The Minnesota Orchestra and it's music director Thomas Sondergard delve into the imaginative world of Thomas Ades, a singular voice in contemporary classical music. Featuring two of his most compelling orchestral works, The Exterminating Angel Symphony - a world premiere recording - and the Violin Concerto, this album captures Ades' uncanny ability to merge intellectual rigor with raw emotional immediacy. With orchestral textures both radiant and unsettling, Ades evokes a surreal musical landscape, brought vividly to life by Sondergard's incisive direction and violinist Leila Josefowicz's electrifying performance. Highlighting two distinct sides of Ades' artistry, cinematic drama and virtuosic intimacy, this recording explores the composer's breadth with striking clarity. Josefowicz brings fierce expressivity and precision to the Violin Concerto, while the orchestra navigates the volatile energy of The Exterminating Angel Symphony with gripping intensity. This album also marks the PENTATONE debut of the Minnesota Orchestra, Thomas Sondergard, and Leila Josefowicz.

Star-violinist Christian Tetzlaff, the BBC Philharmonic Orchestra and conductor John Storgards present in this album two major British violin concertos written between a century, in 1910 and 2005. Elgar's passionate violin concerto, completed in 1910, is a classical-romantic violin concerto in three movements. This huge and highly emotional work was in the wake of modernism neglected for several decades before entering into standard concerto repertoire. Here Christian Tetzlaff follows the model of the early recordings of Elgar's concerto with substantially quicker tempos compared to most modern recordings, and having a great influence on the impact of the piece. Ades' violin concerto 'Concentric Paths', is already a modern classic and no doubt one of the most important concertos written during this century. With it's very demanding violin part the work has all the elements of a true concerto, allowing the soloist to sing with his instrument. The beauty of this music lies that everything is written so clearly.

On Darknesse Visible, Inon Barnatan brings together French and British composers with works by Maurice Ravel, Claude Debussy Thomas Ades and Ronald Stevenson. The album title is derived from Ades's piece of the same name and conveys some of the aspects that Barnatan finds most fascinating about the music on this album: all the pieces are inspired by stories or poems, and in all of them dark and light are intertwined. Ades and Stevenson both take their inspiration from existing pieces, by Dowland and Britten respectively. Ravel's Gaspard de la Nuit and La Valse showcase the evocative power and colour of his music, while Debussy's Suite Bergamasque contains the world-famous Clair de lune.

This album celebrates the work of Thomas Ades, one of Britain's 'most imaginative composers' The Guardian, and Artist-in-Residence of the Halle (2023-25). Alongside a survey of his recent works for orchestra are two pieces by composers who have been championed by Ades. Conducted by Thomas Ades, 'one of the most accomplished and complete musicians of his generation' (New York Times) this album features three world premiere recordings, including Ades' Aquifer. Taking it's name from an underground geological structure through which water seeps and flows, the work features orchestral writing which is full of colour and movement, flamboyant climaxes and rich expression. Written during the first Covid lockdown, for an orchestra that had to play socially distanced, Dawn is constructed from a slowly unfolding passacaglia which passes between instruments, depicting the sunrise moving continuously around the world, in music of sonic beauty. Repetition is also at the heart of Shanty, as material is passed between orchestral voices, with hypnotic and captivating results. In contrast, ingenious use of imitation and repetition produce a gripping effect in the invigorating brass fanfare Tower. Premiere recordings of two works closely associated with the Halle complete this album. Leith's Cartoon Sun, described as 'mesmeric' (The Arts Desk), was commissioned by the Halle. The processional piece displays a rich soundscape, coloured with large tolling bells and stunning orchestral climaxes. The Halle and Ades gave the world premiere of William Marsey's Man with Limp Wrist' in 2023. Inspired by a Salman Toor oil painting and with writing which is rooted in historical melody and harmony, the music is full of emotion and expression. Thomas Ades, CBE: internationally acclaimed composer, pianist and conductor whose work has been presented in leading concert halls and opera houses worldwide. Recordings of his works have received numerous international awards and in 2024 Ades received the prestigious Royal Philharmonic Society Gold Medal from Sir Simon Rattle, who described him as being an 'outrageously gifted' musician.

Cellist Sophie Shao is a winner of the Avery Fisher Career Grant. She has been described by The New York Times as "eloquent and powerful." This is a beautiful program of great works from the past and the present, from Couperin to Chopin to Adès.

“Inspirations and imaginings, evolving, changing English usage, landscapes, friendships and passings lie behind this album... Loosely, the songs we’ve selected embrace multiple interpre- tations and nuances of ‘divine’. As well as, I could argue, that sentiment of English song and English speaking composers embodying the [Blake/Parry] ‘Jerusalem-Builded-Here’ trope. The world I came from (singing in choir stalls), along with how countertenors are perceived generally, has been hard to escape. So here perhaps I’m taking on the challenge. As well as an opportunity to include songs written for me that for some while I’ve been needing to put down on disc.” (Iestyn Davies) ‘Divine Music’ marks Iestyn Davies’ third recital album on Signum Classics. The ‘Four Songs’ (Purcell/ Adès), Spoons Aria (Adès), Four Traditional Songs and Old Bones (Muhly) are world premiere recordings. Muhly’s Four Traditional Songs were also written dedicated to Iestyn Davies.

REVIEW:

It’s lovely to hear Butterworth’s Shropshire Lad songs in this pairing, a countertenor voice adding a wan fragility to ‘Is my team ploughing?’ and a wistful sense of perpetual youth and innocence to ‘The lads in their hundreds’.

-- Gramophone

In the Autumn of 2021, the Finnish Radio Symphony Orchestra together with its new chief conductor, Nicholas Collon, arranged a Thomas Adès festival in Helsinki devoted to the world famous composer’s music in addition to works by other composers chosen and conducted by Thomas Adès (b. 1971). One of the highlights of the festival’s program was the world première of Märchentänze in its version for violin and orchestra performed by violinist Pekka Kuusisto, Adès’ long-time artistic partner. This new album by the Finnish Radio Symphony Orchestra includes four recent and exciting orchestral works written by the composer between 2016 and 2021 in world première recordings.

In addition to the Märchentänze, this album includes Adès’ orchestral Hotel Suite from Powder Her Face, an adaptation based on the music from the opera through which Adès first made a widespread name for himself in the mid-1990s. The orchestral version of Lieux retrouvés, originally written for Steven Isserlis, could be described as a cello concerto in the spirit of Marcel Proust. Orchestral work Dawn was written for the 2020 London Proms for ‘orchestra at any distance’, due to the coronavirus pandemic. Adès’ Dawn comes across as timeless music floating in a serene universe of beauty all its own.

REVIEW:

These performances by the Finnish Radio Symphony Orchestra (FRSO) under their current Chief Conductor, British-born-and-trained Nicholas Collon (b. 1983) are magnificent and bring out all the subtle colorations in these superbly scored works. That said, Finnish violinist Pekka Kuusisto gets a big hand for his superb playing in Märchentänze [T-10 thru 13]. And the same goes for Finnish cellist Tomas Nuñez in Lieux retrouvés [T-6 thru 9].

The recordings were made in October 2021 (Hotel… & Lieux…) and April-May 2022 (Märchentänze & Dawn) in the Helsinki Music Center’s Concert Hall. They present consistently generous, dynamically wide-ranging sonic images with both soloists centered, well captured and effectively highlighted. As for the orchestral timbre, it’s characterized by titillating highs, a pleasant midrange and clean bass. While these recordings are good on headphones, this colorfully scored music is even better over a good home theater system.

-- Classical Lost and Found (Bob McQuiston)