Collector's Corner
Find your next gift idea or addition to your music collection with Collector's Corner at ArkivMusic! We've hand selected our favorite box sets below!
188 products
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Otto Klemperer: The Complete Operas & Sacred Works - Warner Classics Edition
WARNER CLASSICS · Apr 2024CD$117.57 -
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ARGENTA JORDA DECCA MASTERS
RADIO-SYMPHONIE-ORCHESTER BERLIN RECORDINGS
COLIN DAVIS: BOSTON LEGACY
Stravinsky: The Complete Piano Solos & Transcriptions / Zuev
JANSONS - THE OSLO YEARS
NOW PRESENTS 12-INCH 80S: VOLUME THREE 1985-1986
Carl Philipp Emanuel Bach - Edition
Otto Klemperer: The Complete Operas & Sacred Works - Warner Classics Edition
BALLETS: SWAN LAKE / NUTCRACKER / SLEEPING BEAUTY
The Boswell Sisters COLLECTION
COMPLETE STUDIO ALBUMS
SEINFELD: COMPLETE SERIES BOX SET
Paavo Järvi - The Complete Erato Recordings
Born in Tallinn in 1962, Paavo Järvi is renowned for his dynamic interpretations and innovative programming. He has held prominent positions with leading orchestras, including the Cincinnati Symphony Orchestra, Orchestre de Paris, NHK Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, or the Tonhalle-Orchester Zürich more recently. Paavo Järvi's approach combines technical precision with expressive depth, making him a favourite among musicians and audiences alike. His numerous recordings have received prestigious awards (including a Grammy Award for the Sibelius Cantatas), solidifying his reputation as one of the foremost conductors of his generation. He has always been a passionate advocate and tireless interpreter of Nordic composers such as Sibelius, Grieg, and Arvo Pärt, bringing their evocative, atmospheric music to life.
This 31 CD box contains the complete recordings made by Paavo Järvi for Virgin Classics, EMI and Erato. A bonus CD (CD 31) includes the Symphony in D minor by César Franck - recorded in September 2023 with the Orchestre de Paris and previously unpublished - L'Apprenti sorcier (Dukas) and the 3rd Symphony by Roussel.
COMPLETE ERATO RECORDINGS: CLASSICAL & ROMANTIC
RICHARD WAGNER EDITION - BAYREUTH FESTIVAL / VAR
KATCHEN: THE BRAHMS RECORDINGS ON DECCA
WEBER - SPIRIT OF GERMAN ROMANTICISM
PHAROAH
PROKOFIEV EDITION
LIVE EVIL (40TH ANNIVERSARY)
CODA
WAITING FOR COLUMBUS
Ravel: Orchestral Works / Denève, SWR Radio Symphony Orchestra Stuttgart
Stéphane Denève, triple winner of the Diapason d’Or of the Year, produced many outstanding recordings as chief conductor of the SWR Radio Symphony Orchestra, Stuttgart from 2011 until 2016 when the orchestra merged with its sister orchestra from Baden-Baden and Freiburg to form the SWR Symphony Orchestra. They are now reissued as a five album boxed set including the ballet Daphnis et Chloé, Ravel's longest work, written for Sergei Diaghilev’s Ballets Russes, and the operas L'Heure espagnole and L'Enfant et les sortileges. Although the two operas cannot be strictly considered orchestral works, they are essential to understanding the œuvre of a composer who had a great predilection for fantasy worlds and the exotic. As a student Ravel composed the Ouverture de Shéhérazade and, several years leter, three poems for voice and orchestra on the same topic – both works form part of this set. Throughout his entire career, from Une barque sur l'ocean to Ma mère L'Oye Ravel created magical soundscapes in a highly original manner and with great stylistic freedom. A big inspiration for him was American operetta but also jazz and fairy tales. The formal structure of his works has the clarity of crystal and the elegance of mathematics. The SWR Radio Symphony Orchestra, Stuttgart and the cast of young singers selected by Denève give thrilling interpretations.
REVIEWS:
Denève was the final Chief Conductor of this orchestra, from 2011-2016, after which they merged with the South West German Radio Orchestra for budgetary reasons. Their timbre is mellow and warm, akin to that of the Boston Symphony, but their ensemble playing and attack are tight.
The set is a highly worthwhile investment if you want a single collection of Ravel’s orchestral music. The sound is warm, clear, and spacious. Highly recommended.
-- Limelight (Australia)
Denève is very consistent in his meticulously prepared if slightly detached style. The playing and engineering is consistently very good indeed. The price of this box set is attractive. The song cycle and the two operas engaged me the most.
-- MusicWeb International
Beethoven: The Complete Sonatas / Brautigam
The 32 Piano Sonatas by Ludwig van Beethoven are often referred to as the ‘New Testament’ of the keyboard literature, following on the ‘Old Testament’ of J.S. Bach's 48 preludes and fugues in the Well-Tempered Clavier. Composed over a period of almost three decades, from 1795 to 1822, the sonatas constitute a fascinating panorama of an artistic career which underwent numerous changes – not to say upheavals – but nevertheless remained remarkably consistent. Ever since the first recording of the entire cycle, by Artur Schnabel in the 1930s, a number of the world's leading pianists have given us their performances of this monumental collection on disc. One of the latest cycles is that of Ronald Brautigam, released on single discs between 2004 and 2010. Performed on the fortepiano, as part of a series of Beethoven's complete solo keyboard works, Brautigam's recordings have been described as ‘riveting’, ‘compelling’ and ‘revolutionary’. The eight discs with the 32 sonatas are now being released as a boxed set, along with a ninth disc containing the early, unnumbered sonatas. Contributing factors to the ‘refreshing directness’ that reviewers have experienced in these performances are the widely praised recorded sound and the carefully selected instruments, built by Paul McNulty after originals from 1788-1819 by the foremost Viennese makers of fortepianos. For this boxed set, the original SACD format has been retained – along with the possibility of listening to the performances in surround – thus offering the opportunity of sharing the experience of one reviewer: ‘One has almost the impression of being a contemporary of Beethoven’s: one of the first, infinitely startled – not to say shocked – witnesses to this music’ (Süddeutsche Zeitung).
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REVIEW:
Much of the playing here is sensational. Notice the pronounced rhetorical emphasis yet intensely focused dotted rhythms in the Pathétique’s introduction, or the revelatory continuity from one variation to the next in Op 14 No 2’s uncommonly quick central movement. Those who think that even Brautigam’s sturdy fortepiano cannot approximate an orchestra should check out Op 22’s first movement, where the full-bodied octaves and brilliantly judged ‘Rossini’ crescendo just before the recapitulation make a pulverising impact.
And what about the Moonlight finale’s controlled fury and slashing momentum that remain musical to the core, or how those Op 10 No 1 and 2 finales rock and roll while retaining maximum linear clarity? Few others rightly feel Op 10 No 3’s Minuet as one beat to a bar and effectively spin out the left-hand counterlines. Among the heroic middle-period works, perhaps Brautigam’s Waldstein and Appassionata make a cogent case for period instruments in regard to textural differentiation between registers, shorter pedal resonances, and being able to truly perceive rather than merely infer each pitch within low-lying chords and runs, abetted by Brautigam’s subtle yet expressively powerful tempo modifications and telling accents.
Brautigam’s late sonatas are never less than masterful.
– Gramophone
HOMAGE
FREEDOM WEAVER: THE 1959 EUROPEAN TOUR RECORDINGS
COMPLETE PLUGGED NICKEL LIVE 1965
COMPLETE STUDIO RECORDINGS 1965-1968