Solas celebrated their 10 year anniversary with a spectacular reunion concert that featured all the band's current and past members. The concert was filmed in front of a live, hometown audience in Philadelphia, PA on September 13, 2005.

MUSIC UNDER THE NAZIS

King's College Recordings continues it's Evensong Live series with a new collection of popular anthems and canticles by British composers. Recorded live across 2018 and 2019 during choral services at the famous chapel, this album includes beloved pieces by Hubert Parry, William Walton, Charles Villiers Stanford, William Byrd, Judith Weir and Gerald Finzi.

The title of "The Decalogue" has a touch of the grandiose: it means "The Ten Commandments." Yet this score, composed by Sufjan Stevens for a dance work choreographed by Justin Peck that premiered with the New York City Ballet in May of 2017, is quiet and experimental. Stevens's piano score, as played and recorded by Timo Andres, sounds like etudes in the Romantic-modernist tradition, as if prompted by Debussy. With "The Decalogue," now released digitally, and on vinyl and CD, Sufjan is making-gently, without ostentation-new departures.

Japanese SHM-CD pressing. Universal. 2023.

SIBELIUS: SYMPHONIES NOS 1-7

Tignor has released 9 LPs across the Western Vinyl and New Albion labels to critical acclaim within the classical and experimental communities. He has collaborated with numerous artists at the boundaries of popular music including Keith Kenniff (Helios), Jefre Cantu-Ledesma, John Congleton, and post-rock titans This Will Destroy You. While a young artist in NYC, Tignor mixed bands at CBGBs, was an assistant to La Monte Young and Marian Zazeela, and served as the technical director for 9 years for a New Music festival produced by Phillip Glass. Tignor discovered computers through his college electronic music studio (as a creative writing major), subsequently obtained his Masters in computer science from NYU, proceeded through Princeton's PhD program in music composition, and was later recruited for a software engineering position at Google, where he has worked since 2011.

A pianist whose exceptional intelligence and sensitivity draws on her effervescent spirit, Anne Queffelec learned her craft in both Paris and Vienna. She had a close relationship with Erato and Virgin Classics, which produced a rich discography. This recording is an absolute best seller, and probably the most famous version of Erik Satie's masterpieces, the Gymnopedies and Gnossiennes. It's featured here in it's original iconic cover artwork.

PROJECT XII 2021 / VARIOUS

Double vinyl LP pressing. Nils Frahm releases a new double album, Old Friends New Friends, released by Leiter, the label he set up with his manager, Felix Grimm. The collection gathers together 23 solo piano tracks recorded between 2009 and 2021, almost all hitherto unreleased but, for one reason or another, omitted from previous albums and projects. Neither quite a new LP nor exactly a compilation, it offers "an anatomy of all my ways of thinking musically and playing," Frahm says, adding with a smile, "Maybe I could say it's an album I worked on for twelve years, and finally I have enough material?"

VIOLIN CONCERTOS NOS 4 & 5

Britten Sinfonia, recorded in the sublime acoustic of King's College Chapel. Alongside the work is the magnificent orchestrated Te Deum from the Collegium Regale service, and a premiere recording of the Magnificat from the same service, orchestrated by John Rutter. For both these recordings, the Choir and orchestra are joined additionally by the King's College mixed voice choir, King's Voices. Howells' completed Cello Concerto is performed by former King's chorister Guy Johnston, one of the UK's best solo cellists, with the Britten Sinfonia directed by Christopher Seaman. Also recorded in King's College Chapel, the surround-sound recording presents this glorious, but lesser-known work in a way never before heard, but in an environment perfectly suited to Howells' music. Stephen Cleobury rounds off the second part of the album with three of Howells' best-known organ works, performed on the recently-restored Harrison & Harrison organ, also presented here in surround-sound. Accompanying the album are specially-written essays by two of the foremost experts on the composer. Paul Spicer explores how the thrilling Te Deum came about as the result of a bet between Howells and the Dean of King's, and the subsequent canticle settings for cathedrals and foundations across the land for which Howells became so well-known. An English Mass, in contrast, is one of Howells' darkest religious works, with an agonising and troubled presentation of much of the Mass, and Spicer's essay considers Howells' state of mind and some of the possible reasons for this. Jonathan Clinch's essay describes the fascinating journey of completing Howells' Cello Concerto, giving a remarkable insight into the mind of the composer and the history of the work itself.

Japanese CD pressing. 2014.

Composer and musician Angele David-Guillou has reworked for organ a selection of tracks from her mesmerising sophomore album, en Mouvement. Titled Mouvements Organiques, these five pieces echo the ideas and motifs of it's counterpart. Yet, where en Mouvement is often busy with the interlocking melodies and shifting rhythms that define it's character, Mouvements Organiques pares the music down to it's essential qualities. Vraisemblance has been transformed into three sprawling ambient pieces, Mouvements Organiques, parts I, II and III, drawing out it's harmonic movement and expanding it almost beyond recognition. en Mouvement and Respiro, meanwhile, retain much of their identity, yet take on new, restored forms in the hands of Angele. 1 Mouvements Organiques Part One 2 Mouvements Organiques Part Two 3 en Mouvement 4 Respiro 5 Mouvements Organiques Part Three

FAMILY

Osaka-born and New York-based pianist Erika Dohi is a multi-faceted artist with an eclectic musical background. From highly polished traditional classical to bold improvisation, she is a dynamic performer whose timeless style and unidiomatic technique sets her apart in contemporary NYC avant-garde circles. Dohi's vast repertory is impressive, but what makes her truly such a barrier-defying artist is what lies ahead. I, Castorpollux, Dohi's debut solo album, is a profound personal excavation set to a gripping landscape of wild, genre-fluid composition; a virtuosic, but emotionally generous convergence of the technical and the spiritual. With understated piano & keyboards at it's center, I, Castorpollux is equal parts hazy nostalgia, science-fiction soundtrack and electroacoustic experimentation. The project features contributions from Channy Leaneagh (Polica), Andy Akiho, Immanuel Wilkins, among others, and is produced by William Brittelle. The central theme to the album is the "split-self" and variable perceptions of time that Dohi has faced at formative moments in her life. She experienced the 1995 Kobe earthquake at age 7. Hiding under a table during the worst of it, she later emerged to find the world around her crumbled. In her immediate vicinity, a fixture of her childhood remained standing. The Tower of the Sun, a type of three-faced time machine itself from Expo 70, designed by artist Taro Okamoto is a trail-marker on Erika's journey, a stand-in sigil to unlock the mysterious sounds of her work, with 70s synths and retro sci-fi aesthetics permeating the album's narratives. Much of the album was written while living in Texas where the split between her Asian self and the idea of being an American necessitated a near mountain of self-discovery to reconcile how she felt and who she was within the social backdrop of a strongly conservative environment. It is no wonder that the character of the Dioscuri, Castor and Pollux from Greek and Roman mythology, resonate so deeply with her, or Haruki Murakami's Two Moons and their strange light. From her contributions to various projects, and her participation in the Artist in Residency collaborations, Erika has become a staple of the 37d03d community. 37d03d is honored to partner with her on her profound and moving debut.

My love for baroque music has never been exclusive. Of course I am attracted by period instruments, but that has never been an end in itself. For me, it is simply a matter of always moving further towards the truth, towards a fresh interpretation." As idiomatic and revelatory in Bach, Handel, Purcell, Rameau and Campra as in Gluck, Berlioz, Offenbach, Chabrier and Massenet, Sir John Eliot Gardiner is a conductor whose passion and curiosity for music seem as inexhaustible as his enterprising spirit. This 64CD set unites his entire discography for Erato, EMI and Virgin, produced over a period of nearly 20 years. Many of the recordings cast new light on the repertoire, expanding Gardiner's influence and enhancing his reputation as the guiding force of the Monteverdi Choir and Orchestra, English Baroque Soloists, and Orchestre de l'Opéra de Lyon. As the Financial Times has written :.What Gardiner demonstrated... is that stylistic fidelity is a movable feast, and he has not lost his hunger for it."

Vinyl LP pressing. Domino is proud to present Henryk Gorecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki. The performance took place at The National Opera Grand Theatre in Warsaw on November 29th 2014. In advance of the concert, Beth Gibbons undertook an intense preparation process, including tackling the challenge of learning the original text (and the emotional weight it carries) without speaking the mother language.

Athens GA-based savant Taylor Ross (Surface to Air Missive / Of Montreal) 01 Swan One (of the South) 02 Swan Two (Galloping) 03 Interlude (Swan's Ghost) 04 Swan Three (Swan Wept) 05 Swan Four (Swan's Chamber)

Cycles 7-16 is a natural progression from Matt Dunkley's deubt solo album, Six Cycles, released on Village Green in 2016. Like the debut, it was recorded in Berlin with the German Film Orchestra Babelsberg. With this album, however, Matt endeavoured to push himself further, to expand his writing horizons. As well as being almost double the length, Cycles 7-16 boasts a broader sonic palette than it's predecessor, such as the full symphony orchestra on 'Cycle 12' and the seven solo pianos used on 'Cycle 14'. On others, Matt returns to his classical roots, using a string chamber orchestra on 'Cycle 11' and 'Cycle 16'. Inspiration came from myriad sources. Touring and travelling over the last two years, influences came from spending time in different cities and places. The wintry, tense 'Cycle 7' was inspired by an early morning in Berlin, while 'Cycle 15' was written whilst on a conducting trip to Norway. Cycles 7-16 will be released on 12-inch vinyl, CD and as a digital download on 19th January 2018. 1 Cycle 7 2 Cycle 8 3 Cycle 9 4 Cycle 10 5 Cycle 11 6 Cycle 12 7 Cycle 13 8 Cycle 14 9 Cycle 15 10 Cycle 16

MAURICE BEJART: LEAP-IN-TIME EDITION - RITE OF

The Art of Surrender marks a return to life, sown from primal impulses and hard-won emotional truths. Unrestrained melodic rapture soars above a relentless kick drum, speaking a need to move, to dance, to love. The music is as ambitious as it's origins are personal. Tignor plays with scale, crafting multi-movement epics alongside one-minute miniatures. The smallest, most fragile violin gestures, where the finger barely touches the string to extract natural harmonics exist side by side with angular, exotic melodies, asymmetric rhythms, and rapid-fire string crossings. On this LP, Tignor digs even more deeply into the violin and it's technicolor reimaginings under his electroacoustic treatments. The album title refers to the creative process of letting go of expectations, submitting to the will of the creative process. Following a collapsed relationship that left Tignor alone half-time with his daughter, this period was also one of surrendering to a dark unknown, rebuilding life's basic meanings from passion and creative will. Likewise, Tignor's unwavering approach to live performance embraces the rewards of taking risks: using his custom setup with meticulously controlled violin processing and drum triggered synths, this LP, like it's predecessors, was created without pre-recorded tracks or live looping, allowing bodily gesture to invite audiences into the process of music making. The first single, Ritual of a Thousand Limbs is a reference to the extended solo electro-acoustic instrument Tignor has created, processing his violin through software using pedals that also perform synths, an instrument played with both feet and hands including a kick drum with custom triggering software. Likewise, the title alludes to the 1000 arms and hands of the Avalokiteshvara, a bodhisattva associated with compassion. The song weaves back and forth between this impulse and it's more somatic, lustful urges, a study in the duality of desire and acceptance. The video for the work is a collaboration with girlfriend Rachelle Somma, who's unique, award-winning approach to dance blends pole-dancing with modern forms to create a spellbinding interpretation completely unique to both mediums. Off-Centered Hearts imagines a pas de deux between lovers yearning, like so many, to make their own asymmetrical ways of being fit as one. The work's spellbinding dance contains some of the album's most breathtaking, quietest confessional moments, planting seeds which eventually bloom into a huge, lyrical release driven by processed violin octaves above profound, kick-drum triggered bass. Forms in a Flame, elides multiple scenes together to create the album's largest scale journey, ambitiously blending heartrending synth and violin elligies alongside hyper-rhythmic, dovetailing counterpoint built from Tignor's interactive "mirrored violin" processing. In contrast, the album's one minute closer, Would that I Could is Tignor at his most concise, leaving listeners with a perfect parting prayer, suggesting we discover which, if any, ideals we might consider worthy of surrender.

MAHLER: SYMPHONY NO. 2

Japanese SHM-CD pressing. Universal. 2024.

Hania Rani announces a second edition of 'On Giacometti', pressed on black vinyl with revised artwork and packaging. This new pressing follows the initial limited-edition pressing of On Giacometti that sold out on release. A1. Allegra A2. Spring A3. Stampa A4. Struggle A5. Morning A6. In Between A7. Knots A8. Dreamy B1. Storm B2. Time B3. Mountains B4. Annette B5. Alberto