This highly-requested classic from instrumental superstar Chuck Mangione finally makes it's U.S. CD debut! The LP is highlighted by the Spanish-tinged title track, which won a 1978 Grammy Award as Best Pop Instrumental Performance.

FEELS SO GOOD

Part of the Backlot series from A&M featuring newly-designed artwork, digital remastering, unreleased tracks and extensive liner notes. Tracks include "Feels So Good," "Give It All You Got," "Cannonball Run Theme," "Doin' Everything with You" and much more.

Digitally remastered two CD set containing a trio of albums from the flugelhorn player and band leader originally released on Columbia: Love Notes (1982), Disguise (1984) and Save Tonight for Me (1986). Beat Goes On.

Two CD set containing a pair of Chuck Mangione albums dating from 1983 and 1985, originally for Columbia Records. Former Art Blakey sidesman Chuck Mangione has had a long and distinguished career as a master of the flugel horn. His recorded work is vast and Mangione has won Grammys for his work. MInterestingly, Philly producer Tom Bell collaborated with Mangione on 'Eyes Of The Veiled Temptress'.Digitally remastered and slipcased. With extensive new notes by Charles Waring

Released in 1999 by the noted audiophile label Chesky Records, The Feeling's Back showed that flugelhorn maestro Chuck Mangione - renowned for his trademark fedora hat and warm melodic lyricism - was still a force to be reckoned with in the jazz world. The son of an Italian American greengrocer, Rochester-born Mangione played hardbop in a group with his piano-playing brother before going solo in the mid-1960s. In 1978, he joined a small list of chart-busting elite jazz instrumentalists when his track 'Feels So Good' rose to No. 1 on the US Adult Contemporary chart. Considered a founding father of smooth jazz, Mangione began his own record label in the late '80s before landing at Chesky in 1999 for The Feeling's Back, the first of two albums for the company. Framing his mellow flugelhorn sound with lush, intimate arrangements and female vocals, The Feeling's Back showed that the flugelhornist hadn't lost his mojo. At 58, he could still play with the sensitive touch and quiet fire that had defined his earlier, commercially successful work. The album is reissued on 180g One Step Pressing Vinyl LP in 2025.

Released in 1999 by the noted audiophile label Chesky Records, The Feeling's Back showed that flugelhorn maestro Chuck Mangione - renowned for his trademark fedora hat and warm melodic lyricism - was still a force to be reckoned with in the jazz world. The son of an Italian American greengrocer, Rochester-born Mangione played hardbop in a group with his piano-playing brother before going solo in the mid-1960s. In 1978, he joined a small list of chart-busting elite jazz instrumentalists when his track 'Feels So Good' rose to No. 1 on the US Adult Contemporary chart. Considered a founding father of smooth jazz, Mangione began his own record label in the late '80s before landing at Chesky in 1999 for The Feeling's Back, the first of two albums for the company. Framing his mellow flugelhorn sound with lush, intimate arrangements and female vocals, TheFeeling's Back showed that the flugelhornist hadn't lost his mojo. At 58, he could still play with the sensitive touch and quiet fire that had defined his earlier, commercially successful work. The album is reissued on SACD Hybrid Stereo in 2025

TOGETHER: A NEW CHUCK MANGIONE CONCERT

FRIENDS & LOVE: A CHUCK MANGIONE CONCERT

The final album recorded by the late double-Grammy-winning Chuck Mangione, Everything for Love, was the flugelhorn maestro's second outing for Chesky Records, a New York label renowned for it's audiophile-quality recordings and for cutting it's artists live in what producer David Chesky described as "reverberant spaces" using a single microphone. Recorded in St. Peter's Church, Chelsea, New York, in 2000, Everything for Love reunited Mangione with some of the musicians who had played with him in the '70s - saxophonist/flutist Gerry Niewood, guitarist Grant Geissman, and bassist Charles Meeks - and featured mostly original material. Highlights include 'Peggy Hill,' which Mangione composed for the animated sitcom King Of The Hill; 'Slo Ro,' a portrait of Mangione's wife Rosie; and the album's only cover, a soulful, gospel-tinged rendition of the hymn 'Amazing Grace,' where Mangione takes the listener to church. Everything for Love is a fitting musical epitaph for Mangione, who died in 2025. The album will be reissued in 2026 on SACD Hybrid Stereo and 180g One-step Pressing Vinyl LP as part of the Chesky Original Masters series.

The final album recorded by the late double-Grammy-winning Chuck Mangione, Everything For Love, was the flugelhorn maestro's second outing for Chesky Records, a New York label renowned for it's audiophile-quality recordings and for cutting it's artists live in what producer David Chesky described as "reverberant spaces" using a single microphone. Recorded in St. Peter's Church, Chelsea, New York, in 2000, Everything For Love reunited Mangione with some of the musicians who had played with him in the '70s - saxophonist/flutist Gerry Niewood, guitarist Grant Geissman, and bassist Charles Meeks - and featured mostly original material. Highlights include 'Peggy Hill,' which Mangione composed for the animated sitcom King Of The Hill; 'Slo Ro,' a portrait of Mangione's wife Rosie; and 'Papa Mangione,' which pays tribute to Mangione's father, from whom he inherited his love of jazz. Other standouts include 'Annalise,' a beautiful waltz, and the album's only cover, a soulful, gospel-tinged rendition of the hymn 'Amazing Grace,' where Mangione takes the listener to church. Everything For Love is a fitting musical epitaph for Mangione, who died in 2025. The album will be reissued in 2026 on SACD Hybrid Stereo and 180g One-step Pressing Vinyl LP as part of the Chesky Original Masters series.

Also available on Blu-ray

With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato, The Cook, the Thief, His Wife & Her Lover) combines the worlds of film and opera at the Festival Verdi in Parma with an all new approach to Verdi’s Giovanna d’Arco, staged and edited by himself and Saskia Boddeke. Turning the auditorium into part of the set, Greenaway includes the unique architecture of the Teatro Farnese into his staging. With the help of spectacular video and light installations, he creates a completely new opera experience, using a striking imagery that includes depictions of the Madonna, modern manga girls and the real faces of refugee children. “It is a thrilling moment when threads of light spread over the darkened arches during the overture, shaping the architecture and flooding the whole area with changing light patterns.” (Daily Express)