This double album brings together 38 songs by Giacomo Meyerbeer, making it the most comprehensive collection of such recordings to date. Best known for his operas, Giacomo Meyerbeer is remembered as perhaps the most successful stage composer of the nineteenth century. His grand opera style was achieved by merging German orchestra style with Italian vocal tradition. Besides his operas, he wrote around 50 other songs, many of which are gathered on this release. Performing these works are soprano Andrea Chudak, tenor Julian Rohde, and bass Tobias Hagge, joined by pianist Alexandra Rossman.

Hartmut Rohde became the new artistic director and conductor of the Leopoldinum Chamber Orchestra of Wroclaw (Breslau) at the beginning of the 2014 / 15 season. Their debut album featuring symphonic works by Simon Laks and Philipp Jarnach is now being released on cpo. The decision to combine these two composers may seem to be quite arbitrary, and at first glance their origins and musical impulses seem to be very different. "On a second look, however, interesting parallels come into view and make their joint presentation appear to make very good sense. Both grew up during a period of dramatic historical change prior to World War I and enjoyed promising career beginnings in the 1920s, which many important performances document for Simon Laks in France and for Philipp Jarnach in Germany. Both experienced the establishment of dodecaphony, its expansion into serial music, and the first experiments in the field of electronic music. However, both also had in common a strong commitment to the preservation of traditional tonal language. As moderate moderns they firmly believed in the viability and expandability of musical principles that had developed over the centuries and above all in the irrevocability of tonality as the animating and energizing source constituting the substrate of musical design. Moreover, these principles included homophony and polyphony beginning with the seventeenth century, the rhetorical doctrine of the affections, the flow of melos, and the spirit of the historically transmitted compositional genres. Their music is highly emotional, crafted with supreme skill, rich in associations, and fascinatingly diverse in expression." (Hartmut Rohde)