Bobby Hutcherson's 1965 album, Components, captured two sides of his musical personality with a sextet featuring Freddie Hubbard, James Spaulding, Herbie Hancock, Ron Carter and Joe Chambers. Side A presents post-bop gems by Hutcherson like "Little B's Poem," while Side B explores Chambers' avant-garde pieces. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on gatefold jacket.

Bobby Hutcherson - "Montara (Blue Note Tone Poet Edition)". A high-water mark of Bobby Hutcherson's 1970s Blue Note output, Montara, is a feel-good album that found the vibraphonist conjuring up an intoxicating hybrid of Latin jazz and fusion grooves from the percolating rhythms of "La Malanga," "Yuyo," and "Oye Como Va" to the alluring "Montara" and "Love Song." This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

When considering the jazz vibraphone giants of the 20th century, seven stand out: Lionel Hampton, Red Norvo, Milt Jackson, Terry Gibbs, Cal Tjader, Gary Burton, and Bobby Hutcherson. Bobby Hutcherson (1941-2016), originally inspired by Milt Jackson, emerged from Los Angeles in the late 1950s. After a stint with the Billy MitchellAl Grey sextet in 1962, Hutcherson moved to New York, becoming the house vibraphonist for the Blue Note label. His foundation in hard bop did not limit him, as he also played in avant-garde sessions with artists like Eric Dolphy and Jackie McLean. On December 11, 1983, the 42-year-old Hutcherson performed seven standards with a stellar group. Pianist George Cables, consistently excellent throughout his career, had been working with Hutcherson since 1977. Bassist Herbie Lewis, a versatile musician, had collaborated with Hutcherson since 1966. Drummer Philly Joe Jones, known for his work with Miles Davis, also contributed to the session. The recording of the Four Seasons album features seven standards, starting with Thelonious Monk's 'I Mean You, ' which showcases each musician. Hutcherson's solo on Cole Porter's 'All Of You' is particularly adventurous. 'Spring Is Here' receives a beautiful interpretation, and 'Star Eyes' is taken uptempo. Hutcherson's introduction on 'If I Were A Bell' is notable, as is Jones's solo. The session spotlights Cables on 'Summertime' and concludes with a vibrant version of 'Autumn Leaves. ' Decades later, the music remains a timeless classic. Four Seasons is available on black vinyl, celebrates it's 40th Anniversary, and includes an insert with newly written liner-notes by Scott Yanow. LISTEN: https://youtu. Be/laV453vUhd4 * 180 GRAM AUDIOPHILE VINYL * INCLUDES AN INSERT WITH NEWLY WRITTEN LINER-NOTES * 40th ANNIVERSARY EDITION * FEATURING GEORGE CABLES, HERBIE LEWIS AND PHILLY JOE JONES * INCLUDES 'I MEAN YOU', 'ALL OF YOU' AN 'AUTUMN LEAVES' Track listing: SIDE A 1. I Mean You 2. All Of You 3. Spring Is Here 4. Star Eyes SIDE B 1. If I Were A Bell 2. Summertime 3. Autumn Leaves

Limited 180gm vinyl LP pressing. 1965's Dialogue was the debut by vibraphonist Bobby Hutcherson, who had already proven himself a versatile sideman on albums from Idle Moments to Out To Lunch. Dialogue showcased his more adventurous leanings with a sextet featuring Freddie Hubbard, Sam Rivers, Andrew Hill, Richard Davis and Joe Chambers. This Blue Note Tone Poet Series stereo edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Vinyl LP pressing. The late-1960s and early-1970s were a wildly creative period for Bobby Hutcherson with the vibraphonist freely exploring a wide range of stylistic possibilities from post-bop and the avant-garde to fusion and Latin Jazz. The cutting-edge 1969 session Medina-which wouldn't be first released until 1980 as part of the LT Series-documented one of Hutcherson's most remarkable band line-ups featuring two of his frequent collaborators-Harold Land on tenor saxophone and flute and Joe Chambers on drums-along with Stanley Cowell on piano and Reggie Johnson on bass. The set presented a pair of original compositions each by Hutcherson, Cowell, and Chambers that explored a variety of moods from the churning rhythms of "Avis" and "Medina" to the more atmospheric realms of "Comes Spring" and "Orientale."

Limited 180gm vinyl LP pressing housed in gatefold tip-on jacket. Bobby Hutcherson's 1968 album Total Eclipse was the vibraphonist's first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned post-bop set. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes.

Bobby Hutcherson - "Happenings (Blue Note Classic Vinyl Series)" / On his 1966 classic, Happenings, vibraphonist Bobby Hutcherson assembled a quartet with Herbie Hancock (piano), Bob Cranshaw (bass) and Joe Chambers (drums) for a sublime post-bop outing featuring captivating Hutcherson originals, including the stunning ballad "Bouquet" and Latin-tinged "Rojo," as well as a version of Hancock's "Maiden Voyage." Blue Note Classic Vinyl Series features stereo, all-analog mastering by Kevin Gray from the original master tapes and pressed on 180g vinyl at Optimal.

BOBBY HUTCHERSON / SAN FRANCISCO (BLUE NOTE CLASSIC VINYL SERIES) Limited 180gm vinyl LP pressing. The musical partnership between vibraphonist Bobby Hutcherson and tenor saxophonist Harold Land fully blossomed on the 1970 album San Francisco, which found the musicians moving into fusion territory with relentlessly grooving tunes like "Goin' Down South" and "Ummh" counterbalanced by exploratory pieces like the mesmerizing "Prints Tie." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.

Limited 180gm vinyl LP pressing in deluxe gatefold jacket. Vibraphonist Bobby Hutcherson's 1966 album Stick-Up! Found him in the company of a new band line-up with Joe Henderson, McCoy Tyner, Herbie Lewis, and Billy Higgins. The quintet covers a vast expanse of post-bop territory on five Hutcherson originals, plus Ornette Coleman's "Una Muy Bonita." Blue Note Tone Poet Series features all-analog, remastering.

Limited 180gm vinyl LP pressing in gatefold jacket. Blue Note Tone Poet Series. Recorded in 1967, Oblique is one of two quartet sessions the great vibraphonist Bobby Hutcherson recorded for Blue Note. Released in 1979, features Herbie Hancock (piano), Joe Chambers (drums) and Albert Stinson (bass). An incredible journey from bops to exploratory sonic poems, with standouts like breezy opener "'Til Then," Hancock's tremendous "Theme From Blow Up" and Chambers' adventurous "Oblique".

Vinyl LP repressing of this jazz classic. Components was an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1965. The first side of the LP features compositions by Hutcherson, in a hard bop style, whilst the second side features Joe Chambers' compositions, more in the avant-garde style. Hutcherson describes "Tranquillity" as "so tranquil as to almost suggest no time at all." "Little B's Poem" was written for Bobby's son, Barry, three years old at the time. "West 22nd Street Theme", which closes side one, is a reference to a Manhattan section near the 10th Ave, Chelsea, where Hutcherson lived for a while. Side two features Chambers originals. "Movement" is "like a six-part theme constantly in motion, held together by a pulse." About "Air", Chambers says: "Once that's set, they all jump into free counterpoint. As in all the pieces, each voice has to remain independent but in relationship to what's going on around him." "Pastoral" signifies a comeback to a kind of primitive setting, "as if to say to the listener 'This is what we come back to - the familiar, the beginning'."