be, put all the band's firepower and nuanced musicality on full display with an 11-song set of Scofield originals, featuring bassist Marc Johnson and drummer Bill Stewart. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Walter Smith III -"Twio, Vol. 2" [LP] For his third Blue Note album, tenor saxophonist Walter Smith III reprises his Twio concept with a highly enjoyable Vol. 2, a set of classic jazz songs that exudes a playful sense of joyful freedom. The album features a new cast of musicians including bassist Joe Sanders and drummer Kendrick Scott, plus special guest appearances by eminent elders Ron Carter on bass and Branford Marsalis on tenor saxophone. Capitol Music Group; Blue Note; Jazz.

Walter Smith III -"Twio, Vol. 2" / For his third Blue Note album, tenor saxophonist Walter Smith III reprises his Twio concept with a highly enjoyable Vol. 2, a set of classic jazz songs that exudes a playful sense of joyful freedom. The album features a new cast of musicians including bassist Joe Sanders and drummer Kendrick Scott, plus special guest appearances by eminent elders Ron Carter on bass and Branford Marsalis on tenor saxophone. Capitol Music Group; Blue Note; Jazz.

In addition to appearing as a sideman with Blue Note organists Baby Face Willette & Big John Patton, the brawny tenor saxophonist Fred Jackson also cut his soulful leader debut for the label in 1962. Hootin' 'N Tootin' features organist Earl Van Dyke, guitarist Willie Jones and drummer Wilbert Hogan. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Blue Note Tone Poet - The final Blue Note album by organist Larry Young, 1969's Mother Ship, bristled with unbridled kinetic energy while delivering soulful grooves. First released in 1980 in the LT Series, the set of Young originals featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket. Mother Ship Blue Note Tone Poet Edition.

Triple vinyl LP pressing. Kenny Dorham's sublime 1956 live album, The Complete 'Round About Midnight At The Cafe Bohemia, features the trumpeter with J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones & Arthur Edgehill. This Blue Note Tone Poet Edition 3-LP set was produced by Joe Harley, remastered by Kevin Gray from the original tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket. Includes a booklet with never-before-seen photos by Francis Wolff and an essay by Syd Schwartz.

Kenny Dorham's sublime 1956 live album, The Complete 'Round About Midnight At The Cafe Bohemia, features the trumpeter with J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones & Arthur Edgehill. This Blue Note Tone Poet Edition 2-CD set was produced by Joe Harley and remastered by Kevin Gray from the original tapes. Includes a booklet with never-before-seen photos by Francis Wolff and an essay by Syd Schwartz.

EASY WALKER (BLUE NOTE CLASSIC VINYL EDITION)

Double 180gm vinyl LP pressing. The avant-jazz-funk trio Medeski, Martin & Wood - John Medeski on keys, Billy Martin on drums, and Chris Wood on bass - returned to their acoustic roots on the freewheeling 1999 live album Tonic recorded at the intimate Lower East Side NYC venue. The set featured the trio's own adventurous originals alongside covers of songs by Lee Morgan, Bud Powell, John Coltrane, and Jimi Hendrix. This Blue Note Classic Vinyl Edition was mastered by Kevin Gray and pressed on 180g vinyl at Optimal.

Vinyl LP pressing. With her riveting Blue Note debut Diavola, vocalist Gabrielle Cavassa makes her artistic arrival with an album that unveils her range as a band leader, a songwriter, and a fearless song interpreter who treats each gesture with subtlety and reverence. Co-produced by Joshua Redman & Don Was, Diavola is a collection of original songs and luminous arrangements that features an extraordinary cast of collaborators with Jeff Parker on guitar, Paul Cornish on piano, Larry Grenadier on bass, Brian Blade on drums, and Redman on tenor saxophone.

With her riveting Blue Note debut Diavola, vocalist Gabrielle Cavassa makes her artistic arrival with an album that unveils her range as a band leader, a songwriter, and a fearless song interpreter who treats each gesture with subtlety and reverence. Co-produced by Joshua Redman & Don Was, Diavola is a collection of original songs and luminous arrangements that features an extraordinary cast of collaborators with Jeff Parker on guitar, Paul Cornish on piano, Larry Grenadier on bass, Brian Blade on drums, and Redman on tenor saxophone.

Double vinyl LP pressing. GRAMMY-nominated alto saxophonist & composer Immanuel Wilkins presents his first-ever live album, a searing 3-volume document of his acclaimed quartet in action at a hallowed NYC jazz shrine - Immanuel Wilkins Quartet: Live At The Village Vanguard. Wilkins' quartet features Micah Thomas on piano, Ryoma Takenaga on bass, and Kweku Sumbry on drums.

GRAMMY-nominated alto saxophonist & composer Immanuel Wilkins presents his first-ever live album, a searing 3-volume document of his acclaimed quartet in action at a hallowed NYC jazz shrine - Immanuel Wilkins Quartet: Live At The Village Vanguard. Wilkins' quartet features Micah Thomas on piano, Ryoma Takenaga on bass, and Kweku Sumbry on drums.

Harold L�pez-Nussa makes his striking Blue Note label debut with Timba a la Americana, a vibrant album teeming with joy and pathos that was inspired by the pianist's recent decision to leave his Cuban homeland and begin a new life in France. Timba a la Americana presents 10 dynamic new original compositions performed by a tight-knit band featuring harmonica virtuoso Gregoire Maret, Luques Curtis on bass, B rbaro "Machito" Crespo on congas, and Harold's brother Ruy Adri n L�pez-Nussa on drums.

Chet Baker does what he does best; SINGS AND PLAYS. He was gracious enough to occasionally put down the trumpet to croon, his vocal ability as skillful as his trumpeting. Baker's effortless virtuosity transcended the bounds of jazz stardom, with both aficionados and mainstream audiences embracing him as the genre's coolest cat.

Gregory Porter, the best-selling contemporary Jazz/Soul artist with over 3 million album sales, returns with All Rise, his sixth studio album. It marks a return to his beloved songwriting - heart-on-sleeve lyrics imbued with everyday philosophy, set to a stirring mix of jazz, soul, blues and gospel. All Rise represents his artistic revolution to something even more emphatic and intimate. It brims with songs about irrepressible love, plus a little protest, because the road to healing is bumpy.

2020 release. Norah Jones' seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past two years as the songs she hadn't yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.

Vinyl LP pressing. The line up of drummer Art Blakey's Jazz Messengers shifted in 1961 with trumpeter Freddie Hubbard replacing Lee Morgan, pianist Cedar Walton replacing Bobby Timmons, and the addition of Curtis Fuller on trombone who joined existing members Wayne Shorter on tenor saxophone and Jymie Merritt on bass. This powerful new sextet line up first recorded on the album Mosaic, and quickly returned to the studio the next month to begin recording Buhaina's Delight.