By the time Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - went into Mad Hatter Studios in Los Angeles to record the third album with his Elektric Band, the lineup had been solidified through constant touring the previous year. Dedicated to his father Armando, a trumpeter who led a Dixieland band in Boston in the 1930s and 1940s, Eye of the Beholder reflected a tightening of the ensemble playing and a greater showcasing of the individual solo prowess of these consummate musicians. With this fresh sounding five-star recording, it is clear that Corea was more open to showcasing this band's collective muscle and individual virtuosity. The group rips, in no uncertain terms, on showcases like "Cascade, Part II," "Trance Dance," and the staggering "Amnesia." There are experimental excursions into the kind of atmospheric, ambient music realms that Brian Eno pioneered on "Cascade, Part 1" and may be the most profound musical statement of the collection, on par with past Corea high points, "Beauty." Originally released on GRP Records in 1988, the album is a high-water mark for Corea and his Elektric Bandmates.

Beneath the Mask marks a return to the more commercially viable jazz-funk of the Chick Corea Elektric Band's earlier albums, and marks the end of the first stage in the band's history, which began five years earlier with the group's self-titled debut. Energy meets craft on this superlative outing, which finds the five virtuoso musicians (Chick Corea, drummer Dave Weckl, bassist John Patitucci, guitarist Frank Gamble, and saxophonist Eric Marienthal) engaging in a highly sophisticated yet accessible set of music. Massive in the scale of the influences it contains, the album travels from the heavy grooving funk-fusion of the title track "Beneath the Mask," to the lively West African township jive of "One of Us Over 40." to the mellow smooth jazz of "A Wave Goodbye," and the grandiose '70s style prog-rock/fusion of "Charged Particles." Originally released on GRP Records in 1991, the album reflects the innovative spirit of The Elektric Band, pushing boundaries and creating a unique sonic landscape that captivates listeners.

The "[Everything Jazz - Vol.5 ECM Edition]" collection stands as an essential, high-fidelity offering for any serious jazz enthusiast, compiling fifty carefully curated, generation-spanning masterpieces from the renowned ECM label that have earned acclaim both internationally and in Japan. What truly elevates this set is the commitment to superb technical brilliance; presented on the Ultimate High Quality CD (UHQCD) format-often for the first time-and enhanced with the Green Color Label Coat specification, these reissues promise pristine audio fidelity, faithfully reproducing the original master recordings with astonishing clarity. Beyond the cutting-edge sound, the collection adds substantial value with detailed booklets featuring brand-new liner notes and artist comments for each work, making this an indispensable, comprehensive package that blends timeless classics with definitive sound quality, ready for you to discover your next destined masterpiece.

Forever Yours: The Farewell Performance captures highlights from two transcendent solo-piano concerts given just four months before the jazz icon Chick Corea's passing. Made at Ruth Eckerd Hall in Clearwater, FL in October 2020, they would be the last public concerts Corea ever gave. Not long after these performances, his health suddenly declined, and in February 2021 the world lost one of it's greatest musicians. These recordings stand as both a deeply affecting goodbye and a definitive document of the Chick Corea solo piano experience. The listener is treated to Corea's signature cascading virtuosity, technical command, and harmonic knowledge. Featuring original music ("Armando's Rhumba," a mini-recital of Children's Songs) alongside homages to some of the composers he cherished, like Monk, Powell, and Ellington. The record reflects the generosity and empathy at the core of his music. Throughout the program, Corea's uncut spoken interludes find him introducing tunes and explaining concepts in his affable, familial way, as if chatting with old friends. Mixed and mastered by long time collaborator Birnie Kirsch and presented as a 2 disc LP set in a gatefold sleeve and includes the bonus track "Pannonica". With liner notes featuring heartfelt messages from well known admirers like Alicia Keys, Herbie Hancock, Hans Zimmer, Bobby McFerrin, Stanley Clarke, Lang Lang, and more. An essential release, it is a fine and fitting end to an astounding career.

Forever Yours: The Farewell Performance captures highlights from two transcendent solo-piano concerts given just four months before the jazz icon Chick Corea's passing. Made at Ruth Eckerd Hall in Clearwater, FL in October 2020, they would be the last public concerts Corea ever gave. Not long after these performances, his health suddenly declined, and in February 2021 the world lost one of it's greatest musicians. These recordings stand as both a deeply affecting goodbye and a definitive document of the Chick Corea solo piano experience. The listener is treated to Corea's signature cascading virtuosity, technical command, and harmonic knowledge. Featuring original music ("Armando's Rhumba," a mini-recital of Children's Songs) alongside homages to some of the composers he cherished, like Monk, Powell, and Ellington. The record reflects the generosity and empathy at the core of his music. Throughout the program, Corea's uncut spoken interludes find him introducing tunes and explaining concepts in his affable, familial way, as if chatting with old friends. Mixed and mastered by long time collaborator Birnie Kirsch and presented as a 2 disc LP set in a gatefold sleeve and includes the bonus track "Pannonica". With liner notes featuring heartfelt messages from well known admirers like Alicia Keys, Herbie Hancock, Hans Zimmer, Bobby McFerrin, Stanley Clarke, Lang Lang, and more. An essential release, it is a fine and fitting end to an astounding career.

The "[Everything Jazz - Vol.5 ECM Edition]" collection stands as an essential, high-fidelity offering for any serious jazz enthusiast, compiling fifty carefully curated, generation-spanning masterpieces from the renowned ECM label that have earned acclaim both internationally and in Japan. What truly elevates this set is the commitment to superb technical brilliance; presented on the Ultimate High Quality CD (UHQCD) format-often for the first time-and enhanced with the Green Color Label Coat specification, these reissues promise pristine audio fidelity, faithfully reproducing the original master recordings with astonishing clarity. Beyond the cutting-edge sound, the collection adds substantial value with detailed booklets featuring brand-new liner notes and artist comments for each work, making this an indispensable, comprehensive package that blends timeless classics with definitive sound quality, ready for you to discover your next destined masterpiece.

The "[Everything Jazz - Vol.5 ECM Edition]" collection stands as an essential, high-fidelity offering for any serious jazz enthusiast, compiling fifty carefully curated, generation-spanning masterpieces from the renowned ECM label that have earned acclaim both internationally and in Japan. What truly elevates this set is the commitment to superb technical brilliance; presented on the Ultimate High Quality CD (UHQCD) format-often for the first time-and enhanced with the Green Color Label Coat specification, these reissues promise pristine audio fidelity, faithfully reproducing the original master recordings with astonishing clarity. Beyond the cutting-edge sound, the collection adds substantial value with detailed booklets featuring brand-new liner notes and artist comments for each work, making this an indispensable, comprehensive package that blends timeless classics with definitive sound quality, ready for you to discover your next destined masterpiece.

The "[Everything Jazz - Vol.5 ECM Edition]" collection stands as an essential, high-fidelity offering for any serious jazz enthusiast, compiling fifty carefully curated, generation-spanning masterpieces from the renowned ECM label that have earned acclaim both internationally and in Japan. What truly elevates this set is the commitment to superb technical brilliance; presented on the Ultimate High Quality CD (UHQCD) format-often for the first time-and enhanced with the Green Color Label Coat specification, these reissues promise pristine audio fidelity, faithfully reproducing the original master recordings with astonishing clarity. Beyond the cutting-edge sound, the collection adds substantial value with detailed booklets featuring brand-new liner notes and artist comments for each work, making this an indispensable, comprehensive package that blends timeless classics with definitive sound quality, ready for you to discover your next destined masterpiece.

Light as a Feather was the second studio album by Chick Corea's band Return to Forever, following Corea's 1972 LP that introduced the group. The album features Corea on electric piano, Joe Farrell on flute and soprano and tenor saxophones, Stanley Clarke on double bass, Airto Moreira on drums and percussion, and vocals by Flora Purim. Light as a Feather was named 1972 Playboy Jazz Album of the Year and has been regarded by numerous magazines and polls as one of the greatest jazz LPs ever made.

Two CD set. 2019 live release. Chick Corea's boxed set Trilogy was released in 2014, garnering international acclaim and two Grammy Awards (Best Jazz Instrumental Album and Best Improvised Jazz Solo). The stunning collaboration between Chick Corea, Christian McBride and Brian Blade left many critics, musicians and fans awestruck. Fortunately for us, these three virtuosos reunited for another tour in 2016, resulting in Trilogy 2 - twelve formidable tracks that raise the bar even higher.

Two CDs. 2020 release. Plays is a captivating, intimate double album. Showcasing his charming rapport with enthusiastic audiences in these spirited renditions, he's in good company throughout, engaging with a list of icons represents a wide swath of musical history, from the classical repertoire of Mozart and Chopin to jazz influences like Bill Evans and modern pop sensibility of Stevie Wonder. Several pieces are reprisals or spontaneously improvised.

Chick Corea: The Montreux Years showcases some of the legendary pianist's remarkable Montreux Jazz Festival live performances. The set includes brand new liner notes, as well as rare photos from his Montreux shows. Combos featured include Chick Corea Quartet, Chick Corea New Trio, Chick Corea Freedom Band, Chick Corea Akoustic Band, and Chick Corea Elektric Band, plus an appearance by The Bavarian Chamber Philharmonic Orchestra.

Jazz master Chick Corea's unconventional vision of a classical performance shines through in his interaction with the Orchestra da Camera Della Sardegna, turning the acclaimed chamber orchestra into a large-scale jazz ensemble. His unorthodox approach adds a touch of playfulness to the Mozart & Gershwin pieces performed while upholding Corea's obvious reverence for their music. His joyous fusion sets the tone for the musicians and the audience, creating a truly captivating and boundary- pushing experience. The recording captures the essence of Corea's musical vision, his appreciation for classical traditions, and his undeniable genius as a performer and improviser. It stands as a testament to his lasting influence and his eternal quest to push the boundaries of music. Through his work as a composer and a performer, he sought to bridge the gap between genres, embracing the universality and enduring power of classical music. Corea realized this ambition fully during this live performance as was eager to release the recording as an album that would inspire jazz and classical music lovers equally.

For The Elektric Band's fourth outing, Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - decided to push the envelope even further than on previous albums. Writing for the band's individual strengths, Corea went full throttle on Inside Out. Here we find the Elektric Band engaging in uptempo burners, prog-rock fantasia, Latin-tinged grooves and the kind of complex and characteristic tight harmonies and unisons that characterized Corea's earlier compositions of the 1970s. There is are highly orchestrated aesthetic pieces like "Make a Wish, Part 1," "Stretch It, Part 1," the driving, Latinesque swinger of "Make a Wish, Part 2," the intricate stop-time vehicle "Kicker" and the epic 20-minute, four part suite, "Tales of Daring." Notably one of Corea's most complex and demanding compositions. Originally released on GRP Records in 1990, the album reflects the innovative spirit of The Elektric Band, pushing boundaries and creating a unique sonic landscape that captivates listeners.

In 1993 Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - unveiled the second incarnation of the Elektric Band. With the brand new lineup of guitarist Mike Miller, bassist Jimmy Earl and drummer Gary Novak, and saxophonist Eric Marienthtal (the lone holder over from the first iteration of the Elektric Band,) Corea, approached this ambitious outing in the same way he had done everything throughout his career, by pushing the boundaries of what modern jazz is. With material written with these specific players in mind, Corea gathered this group of remarkably flexible musicians into Mad Hatter Studios in Los Angeles. Recorded almost entirely live in first takes, the album is notable for it's "less is more" approach to Corea's particular style of genre bending composition. Though the focus may have been more on acoustic piano than synths, the same proficiency, spontaneity, impeccable execution and jaw-dropping display of chops that characterize the five first Elektric Band albums applies. Of special note here is the inclusion of the track "Final Frontier", originally released exclusively on the Japanese and European editions. This all out burner is the lone tune on the record featuring Corea on a synthesizer. Written as an answer to "Got A Match" from 1986's The Chick Corea Elektric Band album, it's an uptempo showcase for the players to stretch out and the kind of track that exemplifies the jazz fusion that Corea and his groups came to define.

Led by the legendary pianist and composer Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - The Elektric Band stormed onto the jazz scene in the mid-1980s, making an immediate and lasting impact on the genre. With their electrifying performances and innovative blend of jazz fusion, the group produced a series of albums that set the bar for excellence in contemporary jazz.

Jazz master Chick Corea's unconventional vision of a classical performance shines through in his interaction with the Orchestra da Camera Della Sardegna, turning the acclaimed chamber orchestra into a large-scale jazz ensemble. His unorthodox approach adds a touch of playfulness to the Mozart & Gershwin pieces performed while upholding Corea's obvious reverence for their music. His joyous fusion sets the tone for the musicians and the audience, creating a truly captivating and boundary- pushing experience. The recording captures the essence of Corea's musical vision, his appreciation for classical traditions, and his undeniable genius as a performer and improviser. It stands as a testament to his lasting influence and his eternal quest to push the boundaries of music. Through his work as a composer and a performer, he sought to bridge the gap between genres, embracing the universality and enduring power of classical music. Corea realized this ambition fully during this live performance as was eager to release the recording as an album that would inspire jazz and classical music lovers equally. 1. Mozart Intro 1:31 2. Mozart Piano Concerto No. 24 In C Minor, K. 491: I. Allegro 19:51 3. Mozart Piano Concerto No. 24 In C Minor, K. 491: II. Larghetto 7:58 4. Mozart Piano Concerto No. 24 In C Minor, K. 491: III. Allegretto 13:49 5. Gershwin Intro 1:24 6. Someone To Watch Over Me 6:42 7. Rhapsody In Blue 26:10 1. Mozart Intro 1:31 2. Mozart Piano Concerto No. 24 In C Minor, K. 491: I. Allegro 19:51 3. Mozart Piano Concerto No. 24 In C Minor, K. 491: II. Larghetto 7:58 4. Mozart Piano Concerto No. 24 In C Minor, K. 491: III. Allegretto 13:49 5. Gershwin Intro 1:24 6. Someone To Watch Over Me 6:42 7. Rhapsody In Blue 26:10

Beneath the Mask marks a return to the more commercially viable jazz-funk of the Chick Corea Elektric Band's earlier albums, and marks the end of the first stage in the bands history, which began five years earlier with the group's self-titled debut. Energy meets craft on this superlative outing, which finds the five virtuoso musicians - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master Chick Corea, drummer Dave Weckl, bassist John Patitucci, guitarist Frank Gamble, and saxophonist Eric Marienthal - engaging in a highly sophisticated yet accessible set of music. Massive in the scale of the influences it contains, the album travels from the heavy grooving funk-fusion of the title track "Beneath the Mask," to the lively West African township jive of "One of Us Over 40." to the mellow smooth jazz of "A Wave Goodbye," and the grandiose '70s styl prog-rock/fusion of "Charged Particles." Following the release of Beneath the Mask and subsequent tour, Corea would devote himself to a myriad of other musical projects, and would not reunite with this Elektric Bandmates again until the summer of 2003. Originally released on GRP Records in 1991, the album reflects the innovative spirit of The Elektric Band, pushing boundaries and creating a unique sonic landscape that captivates listeners. Produced by Corea, with longtime engineering partner Bernie Kirsch, the album features detailed liner notes by jazz writer Bill Milkowski, giving context and explicit technical notes to the listening experience.

For The Elektric Band's fourth outing, Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - decided to push the envelope even further then on previous albums. Writing for the band's individual strengths, Corea went full throttle on Inside Out. Here we find the Elektric Band engaging in uptempo burners, prog-rock fantasia, Latin-tinged grooves and the kind of complex and characteristic tight harmonies and unisons that characterized Corea's earlier compositions of 1970s. There is are highly orchestrated aesthetic pieces like "Make a Wish, Part 1," "Stretch It, Part 1," the driving, Latinesque swinger of "Make a Wish, Part 2," the intricate stop-time vehicle "Kicker" and the epic 20-minute, four part suite, "Tales of Daring." Notably one of Corea's most complex and demanding compositions. Originally released on GRP Records in 1990, the album reflects the innovative spirit of The Elektric Band, pushing boundaries and creating a unique sonic landscape that captivates listeners. Produced by Corea, with longtime engineering partner Bernie Kirsch, the album features detailed liner notes by jazz writer Bill Milkowski, giving context and explicit technical notes to the listening experience.

By the time Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - went into Mad Hatter Studios in Los Angeles to record the third album with his Elektric Band, the lineup had been solidified through constant touring the previous year. Dedicated to his father Armando, a trumpeter who led a Dixieland band in Boston in the 1930s and 1940s, Eye of the Beholder reflected a tightening of the ensemble playing and a greater showcasing of the individual solo prowess of these consummate musicians. With this fresh sounding five-star recording, it is clear that Corea was more open to showcasing this band's collective muscle and individual virtuosity. The group rips, in no uncertain terms, on showcases like "Cascade, Part II," "Trance Dance," and the staggering "Amnesia." There are experimental excursion into the kind of atmospheric, ambient music realms that Brian Eno pioneered on "Cascade, Part 1" and may be the most profound musical statement of the collection, on par with past Corea high points, "Beauty." Originally released on GRP Records in 1988, the album is a high-water mark for Corea and his Elektric Bandmates. Produced by Corea, with longtime engineering partner Bernie Kirsch, the vinyl LP has been cut by legendary engineer Bernie Grundman features liner notes by jazz writer Bill Milkowski, giving context and explicit technical notes to the listening experience.

Double vinyl LP pressing housed in gatefold jacket. For The Elektric Band's sophomore outing, Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - entered the studio with Dave Weckl on drums, John Patitucci on bass, and two new players who would solidify the band's classic line up, guitarist Frank Gambale and saxophonist Eric Marienthal. More heavily produced than it's predecessor, Light Years contains several sequence-driven tracks, Corea's attempt at reaching out to a wider audience with a brand of music that was tighter, funkier and eminently more communicative than he had recorded on 1986's The Chick Corea Elektric Band. The crisp, irrepressibly catchy title track is a prime example of Corea's more commercial aspirations for the album, with Patitucci laying down a fat, funky groove with some hearty slap bass lines (a distinct flavor of the time), and Marienthal's pungent alto sax strutting over the top. Not only did this groove-oriented track catch on with listeners, it also won a Grammy for Best R&B Instrumental Performance at the 31st Annual Grammy Awards. Originally released on GRP Records in 1987, the album also contains the dreamy contemporary jazz offerings of "Second Sight" and "The Dragon," the sequence-driven "Time Track", "Flamingo," featuring Carlos Rios on guitar and, the electrifying, techno tour de force, highly complex closer, "Kaleidoscope."

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Corea: Spain & Piano Concerto No. 1