Rossini wrote L’equivoco stravagante (‘The Curious Misunderstanding’), his first full-length opera, when he was only 19 years old. As its title suggests, the plot of this dramma giocoso offers a panoply of absurdist stagecraft with one character being led to believe that the work’s heroine is in fact a castrato trying to avoid military service. Full of his trademark buffo humour, melodious and musically buoyant, the opera ran foul of the censors and was swiftly banned, which accounts for its rarity in performances and recordings. The new edition of the score used in this production corrects numerous previous errors.
Niccolo Jommelli was an innovative superstar among composers in his day, and is now recognized as a precursor of the new Viennese Classical taste in music. With it's intense story of love, life and death, Il Vologeso sets one of the most powerful libretti written for the European opera stage. This critically acclaimed production is considered to be it's first staged performance for over two centuries, and the highly successful opera directors Jossi Wieler and Sergio Morabito have revived a Baroque gem with their exciting, present-day staging.
Jommelli: Il vologeso / Ferro, Staatsorchester Stuttgart [Blu-ray]
Naxos AudioVisual
Blu-Ray
$40.99May 11, 2018
Niccolò Jommelli was an innovative superstar among composers in his day, and is now recognized as a precursor of the new Viennese Classical taste in music. With its intense story of love, life and death, Il Vologeso sets one of the most powerful libretti written for the European opera stage. This critically acclaimed production is considered to be its first staged performance for over two centuries, and the highly successful opera directors Jossi Wieler and Sergio Morabito have revived a Baroque gem with their exciting, present-day staging.
André Messager’s Fortunio premiered in 1907 at the Opéra Comique, where it received acclaim that was to last decades. One of the last composers to devote his entire career to opera and operetta, Messager exemplified in his music a feeling for dramatic pacing and the spirit of the Belle Époque, qualities that permeate Fortunio, a comédie lyrique in which the dialogue in the libretto is given a continuous musical setting. Taking Alfred de Musset’s play Le Chandelier as his source, Messager explores upper-class society at the turn of the 19th century with subtlety of characterization and a thoroughly French orchestral transparency. This production directed by Denis Podalydes features Cyrille Dubois in the title role, alongside soprano Anne-Catherine Gillet, and baritone Franck Leguerinel, among others.
Any production stands or falls by the performance of the lead role of Orphée. Here it is the mezzo Marianne Crebassa, a rising star. She is superb. She immediately impresses by her dignified bearing and natural air of authority. She can also convey grief by being very still. Her voice has a lovely tone, with just enough vibrato to give it warmth but not a trace of a wobble, and she has all the technique you could wish for. Her performance of Amour, viens rendre à mon âme is as dazzling as you could want, but, more importantly, her renderings of Quel nouveau ciel and J’ai perdu mon Eurydice are expressive and moving.
Of the other two soloists, Hélène Guilmette as Eurydice carries off the only real soprano role in the work well, though one cannot help feeling that Gluck was not really interested in her. However, her importunings during the attempted return are finely done. Lea Desandre, the Amour, is a former ballet dancer and combines a striking appearance with an attractive voice. She is allowed to appear in the last scene but not to sing, which is a shame.
Raphaël Pichon conducts his own chorus and orchestra, Ensemble Pygmalion. The chorus is very good. The orchestra of period instruments is vigorous. I heard some sour notes from the wind in the first Act but not subsequently, and emphatically not in the Dance of the Blessed Spirits, where the solo flautist played splendidly and indeed had the spotlight on her for part of the piece. (There was no actual dance.) She deserves a credit. The trombones sounded a bit raucous, but that may be part of the period authenticity.
The staging opens with a most attractive pastoral backdrop taken from Corot. Eurydice, dressed in a white robe, is already onstage, motionless. It is then rather a shock when Orphée and the chorus come on in modern dress. I do wish directors would get over the idea that modern dress is bold and provocative, or timeless and exciting, or whatever they think it is. It has become one of the dreariest clichés in both operas and plays, particularly those with a mythical or legendary setting. However, much of the rest is admirable, with an imaginative use of reflections. In Amour’s first appearance, she is within a large wheel, which is rocked from side to side, then once rotated completely. The underworld is represented as a bare dark stage with a central pool of light in which the chorus lie on the floor. The Furies are a proper team of three dancers, with strange and sinister movements. The attempted return is presented very simply, and is all the more powerful for it.
No complaints about the recording or picture quality. I have noted that applause is included. The booklet has some good articles, a synopsis and an interview with the director and the producer. The DVD offers subtitles in five languages. The English one is adequate but minimal, with the occasional mistake (écumant is foaming at the mouth or slavering, not slathering, which is spreading thickly).
I can confidently say that anyone who chooses this version will find much to enjoy.
Gioachino Rossini was summoned to Paris in 1824 to breathe new life into it's opera culture, and one of his most exciting innovations in this period was the creation of an entirely new genre of opera comedy. The risqué tale of Le Comte Ory had it's origins in vaudeville theatre and is based on the story of a villainous Count who attempts the seduction of Countess Adele as she awaits the return of her husband from the Crusades. 'Le Comte Ory' is the last of Rossini's comic operas, making full use of the libretto's farcical disguises and humor in one of his most colorfully orchestrated scores. This production, staged by Linda Mallik, features the Malmo Opera Orchestra and Chorus with world renowned soloists Leonardo Ferrando as Count Ory and Erika Miklosa as Countess Adele. Linda Mallik made her directorial debut in 2012 and received unanimous praise in the Swedish and international press, making her one of the most sought-after opera directors in Sweden. She has also staged 'Le Nozze di Figaro' at NorrlandsOperan, 'M/S Aurora' at the Berwaldhallen, 'Faust' and 'Mayday Payday' at Folkoperan in Stockholm, among others.
Rossini: L'occasione fa il ladro / Regazzo, Fogliani Virtuosi Brunensis
Naxos AudioVisual
DVD
$15.49$30.99Save 50%Dec 10, 2021
L’occasione fa il ladro (‘Opportunity Makes a Thief’) was composed by the young Rossini in just eleven days, working alongside his librettist Luigi Prividali. The tale presents a comedy of multiple confusions in one act. Count Alberto, travelling to marry a fiancée he has yet to meet, leaves an inn with the wrong suitcase. Left holding the Count’s papers and possessions, Don Parmenione audaciously adopts Alberto’s identity intent on taking the bride for himself. Jochen Schönleber’s acclaimed production adapts Rossini’s swift and deftly plotted moral drama to give present-day relevance to Rossini’s exuberant ensemble burletta.
Molière: Der Menschenfeind / Lenk, Deutsches Theater Berlin [DVD]
Naxos AudioVisual
DVD
$12.49$24.99Save 50%Nov 05, 2021
Alceste is an idealist and a master of hurtful words, always eager to hold up a mirror to his fellow human beings. But he has finally found his match in the young widow Célimène: As rhetorically gifted as he is, she has no intention of giving in to his whimsies. A delightful and humorous production within a contemporary reduced setting by famous stage director Anne Lenk at the Deutsches Theater Berlin. “Molière’s sparkling wit comes through beautifully.” (New York Times) “An outstanding production.” (Frankfurter Allgemeine Zeitung) “An entertaining evening with grand actors and racy dialogues.” (taz) The production was invited to the Theatertreffen Festival Berlin, 2020.
The famous traditional Chinese tale of La Fresque (‘The Painting on the Wall’) tells of two travellers who take shelter at a small temple, one of whom becomes so enraptured by the image of a beautiful girl in a fresco that he is transported into another dimension. Angelin Preljocaj, one of France’s leading contemporary choreographers, explores this mysterious relationship between representation and reality with a spectacular and unforgettable ballet filled with dynamic action, emotive lyricism and powerful responses to the music of Nicolas Godin, one half of the celebrated music duo Air. La Fresque has been admired for its ‘breath-taking scenes’ (La Terrasse) and its ‘dark and splendid beauty’ (L’Humanité).
Resonating powerfully with Hans Werner Henze’s pacifist perspective, Der Prinz von Homburg is based on a play by Heinrich von Kleist that opposes authority, celebrating a dreamer rather than a classical hero, and individualist freedom rather than militarist nationalism. Ingeborg Bachmann’s libretto heightens this message, and Henze’s chamber-music setting is at once powerful and unpredictable. This visually stunning production stretches from intimate transparency to dramatic heights, in a critically acclaimed staging by the award-winning director Stephan Kimmig.
This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.
Also available on standard DVD Commissioned in 1846, Macbeth offered Verdi the opportunity to make a qualitative leap in his career and its premiere was triumphantly received by audiences. Yet the libretto had proved problematic and many Italian critics did not share the composer’s reverence for Shakespeare. Verdi surmounted all concerns with an opera that valued brevity but also preserved the play’s most important elements. The formidable final concertato stands as one of his greatest achievements thus far, his pacing and detailing of the opera as a whole far surpassing his previous works. This production preserves the preferred 1865 revision of the work, sung in Italian and retaining the original 1847 finale.
Mozart wrote La finta giardiniera in 1775 when he was 18 years old. It was his first staged buffo opera and centres on the lovers at the heart of the action, Sandrina – the pretend garden-girl of the title – and Belfiore. With few ensembles, Mozart channels his most intense and expressive music into arias which demonstrate a masterful ability to convey the full range of tenderness and passion. Originally staged at Glyndebourne in 2014 by Frederic Wake-Walker, this 2018 revival from La Scala is performed on period instruments with a strong cast and expertly conducted with exuberance and charm by Diego Fasolis.
Czech-born composer Jaromír Weinberger, best known for his opera Schwanda the Bagpiper, was forced to flee to America in order to escape Nazi terror. Frühlingsstürme, staged in 1933 but soon closed down by the Nazi government, was the last operetta of the Weimar Republic. It is filled with cultural complexity, combining serious operatic style with light comedy, and presents a thrilling story involving a doomed love affair set against war between Japan and Russia. This lavish production is staged by the award-winning Australian director Barrie Kosky.
André Messager’s Fortunio premiered in 1907 at the Opéra Comique, where it received acclaim that was to last decades. One of the last composers to devote his entire career to opera and operetta, Messager exemplified in his music a feeling for dramatic pacing and the spirit of the Belle Époque, qualities that permeate Fortunio, a comédie lyrique in which the dialogue in the libretto is given a continuous musical setting. Taking Alfred de Musset’s play Le Chandelier as his source, Messager explores upper-class society at the turn of the 19th century with subtlety of characterization and a thoroughly French orchestral transparency. This production directed by Denis Podalydes features Cyrille Dubois in the title role, alongside soprano Anne-Catherine Gillet, and baritone Franck Leguerinel, among others.
Choreographer Jirí Bubenícek's Carmen celebrates the incredible inspiration of Bizet's timeless music in a completely new two-act ballet that also includes music by Albéniz, Castelnuovo-Tedesco and Falla, orchestrated and adapted by Gabriele Bonolis. The production emphasizes aspects of the original drama, heightening the erotic atmosphere of the cigar factory and Carmen's wild spirit, and including a spectacular on-stage horse. The sensational choreography closely depicts the storyline of Prosper Mérimée's original novella in a production that was hailed by critics as a triumph. The Corpo di Ballo of the Teatro dell'Opera di Roma shines in this production, with Principal Dancers including Rebecca Bianchi in the role of Carmen, Amar Ramasar as Don Jose, and Alessio Rezza dancing the part of Lucas.
Gluck’s influential Orphée et Eurydice tells the story of Orphée’s descent into the Underworld to retrieve his wife Eurydice. His singing has the power to overcome the guardian Furies, but the path of true love is shadowed by sorrow and tragedy. As a true ‘drama of the soul’ with intense psychological and emotive power, Orphée et Eurydice shook enlightenment Europe to its core. Berlioz, in his 1859 version prepared for the Théâtre Lyrique, exploited the score’s full potential through a synthesis of the versions Gluck prepared for Parma, Paris and Vienna. Aurélien Bory’s Paris production was described as ‘just breathtaking’ by OperaJournal.
Director and author Simon Stone rewrote, updated and questioned Chekhov’s famous drama for the present day: with brilliant dialogue, subtle characterization and the ambivalent figures which these so reliably generate. Avoiding pathos, spectacle and heroism, Chekhov maintains a masterful balance between melancholy and joie de vivre. Premiered 1901 at the Moscow Arts Theatre it is a play about the everyday, about desire and failure. “For long time there was no such intelligent, deliberate Chekhov staging.” Der Tagesspiegel Invited to Berlin Theatertreffen Festival 2017.
PARIS: A Musical Tour of Paris, Chantilly, Versailles & Chartres PARIS
The Places In addition to characteristic scenes from Paris, its buildings and its people, there is a glimpse of the Château at Chantilly, the magnificent palace of Versailles, and the Cathedral at Chartres.
The Music The music here included is largely associated with Paris, although not all by French composers. It includes a movement from a symphony that Mozart wrote in Paris in 1778 and excerpts from Verdi’s opera La Traviata, set principally in the city. Other music ranges from that of the seventeenth-century French viol-player Marais to works by Debussy and the eccentric Erik Satie.
VENICE: A Musical Tour of the City’s Past and Present
The Places Venice is one of the most famous of all cities, its buildings reflecting its former commercial importance and wealth. Its canals and its position at the head of the Adriatic have given it a unique character that has continued to attract visitors.
The Music The music here included is either associated directly with Venice or familiar there in the heyday of the Serenissima. It includes music by the Venetian composers Vivaldi and Marcello, and by Domenico Scarlatti, Neapolitan by birth, who was sent to study there by his father.
PRAGUE: A Musical Tour of the City’s Past and Present
The Places Prague is the ancient capital of Bohemia and now of the Czech Republic. Its history is reflected in its buildings, recalling the splendours of the past under changing dynasties and the 400 or so years as part of the Habsburg Empire, until the establishment of the new republic of Czechoslovakia in 1918. At the heart of Europe, the region has always been a fertile ground for musicians.
The Music The music included here is associated in one way or another with Prague or Bohemia. It includes works by the Bohemian composers Smetana and Dvo?ák, by the Moravian composer Janá?ek, and by Fibich who, with Mozart, always found a ready welcome for his music in Prague.
The Places The capital of Shaanxi Province, Xi'an, its name translating as 'Western Peace', was the Chinese capital during the Tang dynasty (618-906 A.D.). The Big Wild Goose Pagoda, completed in 704 on the orders of the Empress Wu Zetain during her period of rule as Empress of the Zhou dynasty, soon replaced by the restored Tang, is one of the oldest such structures in China. Of particular interest is the tomb of the Emperor Huang, regarded as the founder of the unified Chinese nation, and the remarkable terracotta warriors and horses discovered around the mausoleum of Qin Shi Huang Di, founder of the Qin dynasty who died in 210 B.C.. The tour ends with vies of the precipitous Huashan (Flower Mountain), so called from its five peaks, groups in the shape of a great flower.
The Music The music chosen for this tour of Xi'an is played on traditional Chinese instruments. The excerpts include, to accompany the terracotta warriors, a contemporary composition inspired by Zhang Ji's poem 'Night at the Maple Bridge' giving particular prominence to the zhongruan, a form of Chinese lute of ancient origin. Other instruments heard are the Chinese transverse bamboo flute, the dizi, the Chinese plucked zither, the guqin, and the Chinese lute, the pipa. A glimpse of operatic stage performance finds a place for a Shaanxi opera tune, an example of the music to be heard in the many regional forms of Chinese opera.
Picture format: NTSC 16:9 Sound format: Dolby Digital 2.0 / Dolby Digital 5.1 / DTS 5.1 Region code: 0 (worldwide) Booklet notes: English, Chinese Running time: 66 mins No. of DVDs: 1
CHINESE MUSICAL JOURNEY (A) - GUILIN: A Cultural Tour with T
Naxos AudioVisual
DVD
$13.99Jan 29, 2008
The music chosen for this tour of Guilin is played on traditional Chinese instruments. Performing the music are wind and string ensembles known as "silk and bamboo," from their silk strings and bamboo pipes, and ensembles that also include percussion.
Naxos Musical Journey - Norway - A Tour Of The Country's Past & Present
Naxos AudioVisual
DVD
$13.99Oct 31, 2006
This series of DVDs features travel scenes accompanied by classical music.
The Places
The tour of Norway takes us from the capital, Oslo, with its harbours, parks and imposing buildings, to Bergen, the birthplace of Edvard Grieg, and its surrounding countryside, with a glimpse of Grieg’s house at Troldhaugen. Trolls make their presence known, before a final return to Oslo and to the sculpture display of Vigeland Park.
The Music
The music chosen for this tour of Norway is by Norwegian composers, of whom the best known is Edvard Grieg. Included are excerpts from his incidental music for Ibsen’s drama Peer Gynt and for Bjørnstjerne Bjørnson’s Sigurd Jorsalfar. Other composers featured are Christian Sinding, composer of the famous Rustle of Spring, and Johan Halvorsen.
This series of DVDs features travel scenes accompanied by classical music.
The Places Our tour of the Czech Republic takes us through the countryside, following the River Vltava to Prague, the capital city, visiting some of the great buildings that lie on its course.
The Music The music chosen for our tour starts with the first great Czech nationalist composer, Bed?ich Smetana, who left a monument to his country in his cycle of orchestral pieces, Má Vlast (My Country). The younger composer, Antonín Dvo?ák, established a still greater reputation in music that reflected his native Bohemia in all its variety.
Picture format: NTSC 4:3 Sound format: Dolby Digital / DTS Surround Region code: 0 (worldwide) Running time: 59 mins No. of DVDs: 1
The Places Most of the places visited reflect a spirit of calm and tranquility, although the glimpse of Venice dwells briefly on carnival revellers. Other scenes range from the Bavarian Chiemsee and the Swiss Engadin to the marshy tracts of the Camargue in the South of France, with its wild horses.
The Music The music matches the reflective mood of the scenes shown. Included are movements from Mozart’s Eine kleine Nachtmusik and Symphony No. 40, and from Beethoven’s Moonlight Sonata, with Pachelbel’s ingenious Canon. From Tchaikovsky comes a Mélodie, a composition that formed part of a thank-you letter to his hostess and patron, whom he was never to meet face to face, and from Debussy the popular Clair de lune. The recording ends with Faure’s Sicilienne, familiar in so many forms and transcriptions.
Picture format: NTSC 4:3 Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1 Region code: 0 (worldwide) Running time: 56 mins No. of DVDs: 1
A Musical Journey - Potsdam: A Musical Visit to Sanssouci an
Naxos AudioVisual
DVD
$13.99Oct 30, 2012
The Places - Potsdam owes it's development as a garrison town to the soldier king of Prussia, Frederick William I. The park and palaces of Sanssouci, however, largely reflect the very different taste of his son, Frederick the Great, who reigned from 1740 to 1786. The park of Sanssouci, established first in 1725, includes later changes in a number of distinct horticultural styles, with lay-out in Dutch, French and English taste. The Music - Bach's set of six concertos known as the Brandenburg Concertos was completed in 1721 at C+¦then, where Bach was director of court music, possibly using some compositions written during earlier years at the court of Weimar. Bach presented the set to the Margrave of Brandenburg, prefaced by a dedication in French, from which it seems that the prince had asked Bach for something of his at a meeting some two years earlier in Berlin. There is no indication that the works were performed, and at the Margrave's death in 1734 the manuscripts were sold, apparently in a lot of 77 concertos 'by different masters'. The fame and wide popularity of the Brandenburg Concertos was to come later. Included here are the first three concertos and a Siciliano.
A Musical Journey: Austria - Hohenwerfen, Weissensee, Styria, Linz, Aggstein, Hallein, Baden
Naxos AudioVisual
DVD
$9.99$13.99Save 30%May 28, 2013
AUSTRIA
The Places The places visited include Hohenwerfen Castle, the Weissensee, Styria, Linz, Aggstein, Hallein and Baden.
The Music The music chosen for this tour of Austria consists of Mozart’s Violin Concertos Nos. 3 and 5, written during his early adulthood in Salzburg.
Picture format: NTSC 4:3 Sound format: PCM Stereo 2.0 Region code: 0 (worldwide) Running time: 56 mins No. of DVDs: 1
Thierry Lancino' vast Requiem is a challenging and eloquent contemplation on human mortality which the composer describes as 'both an epic fresco and sacred ceremony'. in a paradox which brings the Christian into dialogue with the Pagan, Lancino presents.
![Jommelli: Il vologeso / Ferro, Staatsorchester Stuttgart [Blu-ray]](http://arkivmusic.com/cdn/shop/files/3817012.jpg?v=1788499020&width=800)
![Jommelli: Il vologeso / Ferro, Staatsorchester Stuttgart [Blu-ray]](http://arkivmusic.com/cdn/shop/files/3817012.jpg?v=1788499020&width=400)
![Molière: Der Menschenfeind / Lenk, Deutsches Theater Berlin [DVD]](http://arkivmusic.com/cdn/shop/files/4013080-2754031.jpg?v=1788498272&width=800)
![Molière: Der Menschenfeind / Lenk, Deutsches Theater Berlin [DVD]](http://arkivmusic.com/cdn/shop/files/812VcMmLMbL.jpg?v=1788498271&width=800)
![Molière: Der Menschenfeind / Lenk, Deutsches Theater Berlin [DVD]](http://arkivmusic.com/cdn/shop/files/4013080-2754031.jpg?v=1788498272&width=400)
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![Godin: La Fresque / Martin, Preljocaj Ballet [Blu-ray]](http://arkivmusic.com/cdn/shop/files/91AEJJ9l99L.jpg?v=1788498271&width=800)
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![Verdi: Macbeth / Ferro, Teatro Massimo [Blu-ray]](http://arkivmusic.com/cdn/shop/files/3572209.jpg?v=1788498267&width=400)
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![Mozart: La finta giardiniera / Martin du Theil, Fasolis, Orchestra del Teatro alla Scala [Blu-ray]](http://arkivmusic.com/cdn/shop/files/3973015-2711142.jpg?v=1788498263&width=400)
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![Weinberger: Fruhlingssturme / de Souza, Komische Opera Berlin [Blu-Ray]](http://arkivmusic.com/cdn/shop/files/3864839-2610257.jpg?v=1788498263&width=400)
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![Gluck: Orphee et Eurydice / Crebassa, Guilmette, Pichon, Ensemble Pygmalion [Blu-ray]](http://arkivmusic.com/cdn/shop/files/41qAhBDvm1L.jpg?v=1788498256&width=800)
![Gluck: Orphee et Eurydice / Crebassa, Guilmette, Pichon, Ensemble Pygmalion [Blu-ray]](http://arkivmusic.com/cdn/shop/files/3718802-2506948.jpg?v=1788498256&width=400)
