Delos is thrilled to announce a new collaboration with GRAMMY® Award-winning vocal ensemble Chanticleer. Famed for it's "accuracy of intonation, purity of blend, of color and swagger of style" (Boston Globe), the group makes it's label debut with Joy to the World. This new Christmas collection blends tradition with innovation, combining Renaissance motets and fresh arrangements of classic carols with contemporary compositions, including two new commissions from Joanna Marsh. Showcasing the ensemble's extraordinary ability to move seamlessly and expertly between styles, Chanticleer's first Delos release conjures a wintertime world of magic, light, and wonder.
Featuring 13 premiere recordings, With Eys Lift Up is a new collection of works written by American composer Nico Muhly for - and the majority commissioned by - the Choir of Magdalen College, Oxford. Comprising settings of the mass and canticles alongside anthems for Advent, Christmas, Epiphany, Easter, Ascensiontide, Trinity Sunday and Remembrance, the collection sets a number of little-known texts, casting new light on familiar seasons of the church year.
Beethoven: Piano Sonatas Vol.7 The latest installment of Angela Hewitt's much-lauded Beethoven cycle is bookended by the great 'Tempest' and Op.109 sonatas. The performances are as usual complemented by Angela's own booklet notes which provide real insight into how she approaches these masterworks.
LA HARPE REINE: CONCERTOS FOR HARP AT THE COURT OF
HARMONIA MUNDI
CD
$21.09Oct 27, 2023
The triumph of the harp! When Marie-Antoinette arrived at the French court in 1770, she brought a harp in her luggage. Thanks to her enthusiasm, the instrument was to enjoy a revival of interest that produced an abundant repertory. Available once more from the hamronia mundi archived, "Christie's collaboration with the superb Xavier de Maistre is an exquisitely refined account of Krumpholtz's enchanting Fifth Harp Concerto" (BBC Music Magazine). "This is rococo entertainment music at it's most decorously pastel... de Maistre's playing is a marvel of delicate coloring and shimmering, perfectly even passagework." (Gramophone)
The 11th and final release in The Orlando Consort's comprehensive Machaut survey easily maintains the standards of it's predecessors. The closing couplet of the final track - "Their singing will be sublime / Harmoniously will they render him praise" - might well serve as a motto for The Orlando Consort's achievement, not only in this album but throughout an illustrious career.
This deluxe 4-CD box set from Sony Music brings together the seminal Columbia recordings of Terry Riley, a visionary composer whose influence on minimalist and electronic music continues to ripple through generations. Thoughtfully presented with archival materials, this collection offers an essential document of Riley's most transformative period when the pulse of innovation met the possibilities of high-fidelity sound. This box set is more than a collection of recordings it is a rare window into a time when the avant-garde found a home in major-label studios and groundbreaking artists like Riley were given space to explore uncharted sonic territory. From his mesmeric electric keyboard and saxophone improvisations to his pioneering use of analog tape delay, every track here pulses with the spirit of experimentation. Starting with the original 1968 recording of In C, captured at Columbia's legendary 30th Street Studio, by revered engineer Fred Plaut, the set includes four seminal works by Riley that helped shape not only the minimalist movement but much of the late 20th century avant-garde landscape.
Dutch pianist and composer Joep Beving is a leading neo-classical artist, garnering fans worldwide with his warm, contemplative music, which is evident on his 2017 album, Prehension. Pressed on EcoRecord, a sustainable record made from PET instead of PVC and, thanks to an innovative production process, saves up to 85% energy compared to conventional vinyl production, without compromising on sound and product quality. 2-LP set.
Solipsism is the 2015 debut album by contemporary Dutch pianist and composer, Joep Beving. Inspired by the philosophical idea that reality only exists in one's mind, Beving composed these introspective and often filmic piano pieces and recorded them at home in the still of night. Rejecting the often over-produced and layered music styles of today, Beving keeps the music of Solipsism stripped back to it's essence: simple sounds to express complex emotions. Pressed on EcoRecord, a sustainable record made from PET instead of PVC and, thanks to an innovative production process, saves up to 85% energy compared to conventional vinyl production, without compromising on sound and product quality.
Although Alan Hovhaness (1911-2000) was born in Massachusetts and ended his days in Seattle, his music was profoundly coloured by his Armenian heritage, in particular through his fondness for the modal melos of the ancient Armenian church. His combination of modality and melisma, of hymn and dance, can often make him sound like an eastern cousin of Vaughan Williams. The organ is an ideal medium for his musical language, allowing it to range from timeless, questing prayer to gloriously full-bodied statements that stir the soul.
The Royal Scottish National Orchestra has long been known for championing British contemporary music and, following two albums entirely dedicated to Thomas Wilson, the orchestra now turns to other leading composers of the contemporary scene. Devised by conductor Rory Macdonald, the programme includes works that share the themes of loss, love and life: Jay Capperauld's Our Gilded Veins takes centre-stage, alongside Within Her Arms, Anna Clyne's 'fragile elegy' (The New Yorker), James MacMillan's legend-based The Death of Oscarand the commemorative For Zoe, Martin Suckling's Meditation (after Donne) - which features church bells from across Scotland - and Peter Maxwell Davies's Farewell to Stromness (in an arrangement for strings by Rosemary Furniss), which arguably features the composer's most recognisable tune.
Gilles Binchois (ca 1400-1460), was one of the most eminent composers of the early Renaissance. Highly esteemed by his fellows, Binchois left a lasting legacy, notably through his polyphonic chansons and sacred works, although these remain unfamiliar to the general public. This selection of works by Binchois, born in Hainault, shows the evolution of his musical language from the beginnings of the burgundian style to the later instrumental transcriptions of some of his works, as these bear witness to the timeless beauty of his melodies and harmonic structures.
The album provides a unique opportunity to get to know the oeuvre of forgotten masters of the mature Baroque era and to admire their talent and compositional craftsmanship. Thanks to it's exuberant production, the Altberg Ensemble, specializing in historically informed performance on period instruments, transfers listeners to the world of emotions, intrigue and entertainment of sixteenth-century European courts.
The phrase 'Baltic music' is not just a label, but a key that unlocks the rich creativity of composers living around the Baltic Sea. However, it is more than a specific style, mood, or aesthetic. It is about a diverse landscape of Baltic music, each piece being a unique story of individual experience, desire, and reflection of identity. The Baltic identity manifests itself in the most diverse ways, as a cultural tapestry that is both engaging and intriguing. The album Baltic Prayer opens up part of this landscape, united by the motifs of peace, and a conversation with oneself, others, or God. Works by the Lithuanian composers Anatolijus senderovas and Jurgis Juozapaitis, by the Latvian composer P?teris Vasks, and by the Estonian composer Arvo Part, are presented. Next to them are some stylistically close compositions by the Norwegian star of choral music Ola Gjeilo, the British composer John Tavener, and the Ukrainian Myroslav Skoryk.
The phrase 'Baltic music' is not just a label, but a key that unlocks the rich creativity of composers living around the Baltic Sea. However, it is more than a specific style, mood, or aesthetic. It is about a diverse landscape of Baltic music, each piece being a unique story of individual experience, desire, and reflection of identity. The Baltic identity manifests itself in the most diverse ways, as a cultural tapestry that is both engaging and intriguing. The album Baltic Prayer opens up part of this landscape, united by the motifs of peace, and a conversation with oneself, others, or God. Works by the Lithuanian composers Anatolijus senderovas and Jurgis Juozapaitis, by the Latvian composer Peteris Vasks, and by the Estonian composer Arvo Part, are presented. Next to them are some stylistically close compositions by the Norwegian star of choral music Ola Gjeilo, the British composer John Tavener, and the Ukrainian Myroslav Skoryk.
Arcadelt: Missa Noe Noe / Namur Chamber Choir, Cappella Mediterranea
Ricercar
CD
$20.99Oct 06, 2023
Given that not one of the Masses by Jacques Arcadelt was included in our boxed set that revealed his immense musical personality to the world, we now remedy this situation with an indispensable addition. Leonardo Garcia Alarcon chose the Missa Noe Noe, which is presented here in the context of the Christmas liturgy. We have also included motets not only by Arcadelt but also by Josquin Desprez, as he was the great model for musicians of his generation. The recording ends resoundingly with Josquin’s imposing Benedicta es coelorum regina for six voices, although in an expanded version for twelve voices by Jean Guyot de Châtelet (1512 – 1588): another Walloon composer to be discovered!
Supersize Polyphony – Striggio: Mass in 40 & 60 parts; Talli
Signum Classics
CD
$20.99Apr 18, 2025
Supersize Polyphony is a celebration of large-scale choral works from the 16th century, performed here by the Armonico Consort and the Choir of Gonville and Caius College, Cambridge, under their musical directors Christopher Monks and Geoffrey Webber. The unique programme features epic motets, such as Thomas Tallis' Spem in Alium and Alessandro Striggio's Ecce Beatam Lucem, alongside his rarely performed 60 part Missa sopra Ecco Si Beato Giorno. Interspersed with the serene beauty of ethereal chants by Hildegard of Bingen, this new recording presents works of magnitude and polyphonic drama in stellar performances by two of the UK's leading choral ensembles. Now Available as a CD / SACD Surround Sound album.
Michael Haydn did not achieve the same exorbitant quantity of instrumental music as his older brother, since he had to compose a large amount of sacred music because of his position; but the surviving symphonies and chamber music in particular are not lacking in novel and "original" character traits. This becomes clear, for example, in the six string quartets recorded here, which he wrote sometime in the 1770s or 1780s. Here, personable elegance and subtle humour are combined with a quiet touch of tragic drama to create a very unique candour that reveals a world view that is as moving as it is entertaining, somewhere between the masterpieces of his brother Joseph and Amadeus, who was around twenty years younger.
Sylvius Leopold Weiss was born in the then Bohemian province of Silesia (now in Poland) in 1687 and grew up under the strong influence of Losy, which can be seen clearly in his early compositions. After his Italian sojourn (1710-14), Weiss became deeply involved with the Prague musical milieu and, according to numerous documents, he must have spent much time there even after he was invited by Augustus the Strong, on the 23rd of August 1718, to become an "Electoral Saxon and Royal Polish Chamber Musician" at his court in Dresden. In the years between 1717 and 1724 he worked closely with Johann Christian Anthoni von Adlersfeld at the Prague Music Academy to create one of most extensive collections of his music ever assembled, what we now know as the "London Manuscript." Also, in this period he worked with the Prague lute maker Thomas Edlinger to improve upon the 11-course instrument normally used by adding two bass courses to extend its range. Two different solutions were possible: using thicker or slightly longer strings. The thicker strings didn’t sound very good, so the extra length was decided upon. The added bass courses were placed on a newfangled contraption attached to the side of the pegbox, called a "bass-rider." This is the kind of lute I play for this recording. By the way, lutes were strung in gut and not in metal, as they often are today, and I have continued this tradition for the present recording. The Dresden manuscript includes many of Weiss’s best-known works that are found in other manuscripts as well, but it also contains a number of expansive sonatas composed late in life that are unique to this source. A few of them are in Weiss’s own hand, but the rest were probably copied by the Saxon minister for war, Friedrich Wilhelm Raschke, who, according to Crawford, "seems to have gained access to what must have been Weiss’s personal archive of music."
First recording of this special collection of very early chamber music. Several pieces are world first recordings. Beautiful acoustics of a church of the time when the music was composed. Very diversified instrumental settings. Use of some nstruments that are nearly unknown today.
