Blues CDs
Blues CDs
511 products
Speak The Lyrics To Me, Mama Reed
The Hillbilly Blues Cats
Porcupine Meat
Alternatives / Sonny Rollins
1. Four
2. Four - (alternate take)
3. St. Thomas
4. St. Thomas - (alternate take)
5. I Remember Clifford
6. I Remember Clifford - (alternate take)
7. 52nd Street Theme
8. 52nd Street Theme - (alternate theme)
9. Bluesongo - (bonus track)
10. Jungoso
Personnel: Sonny Rollins (tenor saxophone); Thad Jones (cornet); Herbie Hancock (piano); Bob Cranshaw, Ron Carter (bass); Roy McCurdy (drums); Candido (congas).
Producer: George Avakian.
Reissue producer: Orrin Keepnews.
Engineers include: Ray Hall.
Recorded at RCA Victor Studios, New York, New York between May 14, 1962 and April 14, 1964. Includes liner notes by Orrin Keepnews.
This CD is what too few "previously unreleased" collections are: a well-documented, well-annotated recording with a purpose and a point of view. In a thoughtful essay, producer Orrin Keepnews discusses what these early Sixties recordings of Rollins reveal about the tenorist's approach to repertoire and improvisation and, more pragmatically, about his relationship to the recording studio and to record companies in general. Each of the first four tunes can be heard in two different versions. "Four" was recorded both with a trio (with Roy McCurdy on drums and Bob Cranshaw on bass) and a quartet (with Herbie Hancock on piano and Ron Carter replacing Cranshaw on bass)
The versions of "I Remember Clifford" and "52nd Street Theme" were recorded with Hancock on piano and Thad Jones on cornet added to the basic trio. "Bluesongo" and "Jungoso" are trio pieces with Rollins, Cranshaw, and Candido on congas. Keepnews explains that these two cuts, which were originally released on the album WHAT'S NEW in 1962, have not been reissued anywhere else recently (unlike the balance of the material from WHAT'S NEW) and have consequently been included here.
Shorty Rogers - Short Stops
1. Powder Puff
2. Pesky Serpent, The
3. Bunny
4. Pirouette
5. Morpo
6. Diablo's Dance
7. Mambo del Crow
8. Indian Club
9. Coop de Graas
10. Infinity Promenade
11. Short Stop
12. Boar-Jibu
13. Contours
14. Tale of an African Lobster
15. Chiquito Loco
16. Sweetheart of Sigmund Freud
17. Blues for Brando
18. Chino
19. Wild One, The (Hot Blood)
20. Windswept
Personnel: Shorty Rogers (trumpet); Art Pepper (alto saxophone, tenor saxophone); Bud Shank (alto saxophone, baritone saxophone); Herb Geller (alto saxophone); Jimmy Giuffre, Bob Cooper (tenor saxophone, baritone saxophone); Bill Holman, Bill Perkins (tenor saxophone); Conrad Gozzo, John Howell , Maynard Ferguson, Pete Candoli, Ray Linn (trumpet); John Graas (French horn); Milt Bernhart, Harry Betts, John Haliburton, Jimmy Knepper, Bob Enevoldsen (trombone); Gene Englund (tuba); Hampton Hawes, Marty Paich, Russ Freeman (piano); Shelly Manne (drums).
Liner Note Author: Todd Selbert.
Recording information: RCA Studios, Hollywood, CA (01/12/1953-??/??/1954).
This double LP offers listeners a strong introduction to the trumpet playing and arrangements of Shorty Rogers, but unfortunately it has gone out of print and was the first and last in its series. The 32 selections feature six different groups headed by Rogers during 1953-1954, ranging from an octet to a big band; all of the bands feature sidemen who essentially formed a who's who of West Coast jazz. Among the other soloists are altoist Art Pepper; tenors Bill Holman, Bill Perkins, Zoot Sims, Bob Cooper, and Jimmy Giuffre; trumpeter Harry "Sweets" Edison; pianist Hampton Hawes; and altoists Herb Geller and Bud Shank. The majority of the selections are Rogers originals; there is music from the Marlon Brando film The Wild One and a Count Basie tribute set. Swinging and surprisingly fiery "cool jazz" that deserves to be reissued on CD in full. ~ Scott Yanow
Brand New Eyes
Exactly Like This
Break The Chain
Box & Dice
Voodoo in the Shadows
Fiona Boyes is Australia s most successful and celebrated international Blues artist. Her previous Reference Recordings release, Professin The Blues, received the 2017 Acoustic Album of the Year award from Blues Blast Magazine. The Blues Foundation in Memphis honored her with six Blues Music Award nominations, including Acoustic Album of the Year. This new album, Voodoo in the Shadows, is a self-produced session by the multi-talented guitarist/singer-songwriter, exploring the allure of the back roads from Memphis, through Mississippi, to New Orleans and down to the Gulf. In 11 songs, including 9 originals, we hear stories of respect, partying, attitude, mystery, sensuality and love. Joining her are three Australian bandmates: multi-instrumentalist Tim Neal, percussionist Mark Gruden, and Johnny Sansone, one of New Orleans finest musicians. As is customary, Fiona plays a cornucopia of guitars: her 6-string Maton, three cigar-box instruments and her rare baritone National Reso-lectric. Players combine in several groupings, featuring their different instruments, and a collaborative magic emerges, taking listeners along on the journey.
Blues and the Empirical Truth
Harmonica Blues - Mississippi-Memphis-Chicago; 1927-1941
BLUES: CHICAGO 1937-45
BLUES: MISSISSIPI TO CHICAGO 1
BLUES: FIRST ""GUITAR HEROES""
BLUES: MEMPHIS TO CHICAGO 1929
BLUES: THE QUEEN OF BLUES 1929
BLUES: SAN ANTONIO-DALLAS 1936
California Blues - Anthologie 1940 - 1948
V1: BLACK & BLUE: 1963-1976
SMITH, Bessie: I've Got What It Takes (1929-1933)
Cross Border Blues
Harrison Kennedy's voice, banjo, spoons and guitar, Jean-Jacques Milteau's imaginative harmonica and Vincent Segal's lyrical cello converse and play as the members of this inspired trio pay homage to their roots without sacrificing to nostalgia, inventing no less than the future of the blue note in the process. Kennedy owes forbearers who traveled the Underground Railroad all the way to Ontario, fleeing the Southern plantations where they were enslaved. Harrison has kept from this aching heritage a deep respect for the Mississippi and Tennessee roots he nurtures to this day in a truly original and personal fashion. The proud holder of a 2016 Juno Award and recipient of the 2015 Blues Prize granted by Académie, Charles Cros got his start at the height of the soul era. After making a noted debut on the prestigious Motown imprint joined the stellar group Chairmen of the Board, traveling across the world and sharing the stage with the likes of Stevie Wonder, George Harrison, and Tom Jones, among others. Eclecticism remains to this day the dominant trait of an artist who has always combined tradition and innovation. Jean-Jacques Milteau needs no introduction. This French harmonica wizard is a respected specialist of the blue note whose fruitful work with Eric Bibb around the repertoire of old-time songster Lead Belly has recently been acclaimed. Milteau, the winner of two Victoires de la Musique has worked, in the studio and on stage, with the likes of B.B. King, Little Milton, Mighty Mo Rodgers and Sam McClain. As for Vincent Segal, winner of an impressive number of Victoires de la Musique and with twenty years on the road with Cyril Atef and the duo Bumcello under his belt, his cello has graced an impressive number of projects in a wide variety of musical styles.
The Chicago Blues Box [8-CD Set]
The brief and dazzling life of MCM Records was a labor of love that captured many treasured live performances from the last flowering of the classic Chicago Blues age. With this 8 CD box set you get a front seat to shows in the vibrant blues clubs of Chicago in the 70's. These energetic and raw live recordings capture both to-be-legendary performers and others, and were recorded by french blues afficionado Marcelle Morgantini on reel-to-reel. When Morgantini came into some money on her 50th birthday, her only wish was to go to Chicago and record the blues. To that end, she made live recordings of many blues greats including Magic Slim, Big Mojo Elem, Jimmy Dawkins, John Littlejohn, Eddie Clearwater, Eddie Taylor, Bobby King, Jimmy Johnson, Luther Johnson and many more, remastered for this special box set.
Hard Times Won
