Limited 180gm vinyl LP pressing. Full House is an album from influential jazz guitarist Wes Montgomery, originally released on the Riverside label. Recorded live at Tsubo in Berkeley, California on June 25, 1962, the album also features Johnny Griffin (sax), Wynton Kelly (piano), Paul Chambers (bass) and Jimmy Cobb (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and presented in a Stoughton tip-on jacket. 180gram Vinyl LP

Wes Montgomery's first album to reach the Billboard charts, Bumpin' showcases his exceptional command of the guitar with the support of an orchestra arranged and conducted by Don Sebesky. The rhythm section of Roger Kellaway (piano), Bob Cranshaw (bass) and Grady Tate (drums) add fire to and drive the orchestra. With a top-notch selection of compositions from Dizzy Gillespie, Johnny Mandel, John Francis Burke, and Montgomery himself, Bumpin' takes the listener on a majestic journey each time it spins. Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Originally released in 1963, Boss Guitar is the 8th album from influential and prolific jazz guitarist Wes Montgomery. Released on the legendary Riverside label it also features Melvine Rhyne (organ) and Jimmy Cobb (drums) across a selection of standards and Montgomery originals. This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.

Considered the pinnacle of Wes Montgomery's career, The Incredible Jazz Guitar of Wes Montgomery is a classic of the jazz genre, and since 2017 has been included in the National Library of Congress' National Recording Registry. This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes at Cohearent Audio and presented in a Stoughton Tip-On Jacket.

Little Brother Montgomery - Vicksburg Blues: The Singles & Albums Collection 1930-61 - It's a fascinating and substantial overview of two different phases of his career, and offers an entertaining showcase for his highly personal style. - Little Brother Montgomery was a blues, boogie-woogie and jazz pianist and singer, who was hugely versatile, working solo and with bands, and equally impressive across all the genres, with a highly distinctive style. Born in Louisiana near New Orleans, he was influenced by family friend Jelly Roll Morton, and over the years was associated with the Mississippi town of Vicksburg, which gave it's name to several of his song titles, and Chicago, where he later worked and made most of his records. This 72-track 3-CD collection comprises the A & B sides of just about all his releases on the Paramount, Melotone, Bluebird and Century labels from 1930-47, along with titles from the 1954 album "Windin' Ball Recordings" on Saydisk, the 1960 album "Tasty Blues on Bluesville and the 1961 album "Blues" on Folkways. It comprises many solo recordings, plus some with his jazz quintet, featuring trumpeter Lee Collins, and recordings with singers Irene Scruggs, Annie Turner and Creole George Guenson. It's a fascinating and substantial overview of two different phases of his career, and offers an entertaining showcase for his highly personal style.

Wes Montgomery -"Maximum Swing: The Unissued 1965 Half Note Recordings" Maximum Swing: The Unissued 1965 Half Note Recordings is the first official release of the complete collection of previously unreleased recordings from jazz guitar giant Wes Montgomery. Featuring recordings with the Wynton Kelly Trio at New York City's famed Half Note jazz club in 1965 with drummer Jimmy Cobb and bassists Paul Chambers, Ron Carter, Herman Wright and Larry Ridley. Including over 2 hours from the original radio broadcasts with host Alan Grant, the 2 CD Digipak set comes with an elaborate booklet containing previously unpublished photos taken at the Half Note by Raymond Ross, a new essay from acclaimed journalist and author Bill Milkowski, plus interviews with jazz legends Herbie Hancock, Ron Carter, Bill Frisell, Mike Stern and Marcus Miller

Wes Montgomery - "The Complete Full House Recordings"Released to celebrate influential jazz guitarist Wes Montgomery's centennial, The Complete Full House Recordings brings together all the recordings from the Full House sessions with two previously unreleased performances. Featuring Johnny Griffin, Wynton Kelly, Paul Chambers and Jimmy Cobb, this collection has new liner notes by journalist Bill Milkowski and is mastered from the original analog tapes by Joe Tarantino. 3 LP set pressed on 180g vinyl with lacquers cut by Kevin Gray at Cohearent Audio.

2019 collection. In celebration of it's 10-year anniversary, Resonance is launching a series of compilations culled from it's vast catalog highlighting both living artists as well as jazz greats of the past. Wes' Best focuses on the jazz icon guitarist Wes Montgomery and includes material from his six releases on Resonance Records.

Two CD archive release. Back on Indiana Avenue: The Carroll DeCamp Recordings is a collection of previously-unissued recordings from jazz guitar legend Wes Montgomery captured live and in studio in his hometown of Indianapolis, Indiana in the mid-to-late 1950s by renowned arranger/pianist Carroll DeCamp. The deluxe set includes an extensive booklet with rare photos, essays and interviews. This is the sixth official Resonance release of previously un-issued Wes Montgomery recordings and fills in an important early piece of the jazz great's story.

Vinyl LP pressing. California Dreaming is an album by jazz guitarist Wes Montgomery that was originally released in 1966. A career highlight for the guitarist, recorded at Rudy Van Gelder's studio during September 1966, this Creed Taylorproduced album was an artistic and commercial smash, reaching #1 on the US Billboard Jazz chart. A career highlight for the guitarist, recorded at Rudy Van Gelder's studio during September 1966, this Creed Taylorproduced album was an artistic and commercial smash, reaching #1 on the US Billboard Jazz chart.

Wes Montgomery - "In Paris: The Definitive ORTF Recording" In Paris: The Definitive ORTF Recording captures jazz guitar legend Wes Montgomery on his only tour of Europe on March 27, 1965 at the Theatre des Champs-Elysees in Paris, France. Remastered, high-resolution audio transferred directly from the original tape reels. Featuring an all-star band with pianist Harold Mabern, bassist Arthur Harper and drummer Jimmy Lovelace, and tenor saxophonist Johnny Griffin, the deluxe 2CD set includes a 32- page booklet with archival photos, essays and interviews.

Limited deluxe digipak edition. Smokin' in Seattle: Live at the Penthouse (1966) presents previously unreleased live sets by jazz guitar icon Wes Montgomery with the irrepressibly swinging pianist Wynton Kelly and his trio captured live at the Penthouse in Seattle, WA on April 14 and 21, 1966. Recorded less than a year after Wes and Wynton's classic 1965 live album Smokin at the Half Note, which guitarist Pet Metheny calls 'the absolute greatest jazz guitar album ever made, ' Smokin' in Seattle finds the dynamic duo joined by the solid rhythm section of bassist Ron McClure (Charles Lloyd, Joe Henderson) and legendary drummer Jimmy Cobb. The deluxe CD includes an extensive 40-page book of liner notes featuring rare photos by Lee Tanner, Chuck Stewart, Tom Copi, Joe Alpert and others; essays by modern jazz guitar legend Pat Metheny, Seattle Times writer Paul de Barros, Resonance producer Zev Feldman, original recording engineer and Seattle Radio DJ Jim Wilke, bassist Ron McClure; plus interviews with NEA Jazz Masters Jimmy Cobb and pianist Kenny Barron.

Limited 180 gram vinyl LP pressing. Smokin' at the Half Note is the second collaboration jazz album recorded by Wes Montgomery and the Wynton Kelly Trio and released in 1965. It was recorded live in late June 1965 at the Half Note Club in New York City, and September 22, 1965 at Van Gelder Studios, Englewood Cliffs, New Jersey. The album combines guitarist Montgomery with the Miles Davis rhythm section from 1959-1963 of Wynton Kelly, Paul Chambers, and Jimmy Cobb. The album's versions of "Unit 7" and "Four on Six" have helped to establish these songs as jazz standards, and remain important references for their interpretation. This is also the second live album by Wes Montgomery.

Wes Montgomery -"One Night In Indy" INgrooves; Resonance Records; Jazz; Catalog, Artist Hometown: Indianapolis, IN • This CD unites Wes Montgomery with legendary jazz pianist Eddie Higgins and his trio in a live 1959 Indianapolis club performance. • These recordings formerly belonged to the late great Indiana photo journalist, Duncan Schiedt, who passed away in 2014. • Schiedt had made these recordings at the Indianapolis jazz society he co-ran. • CD includes 40 minutes of music.

STRUM: MUSIC FOR STRINGS is the first album dedicated solely to the music of Jessie Montgomery and marks her debut as a leading composer and performer. Jessie has been recognized as an important emerging composer by the American Composers Orchestra, the Sphinx Organization, the Joyce Foundation and the Sorel Organization through generous grants and fellowships that support and promote her works.

Two CD set. In the Beginning features recordings of Wes Montgomery spanning from 1949 to 1958, the formative years when the six-string virtuoso was honing his craft in southern Indiana. Since Wes Montgomery's passing in 1968, only two other albums of predominantly unreleased material have been released. Resonance Records is pleased to introduce the third with In the Beginning. These newly discovered live and studio recordings from 1949-1958, include a complete never-before-released 1955 Epic Records session produced by Quincy Jones, licensed from Sony Music Entertainment, newly discovered 78 RPM sides with Wes as a sideman recorded for Spire Records (1949), a live recording from the home of Ervena Montgomery, Indianapolis (1956), live recordings from the Turf Club (1956), the Missile Lounge (1958) in Indianapolis, and the C&C Music Lounge in Chicago (1957).

Wes recorded this 1963 Riverside LP with the backing of B-3 master Melvin Rhyne and always-inspiring drummer Jimmy Cobb. The brilliant fretwork of the Trick Bag ; the funky Fried Pies ; the swinging the Breeze and I, and the gorgeous Days of Wine and Roses are here, as are three bonus alternate takes!

"...a good mixture of Grainger's compositions, recompositions and arrangements of folk-melodies is presented. Most rewarding, perhaps, are those in which strong folk material is made the basis of works that go far beyond the score of the initial tune.
A fine instance is Green Bushes. Butterworth used a variant of this in his The Banks of Green Willow, but with Grainger it serves quite different ends in a well-organized passacaglia. The two movements from his Youthful Suite are remarkable for a teenager without formal training in composition, although it is inevitably the later scores which show the inventiveness of his orchestral writing. Blithe Bells, which takes ''Sheep may safey graze'' as its starting point, is gently iconoclastic, My Robin is beautiful in an individual way and here played with the sort of ''drowsy lilt'' Grainger indicated. And there is excellent work from Moray Welsh in the quietly rhapsodic Youthful Rapture."

-- GRAMOPHONE