Mirna Lekić is a Bosnian-American pianist active as a recitalist, chamber musician and educator. Praised for her “intelligent and sincere pianism” (Examiner) and “natural inventiveness and emotion” (Žena 21), she has performed in the United States, Canada, and Europe, at venues including New York’s Carnegie-Weill Hall, Symphony Space and the World Trade Center. Mirna plays a wide range of repertoire that reflects her interests in historical performance practice. She continues that tradition here with "Masks" featuring works from composers such as Debussy, Muczynski and Martinu.

These are to true masterpieces, even by the standards of Mozart and Beethoven. Based in Switzerland, the Fiacorda Ensemble is comprised of some of the very finest string, woodwind and brass players in Switzerland.

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

The West Texas-based Harrington String Quartet, established in 1981, currently in-residence as string faculty at West Texas A&M University, and on the heels of their last release Northern Lights, their collaborative recording with the Phoenix Chorale which was lauded by many as being one of the best classical albums of 2012 delve into the intricacies of Mendelssohn's string quintets featuring guest violist James Dunham and close out this strong release with the Capriccio for String Quartet, Op. 81.

A former member of the Toronto Symphony Orchestra and Penderecki String Quartet, cellist Simon Fryer has been on faculty at Wilfrid Laurier University, the University of Toronto, and the Glenn Gould. Pianist Leslie De’Ath is a long-serving member of the Faculty of Music at Wilfrid Laurier University, having joined in 1979.

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Ti Amo is Canadian guitarist and composer Eric Lemieux's second for Centaur. A concept album, it contains the very best tracks Mr. Lemieux has done for film soundtracks in the past decade. Additionally, there are four supplementary, unreleased original tracks produced with the help of the great Greek singer Natassa Mare Moumtzidou. His influences run the gamut from Gazpar Sanz's counterpoints to contemporary electro-symphonic, and from classical forms to flashy modern fusion styles like Alan Holdsworth's, his aim being to draw surprising and attention-grabbing musical parallels.