Strut Records presents a fresh look at Oblivion Express, the 1971 album that marked Brian Auger's shift into a new musical frontier. After years spent shaping the sound of British jazz-soul with the Trinity, Auger stepped into the new decade with a leaner, electrified ensemble and a renewed sense of purpose. This record captures the moment that transformation took shape. Oblivion Express launches Brian Auger's groundbreaking early-'70s fusion sound. Features the original powerhouse rhythm section of Barry Dean and Robbie McIntosh, defining the early Express identity. Includes standout tracks like "Dragon Song" and "Total Eclipse," showcasing the band's shift toward a tighter, more urgent jazz-rock approach.

Strut Records highlights a landmark in British jazz-rock with Second Wind, the 1972 album from keyboard visionary Brian Auger and his powerhouse group Oblivion Express. Capturing a fully matured lineup, the record finds Auger expanding his fusion language - bridging jazz sophistication, funk-driven rhythm, and soul-infused songwriting with the clarity and fire that defined his early '70s work. A pivotal 1972 fusion milestone capturing Brian Auger's Oblivion Express at full creative strength, featuring fiery Hammond grooves, soulful vocals, and tight interplay Featuring vocalist Alex Ligertwood's early standout performances, foreshadowing his later work with Santana A key bridge between Auger's exploratory early projects and the more groove-driven sound that would define his breakthrough on Closer to It!

This album gives an interesting overview of Ravel's orchestral output, with a mixed programme of works from different periods of his career. The outstanding soloists are soprano Arleen Aug�r and violinist Pina Carmirelli; conductor Ernest Bour presents wonderfully nuanced performances. Some of Ravel's most famous pieces are featured, including a beautiful interpretation of his song cycle Sheherazade, which tells the story of the narrator of The Arabian Nights. Another notable inclusion is Daphnis et Chloe Suites 1 and 2. Daphnis et Chloe began as a one act ballet by Ravel, and was later adapted by the composer into the two Suites heard here. This album is part of a new re-release series (Century Classics) consisting of SWR music bestsellers. The series is competitively priced, optically highly attractive and contains acclaimed SWR recordings mostly of the SWR orchestras and their chief conductors.

V 5: CANTATAS (BWV 14,16,17,18

Mozart’s Don Giovanni is a staple of operatic repertoire. The two-act opera is tenth on the Operabase list of the most-performed operas worldwide. Don Giovanni is based on the legends of Don Juan, a fictional womanizer and seducer, and has a libretto by Lorenzo Da Ponte. This release is a recording from 1985, conducted by Rafael Kubelik. One of the last century’s most revered conductors, Kubelik only made a few complete opera sets, and this opera is the only Mozart among them. Alan Titus performs as Giovanni. Opera magazine praises him as he “generates lively spirit in his scenes with Rolando Panerai, a Leporello into in 60s but still able to inflect his lines with verbal point as well as expressive colour: the Catalogue aria is quite masterful in its slightly seedy relish.”

V 19: CANTATAS (BWV 58/59/60/6

V 4: CANTATAS (BWV 10,12,13)

Schumann, R.: Lieder - Opp. 25, 42, 51, 64, 98A