Jazz
Buddy Montgomery
31 products
COMPLETE FULL HOUSE RECORDINGS
CRAFT RECORDINGS
Available as
Vinyl
$77.99
Nov 10, 2023
Wes Montgomery - "The Complete Full House Recordings"Released to celebrate influential jazz guitarist Wes Montgomery's centennial, The Complete Full House Recordings brings together all the recordings from the Full House sessions with two previously unreleased performances. Featuring Johnny Griffin, Wynton Kelly, Paul Chambers and Jimmy Cobb, this collection has new liner notes by journalist Bill Milkowski and is mastered from the original analog tapes by Joe Tarantino. 3 LP set pressed on 180g vinyl with lacquers cut by Kevin Gray at Cohearent Audio.
ECHOES OF INDIANA AVENUE
RESONANCE RECORDS
Available as
CD
$11.49
Mar 13, 2012
2012 collection from the late Jazz guitarist, the first full album of previously unheard Wes Montgomery music in over 25 years. This release contains studio and live performances recorded in Indianapolis 1957-58.
IN THE BEGINNING
RESONANCE RECORDS
Available as
CD
$14.99
May 12, 2015
Two CD set. In the Beginning features recordings of Wes Montgomery spanning from 1949 to 1958, the formative years when the six-string virtuoso was honing his craft in southern Indiana. Since Wes Montgomery's passing in 1968, only two other albums of predominantly unreleased material have been released. Resonance Records is pleased to introduce the third with In the Beginning. These newly discovered live and studio recordings from 1949-1958, include a complete never-before-released 1955 Epic Records session produced by Quincy Jones, licensed from Sony Music Entertainment, newly discovered 78 RPM sides with Wes as a sideman recorded for Spire Records (1949), a live recording from the home of Ervena Montgomery, Indianapolis (1956), live recordings from the Turf Club (1956), the Missile Lounge (1958) in Indianapolis, and the C&C Music Lounge in Chicago (1957).
MAXIMUM SWING: UNISSUED 1965 HALF NOTE RECORDINGS
RESONANCE RECORDS
Available as
CD
$24.99
Dec 01, 2023
Wes Montgomery -"Maximum Swing: The Unissued 1965 Half Note Recordings" Maximum Swing: The Unissued 1965 Half Note Recordings is the first official release of the complete collection of previously unreleased recordings from jazz guitar giant Wes Montgomery. Featuring recordings with the Wynton Kelly Trio at New York City's famed Half Note jazz club in 1965 with drummer Jimmy Cobb and bassists Paul Chambers, Ron Carter, Herman Wright and Larry Ridley. Including over 2 hours from the original radio broadcasts with host Alan Grant, the 2 CD Digipak set comes with an elaborate booklet containing previously unpublished photos taken at the Half Note by Raymond Ross, a new essay from acclaimed journalist and author Bill Milkowski, plus interviews with jazz legends Herbie Hancock, Ron Carter, Bill Frisell, Mike Stern and Marcus Miller
ONE NIGHT IN INDY
RESONANCE RECORDS
Available as
CD
$16.60
Jan 18, 2016
Wes Montgomery -"One Night In Indy" INgrooves; Resonance Records; Jazz; Catalog, Artist Hometown: Indianapolis, IN � This CD unites Wes Montgomery with legendary jazz pianist Eddie Higgins and his trio in a live 1959 Indianapolis club performance. � These recordings formerly belonged to the late great Indiana photo journalist, Duncan Schiedt, who passed away in 2014. � Schiedt had made these recordings at the Indianapolis jazz society he co-ran. � CD includes 40 minutes of music.
Grainger: Famous Folk-Settings / Montgomery, Bournemouth Sinfonietta
Chandos
Available as
CD
$6.99
Sep 01, 1991
"...a good mixture of Grainger's compositions, recompositions and arrangements of folk-melodies is presented. Most rewarding, perhaps, are those in which strong folk material is made the basis of works that go far beyond the score of the initial tune.
A fine instance is Green Bushes. Butterworth used a variant of this in his The Banks of Green Willow, but with Grainger it serves quite different ends in a well-organized passacaglia. The two movements from his Youthful Suite are remarkable for a teenager without formal training in composition, although it is inevitably the later scores which show the inventiveness of his orchestral writing. Blithe Bells, which takes ''Sheep may safey graze'' as its starting point, is gently iconoclastic, My Robin is beautiful in an individual way and here played with the sort of ''drowsy lilt'' Grainger indicated. And there is excellent work from Moray Welsh in the quietly rhapsodic Youthful Rapture."
-- GRAMOPHONE
A fine instance is Green Bushes. Butterworth used a variant of this in his The Banks of Green Willow, but with Grainger it serves quite different ends in a well-organized passacaglia. The two movements from his Youthful Suite are remarkable for a teenager without formal training in composition, although it is inevitably the later scores which show the inventiveness of his orchestral writing. Blithe Bells, which takes ''Sheep may safey graze'' as its starting point, is gently iconoclastic, My Robin is beautiful in an individual way and here played with the sort of ''drowsy lilt'' Grainger indicated. And there is excellent work from Moray Welsh in the quietly rhapsodic Youthful Rapture."
-- GRAMOPHONE
