Collector's Corner
Find your next gift idea or addition to your music collection with Collector's Corner at ArkivMusic! We've hand selected our favorite box sets below!
208 products
Tchaikovsky: Orchestral Works, Symphonies 1-6 / Jarvi, Gothenburg Symphony Orchestra
Pyotr Ilyich Tchaikovsky (1840-1893) Gothenburg Symphony OrchestraNeeme Jarvi, conductor Symphony no 1 in G minor "Winter Dreams", Op. 13; Romeo &Â?JulietSymphony no 2 in C minor "Little Russian", Op. 17; Overture in FSymphony no 3 in D major "Polish", Op. 29; The Snow Maiden, Op.12Symphony no 4 in F minor, Op. 36; Symphony no 5 in E minor, Op 64Symphony no 6 in B minor "Pathetique", Op. 74; The Tempest;Overture on the Danish National Anthem; Voyevoda Dances;Dmitri Pretender and Vassily Shuisky; Serenade for N.Rubinstein;Capriccio Italien; Francesca da Rimini; etc.
COMPLETE SYMPHONIC POEMS FOR T
DISCOVERED TAPES - SONATAS
Grieg: The Complete Orchestral Music
During 2003-2006, as the individual discs were released, reviewers all over the world were heaping praise over the series – astoundingly enough, as this is repertoire that at least in part belong to some of the most well-represented on disc. But this did not seem to matter to the critics, who described the performance of the Piano Concerto as one that ‘will make you fall in love with the music all over again’ (American Record Guide) and that of the Holberg Suite ‘so compelling that it simply makes you forget about any other’ (Classics Today.com), deeming the Peer Gynt Suites to be ‘interpretations that rejuvenate even this almost hackneyed, overly familiar music, relieving it of all the ballast of performance history’ (klassik.com).
It was the freshness of the performances by Ole Kristian Ruud and the Bergen Philharmonic Orchestra that struck most critics – freshness coupled with expertise: ‘Bergen musicians have lived with these scores since their creation and all the performances here have a relaxed, idiomatic naturalness in their virtuosity’ (Gramophone). A second point was the superior sound quality – the result of inspired and painstaking work by the BIS recording staff in combination with the splendid acoustics of the Grieg Hall in Bergen. ‘Sonically this production features demonstration quality both in stereo and SACD multi-channel formats’ wrote the reviewer of Classics Today.com; ‘a fabulous complete cycle, admirably served by the splendid recording technique’ was the verdict in Classica-Répertoire.
The third factor contributing to the warm reception was of course the music itself, the fascination and power exerted by the Piano Concerto and the complete Peer Gynt, the emotion projected in Bergliot and Den Bergtekne, the charm and freshness of the orchestral songs and Lyric Suite – in the words of one reviewer: ‘music that you'd have to be either deaf or dead not to love’. The complete traversal, generally considered a reference point in the Grieg discography, is now available in this stereo-only version at a very advantageous price. (8 CDs for the price of 3)
Maxwell Davies: Naxos Quartets Nos. 1-10 (5 CD Box Set)
British String Quartets / Maggini Quartet
The string quartet is at the very heart of 20th century British music, encompassing some of the quintessential works of the chamber music repertory. This compendium features fine examples of the genre, revealing the precocious talents of Benjamin Britten and John Ireland, the quicksilver craftsmanship of Frank Bridge and Alan Rawsthorne, the ‘captured sunshine’ of Edward Elgar’s writing and the evocative pastoral renderings of Arthur Bliss and Arnold Bax. Although the musical styles of each of the composers featured in this collection are unique, their contributions are unified by an innate understanding and mastery of the string quartet form. The multi-award winning and twice Grammy Award-nominated Maggini Quartet’s consummate and much lauded interpretations of these works are presented here together for the first time.
Excerpts from select reviews of previously released items included in this set:
Ireland: String Quartets
These works make for gratifying listening. The performances from the Maggini Quartet are simply magnificent: what devotion these musicians lavish on this music. Furthermore, the recording is quite superb in its intimacy, blend, and balance — the listener feels like the “fifth” member.
– Fanfare
Bax: String Quartets Nos. 1 & 2
Both quartets are important contributions to the repertoire, something made abundantly clear by the Maggini Quartet's masterful, deeply felt, and finely executed readings. The ensemble's burning conviction will make you a believer too.
– ClassicsToday
Alwyn: String Quartets Nos. 1-3
With controlled vibrato and sharp attacks, theirs is a compellingly stark, uncompromising, physical approach, stressing the modernity of the works. Lyrical sections, as a result, stand out in bold relief.
– Fanfare
Beethoven: The Complete Variations, Bagatelles & Clavierstucke / Brautigam
REVIEWS:
This is a wonderful set, in which Ronald Brautigam excels in his conclusion to his survey of the complete solo piano music of Beethoven. I appreciate that some people do not like the sound of the fortepiano, but the instruments chosen for this set and edition as a whole, show the breadth of sound that was available at the time, and some people will be surprised by just how full a sound it is. Brautigam’s choice of tempos is well-measured and thoughtful, and his playing is nuanced throughout, resulting in this set being one that I have found difficult to take off my CD player. The performances certainly mark Brautigam out as a leading interpreter of Beethoven’s music regardless of the style and type of piano used.
– MusicWeb International
Brautigam’s fortepiano survey is magnificent, comprising four full discs of variations (including Eroica and Diabelli), the complete bagatelles, rondos and other miscellaneous pieces. Disc 1 begins with a charming rendition of the Op 33 set followed by a tranche of pieces dating mainly from the 1790s; the late sets Opp 119 and 126 are delivered with a sense of simplicity that can only come from depth of knowledge.
– International Piano
The American Spirit: Roots and Transformations
Jazz at the Pawnshop 30th Anniversary
One of the musical and audiophile highlights of jazz recording history is available in unsurpassed SACD sound. A celebration of the 30th anniversary of the recordings, the analogue masters have been transferred using improved technology to SACD. For the first time, the complete recordings are collected with full documentation and photos. Some of the tracks, previously only available in limited editions, are all present in this collection. The set also includes a previously unreleased DVD, in which Lars Erstrand (vibes) and Georg Riedel (bass) recall these wonderful concerts.
Tchaikovsky: Ballet Music; Glazunov: Les Sylphides / Lenárd, Yablonsky, Mogrelia
"Let me say immediately that this new complete Swan Lake is thoroughly recommendable, and most enjoyable, both as a performance and recording. The Russian State Symphony Orchestra is obviously thoroughly at home in this glorious music. So is their excellent conductor, Dmitry Yablonsky, whose tempi can hardly be faulted.Throughout the four acts, Tchaikovsky's magnificent score is presented spontaneously and excitingly, vividly underlining the coherence of this masterpiece. The Russian solo playing is consistently impressive: Act 2's 'Dances of the Swans' (with fine solo violin and cello contributions) are as vivid as the national dances of Act 4. The orchestra is set back realistically and the effect is always convincing, suitably brilliant with good range and atmosphere and arresting climaxes (the Russian trumpets are especially striking)." -- Ivan March, Gramophone
THE PLATINUM ALBUM COLLECTION
LAMB LIES DOWN ON BROADWAY
Monteverdi: Madrigals, Book 8 / Longhini, Delitiae Musicae
The Eighth Book of Madrigals, subdivided into a substantial series of vocal and instrumental partbooks, contains some of Monteverdi's greatest music. In this sumptuous collection the material is carefully arranged by category into madrigals of war, love and those for the stage, with a wide array of human passions and compositional styles. This is the first recording to present Book Eight in its original, uncut form, also incorporating instrumental sinfonias and dances by Biagio Marini to round off Monteverdi's design. In keeping with seventeenth-century practice, the madrigals are performed entirely by male voices, including a boy soprano in the role of Cupid.
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REVIEWS:
The quality of the performances is extremely high. Technical prowess is always in the service of the music, and Marco Longhini is not averse to pushing his all-male ensemble to extremes of slow or fast tempos or to special vocal effects. Another strength of this excellent interpretation is the size and scope of the instrumental forces. There are 9 players in the continuo group, a further 9 in a mostly string ensemble (including 2 recorders), and a viola da gamba quartet. This gives Marco Longhini a very wide palette to draw on for dramatic power, theatrical variety, and evocative effect.
– American Record Guide
As Longhini has pointed out in previous releases, the instruments to be used is largely left to the performers, and in the composer’s day would probably have depended on those available. In this series of discs he has opted for a ‘middle-of-the-road’ approach, so as not to become ornate, yet providing more that an obliging backdrop. In the vocal group there are, of course, no female voices in music of that period, so that much rests on the shoulders of the outstanding countertenor, Alessandro Carmignani. Yet again I will heap praise on the sonorous bass voice of Walter Testolin, his deep voice is an earthy delight. Solos permeate all of the madrigals, and when numerous voices are used, the Delitiae’s blend is pure joy. Longhini's approach throughout this series has that feel of dedication and authenticity, the music continually intriguing, immediately likeable, and, in every way, it has been a wonderful experience with this as its crowning glory. The engineers have once again played their part in the clarity of texture they have created. It is terribly sad that it is coming to an end, but there remains just one more book, the unfinished Ninth, that was published after the composers death.
– David's Review Corner (David Denton)
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