Domenico Scarlatti
19 products
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Scarlatti: Sonate a due clavicembali
$18.99CDTactus
Nov 21, 2025TB681909 -
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Scarlatti: Complete Keyboard Sonatas, Vol. 31
$19.99CDNaxos
Oct 10, 20258574686 -
Scarlatti: Complete Piano Sonatas, Vol. 10
$21.99CDTACET Musikproduktion
Jun 13, 2025TACET279CD -
Domenico Scarlatti: Complete Piano Sonatas, Vol. 12
$21.99CDTACET Musikproduktion
Mar 20, 2026TACET282CD -
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Domenico Scarlatti: Sonatas
Scarlatti: Complete Keyboard Sonatas, Vol. 27 / Gallo
From the virtuoso Essercizi (K.12 and 15) to the touching cantabile eloquence of the Sonata in G major, K.144, most of the repertoire on this album consists of lesser-known works incorporating elements of dance forms from Spain and Portugal, with the Sonata (Fuga) in D minor heard here in its world premiere recording.
Scarlatti: Violin Sonatas / Begelman, Arsenale Sonoro
The place of Domenico Scarlatti in the history of 18th century music is certainly exceptional. This exquisite and imaginative group of works is included in the fourteenth volume of Scarlatti’s manuscript sonatas preserved in the Marciana Library in Venice. Although known as keyboard sonatas, research reveals that they were very likely to have been conceived for performance on the violin – multi-movement works, often showing the presence of figured bass accompaniment, rapid changes of register and numerous passages better suited to a violin than a keyboard instrument all support the theory. This is flashy and virtuosic writing for violin at its finest.
D. Scarlatti: 13 Sonatas from Book 3, 1753 / Haas
This is a recording to bring pleasure. Thirteen Sonatas by Domenico Scarlatti, taken from the same volume of manuscripts of the Queen of Spain, kept in Venice. Some of these sonatas are very famous, some are rarely played, but all are very beautiful: joyful, poetic, almost always sunny, sometimes melancholic. Brussels based French harpsichordist, Frédérick Haas' passion for the harpsichord started in earlychildhood and he began playing at the age of twelve. He studied the harpsichord, organ and musicology at Paris and Amsterdam, and was enriched by regular contact with important original instruments and the workshops of harpsichord builders and restorers, and at master classes. At the age of 26, he recorded his first solo album, dedicated to the harpsichord suites by J.H. Anglebert.
Scarlatti: A Man of Genius
Scarlatti: Sonatas on Vinyl / Schmitt-Leonardy
A luxury-grade vinyl transfer in a gatefold 2LP set for a beautifully engineered 2021 album of Scarlatti on the piano from a master German pianist.
On its CD release in 2022, this personal choice from Scarlatti’s 555 keyboard sonatas won an enthusiastic welcome from Gramophone. ‘Contrasts of mood together with unified relationships of tempo and key signature characterise one the most intelligently programmed and distinctively played Scarlatti collections to cross my reviewer’s desk in years.’
Hardly less than Bach, these sonatas have become for many pianists a proving ground for their own technique and imagination, rewarding an improvisatory response to their flamboyant effects. Schmitt-Leonardy also features several of Scarlatti’s most poetic and reflective sonatas such as the ‘Aria’ Kk 29 and the melancholy soliloquy of Kk 208.
The approach taken by Schmitt-Leonardy is always ‘pianistic’, in that he exploits the full tonal resources of a modern concert grand. Yet his phrasing is also sensitive to 18th-century style and to the kind of effects and articulation particular to the harpsichord for which Scarlatti was writing. ‘Kaleidoscopic nuances and dynamic gradations abound throughout the E major Kk135,’ continued the Gramophone reviewer Jed Distler, the Gramophone reviewer Jed Distler, ‘but not garishly so. Nor does the pianist’s curvaceous and tapered phrasing throughout the A major Kk322 lapse into mannerism or cliché.’
As with all Brilliant Classics and Piano Classics LPs, this set is issued on 180-gram, high-grade vinyl pressed at the Optimal factory in Hamburg. Its audiophile quality is worthy of performances which bear comparison with great Scarlatti performers of past and present from Horowitz to Pletnev. Inner-sleeve booklet notes by Peter Quantrill discuss each of the sonatas in turn.
Scarlatti: Sonate a due clavicembali
Scarlatti: Ten Sonatas
Scarlatti: ...ma cantabile - Harpsichord Music / Vorobjova
Vorobjova's very personal "cantabile" collection from the extensive Scarlatti virtuosic harpsichord repertoire.
Scarlatti: Sonatas
Scarlatti: Complete Keyboard Sonatas, Vol. 31
Scarlatti: Complete Piano Sonatas, Vol. 10
Domenico Scarlatti: Complete Piano Sonatas, Vol. 12
Scarlatti: Complete Piano Sonatas, Vol. 8 / Ullrich
Sometimes time flies by. For example, when something stimulating happens all the time, as here with the new volume No. 8 of the complete recording of all 555 sonatas by Domenico Scarlatti. And not because of the two organ sonatas, which are actually played here on an organ, nor because of the acoustics at the new recording venue Marienmünster. Once again, Christoph Ullrich is exclusively responsible for these stimuli, and he knows how to shape these gems, which seem to have been written for him, with such never-ending imagination, exuberant ideas, nuances that always seem spontaneous but are nevertheless carefully woven, that two hours go by like two shooting stars.
Scarlatti: Complete Piano Sonatas, Vol. 7 / Ullrich
Scarlatti: Complete Piano Sonatas, Vol. 6
Scarlatti: Complete Keyboard Sonatas, Vol. 30
Scarlatti: Complete Keyboard Sonatas, Vol. 29
Scarlatti: 37 Keyboard Sonatas / Korstick
With his more than sixty prizewinning recordings, Michael Korstick has gained renown as one of Germany’s leading pianists. And now, with his new recording of sonatas by Domenico Scarlatti, he again sets accents and interpretive standards. The score texts, especially as far as ornamentation is concerned, often cannot be written out with precision or brought into systematic agreement in parallel passages. Much in these score texts creates the impression of a sketch and practically invites the player to make individual decisions.
An improvisational element is proper to all the pieces; no sonata follows a predictable course apart from the fact that they as a rule consist of two parts, each of which is repeated. There are many characteristics in Scarlatti’s music that immediately catch the ear’s attention: wit, generosity, keen understanding, irony, sensibility, and not least a healthy portion of the self-confidence forming a super-virtuoso’s sine qua non. The combination of the most sophisticated techniques, some of them acrobatic, with extremely catchy thematic material is characteristic of Scarlatti’s sonatas, but what never fails to astonish us is also his capacity for lyrical introspection in its most manifestations, from the greatest sorrow through the profoundest mourning to meditative absorption. Again, other pieces imitate the sounds of instruments so very different as flutes, oboes, trumpets, horns, guitars, mandolins, castanets, and drums.
This recording presents in full the thirty-two sonatas of the Auswahlband IV of the G. Henle Verlag as well as four of Scarlatti’s most beloved sonatas, which have been published separately by the G. Henle Verlag. The selection of pieces for Band IV has at its goal the presentation of what may be described as the essence or “The Best of” Scarlatti’s art of invention.
