The worldwide revival of Compline, a late-night service dating from early Christian times, began with this choir and the vision of its founder, Peter Hallock. Today, hundreds of young people fill Saint Mark’s Cathedral (Seattle) every Sunday night to hear this choir, and they are joined by thousands who hear Compline over radio and the Internet.

This recording honors the musical craft of Peter Hallock and Richard Proulx, who wrote much of the music sung by this choir since its founding in the mid-1950s. - Gothic Records

Ellington, Duke: Jump For Joy (1941-1942)

Morton Subotnick is a living legend. A leading innovator of electronic music, he has used many important technological breakthroughs in his work as a composer. This release, originally recorded and released in the 80s on LP by Nonesuch Records, has been specially remastered for this reissue. It features The Wild Beasts, a work inspired by an exhibition of Les Fauves paintings, and After the Butterfly, a concerto-like work for trumpet, instrumental ensemble and electronics.

Classical Music

This breathtaking DVD and aural meditation on Antarctica, with original score, was produced by photographer/videographer Brooks de Wetter-Smith.

Classical Music

Some of the UK’s best singers come together for this album, which is the first release in a series profiling the complete songs of Gabriel Faure. Pianist Malcolm Martineau heads up this project, performing beautifully. This release follows his critically acclaimed series of The Complete Poulenc Songs. Vocalists featured on this release include Lorna Anderson, Nigel Cliffe, Ann Murray, John Chest, and more.

Music for Opera Lovers

Classical Music

Classical Music

RICHARD STRAUSS: June Anderson; Roberta Sacca; Scott Mac Allister; Daniel Lewis Williams; Birgit Remmer; Orchestra e Coro del Teatro La Fenice di Venezia/Stefan Anton Reck; Paul Curran, director; NTSC All Region; DTS 5.1; PCM Stereo 2.0; Color; 16:9; 114 mins; Subtitled in Ita RICHARD STRAUSS: Daphne.

Mothers are powerful muses. They represent a whole spectrum of attributes, both mythic and personal: they can be forces of nature and nurturing, guidance and inspiration, patience and strength, and of course, love: profound, fierce, unconditional. This album features musical compositions that pay tribute to the diverse aspects of motherhood, from the sacred “Ave Maria” to the saucy “Mrs. Robinson,” and everything in between. Motherhood, perhaps the prototype of creation, has compelled us to utilize our full creative potentialities as arrangers and interpreters. Queens and saints, homemakers and lawmakers, scientists and artists, goddesses and mortals: the rich complexity of motherhood inspires this musical tribute. Describe as “the most dynamic duo of this generation” (San Francisco Classical Voice), “rock stars of the classical music world” (Miami Herald), “exhilarating” (Gramophone), and “the very model of complete 21st century musicians” (The Washington Post), Greg Anderson and Elizabeth Joy Roe are revolutionizing the piano duo experience for the 21st century. Together they aim to make classical music a relevant and powerful force around the world through their adrenalized performances, original compositions, notorious music videos, and more.

STRAUSS, R.: Daphne

Classical Music

Classical Music

Classical Music

2016 album from the Christian vocalist. With such a demanding schedule, it's a good thing Doug Anderson doesn't just walk through life, he runs - with a smile on his face, grateful for every mile along the way. As an original founding member of the award-winning group, Ernie Haase & Signature Sound, Doug is happy to be singing night after night with a group that tours constantly, and is in high demand. But now Doug, with the blessing of his good friend Ernie Haase, has taken on new duties as a featured solo artist, in addition to his favorite roles as smitten husband, adoring father, and committed athlete. Doug was a nominee for Male Vocalist of the Year at the 2012 Dove Awards.

Marty Haugen and Marc Anderson unite their talents in this new collection of songs grounded in faith-based earth keeping, replete with ethnic rhythms, singable melodies, and evocative lyrics. Each song text is filled with images of a rich and beautiful earth tended and respected by a harmonious people of God. A point of interest is the “green” packaging of this CD. It is an integral part of this project. A minimal amount of resources are used. There is no booklet or plastic jewel case—only a cardboard envelope. A PDF of the lyrics is embedded into the CD for download. Haugen and Anderson hope that those who hear this collection will be moved to work together to find a solution to the increasing environmental challenges we face. Let the music of Tree of Life inspire you toward better and wiser stewardship of our earth.

Beethoven performing seemingly rather trivial tasks for publishers offers a lesser known perspective on the mastermind: the businessman. Like with Joseph Haydn, there exist a multitude of folk song arrangements by Beethoven from many different language areas, besides the here portrayed Scottish, Irish and Welsh songs also Spanish, Hungarian or Swedish ones. Scottish musicians Lorna Anderson, soprano and Jamie MacDougall, tenor and the Austrian TrioVanBeethoven (Verena Stourzh, Clemens Zeilinger, Franz Ortner) take on an exploration to the treasures of Celtic melodies. Beethoven's personal touch in these songs is not only perceivable in the pre- and postludes, but is present in all of the instrumentation - a fact that motivated the initiator George Thomson several times to request even more simple instrumental parts as accompaniment, which Beethoven rejected in his very own way: "Unfortunately, I am not able to fulfill your request. I am not accustomed to retouching my compositions."

V 6: SCOTTISH SONGS

This new release is the third volume in the Seattle Symphony Orchestra’s Grammy Award-winning Dutilleux cycle. Especially notable on this installment, is the inclusion of a live performance of Dutilleux’s masterpiece “Timbres, espace, mouvement.” German-born violinist Augustin Hadelich is featured on this recording of “Sur le meme accord.” He performs on the 1723 Kiesewetter Stradivarius violin, provided by the Stradivari Society of Chicago.

Bassist/Composer/Educator Jay Anderson (b. in California) is so much in demand that it is difficult to come up with any distinguished musicians who have not had Jay in their band for gigs and/or recordings. Here on his 92nd appearance on SteepleChase the label has the pleasure of showcasing Jay Anderson as the frontline soloist/leader. Anderson with dazzling ability to create musical landscape presents 11 tracks with diversity unified by the deep resonance of a double bass superior. “Mr. Anderson has a melodic sense that effectively shapes his solos and adds subtle touches to his accompaniments.” (John S. Wilson – New York Times) “…a most imaginative and sympathetic bassist.” (The Observer - UK)

In honor of what would have been Henri Dutilleux’s one-hundredth birthday, this commemorative box set is being released by The Seattle Symphony. This three-volume series is a critically acclaimed overview of all of Dutilleux’s major works for orchestra. This is an essential collector’s item for any lover of 20th century French music. The individual releases included in this box set have been nominated for a number of honors, included Grammy Award nominations for Best Orchestral Performance, Best Engineered Album, Classical, and received the Grammy Award for Best Classical Instrumental Solo by Augustin Hadelich.

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REVIEW:

The defining recording project of Ludovic Morlot’s tenure as music director in Seattle, this luscious three-disc set is a compendium of the orchestral canvases of Henri Dutilleux, whose centenary has been celebrated this year. It’s all played with considerable refinement, but there are particularly special results when the poised violinist Augustin Hadelich joins in for “L’arbre des songes” and “Sur le même accord.”

­– New York Times (David Allen)

This recording offers the listener an interconnected view of romantic and postromantic repertoire for two pianos, much of it unknown and even unpublished, until now. The best-known work here is Brahms' Variations on a Theme by Haydn, Op.56b but there are other works included that deserve wider circulation and exposure. The two sets of variations by Carl Reinecke (1824-1910) are exquisite examples of 2-pianowriting and exhibit attractive traits of the Leipzig School, at times providing strong echoes of Schumann and J.S. Bach, quite overtly in his Variations on a Sarabande by J.S. Bach. Likewise, the two sets of previously unpublished works by Julius Rontgen (1855-1932), whose early works are well-rooted in that same Leipzig School, reveal a mastery of composition in the 2-piano genre, an area in which he is currently unknown. Chamber music, concerti and even symphonies, alongside the growing popularity of his solo piano music, are well known genres for Rontgen. However, this recording presents R�ntgen's debut as a composer in the 2-piano medium. In our opinion, his success is as astounding as the obscurity of these works is bewildering.

Resonus Classics is pleased to present an exquisite album of orchestral and chamber works by the London-based contemporary composer Peter Fribbins. The Royal Scottish National Orchestra and conductor Robertas Servenikas are joined by violinist Philippe Graffin and trumpeter Christopher Hart in a programme of mostly world premiere recordings including Soliloquies for Trumpet & Strings and the substantial Concerto for Violin and Orchestra titled Dances, Elegies & Epitaphs dedicated to the memory of the composer's father. Completing this portrait is Capriccio for Orchestra, based on the hymn tune ''Abide with Me'' and the wind quintet ''In Xanadu''.