Chicago vibes fronts 2 different quintets on this straight bop album; the first feat. Jodie Christian-piano & Lin Halliday-sax; the second feat. Kevin Quail-trombone, Joe Laco-piano, Richie Pardo-bass.

One of the most talented jazz sidemen in Chicago, Rich Corpolongo stepped forward in 1995 to make his debut recording as leader, Just Found Joy. The multi-reedist (alto and soprano sax and clarinet) displays a complete musical virtuosity and creative focus on eight original compositions. "a marvelous showcase for his writing and improvising talents... he rips through the constraints of bar lines and conventional propriety with controlled abandon. He'll push up to the boundaries of free jazz, but never stray from the structure of the song." - Art Lange "a sleeper hit, and a wake-up call about a brand-new longtime talent" - Jazziz. "*4 Stars*" - Down Beat.

In a review of this 1994 recording "The saxophonist has honed his already formidable technique to a masterly pitch of intensity, capable of articulating an authentic, personal vision within the jazz tradition. On this session he meshes so closely with his comrades that the music seems like a collective product, with a strong leader on an equal footing with his gifted sidemen." - Down Beat 4 Stars. With Dr. Odies Williams III or (the recently passed) Billy Brimfield, trumpet; Willie Pickens, piano; Brian Sandstrom, bass; Robert Shy, drums. (Previously deleted:1/11/11. Original release date:3/22/95)

Tenor saxophonist's second session from 1970 w. a group he called "The Light", feat. Sarnie Garrett-guitar, Fred Hopkins-bass, Wesley Tyus-drums, Rita Omolokun-vocals.

Bad Bascomb mines the recordings of the one-time big band saxophonist best known for his stint in the Erskine Hawkins Orchestra, who also played with Count Basie. Bascomb blew big and hard with authority and assertiveness. He had a good tone and an expressive approach that served him well in beautiful ballad interpretation. This CD contains all the recordings he did for the United label in 1952. The 8-piece band was his working band in Detroit where he was in the midst of what turned out to be a 7-year stint. A young Duke Jordan is the featured pianist. Influenced by Coleman Hawkins, Bascomb does "Body and Soul" (entitled "Soul and Body") and there's jumping jive in "Pink Cadillac". 17 tracks, most previously unissued.(Previously deleted:7/1/07. Original release date: 11/14/93)

United masters 1951-53.

Pianist presents a solo album from 1969, recorded at his home in Oakland, California. On his own antique Steinway grand.

1959 piano trio session capturing a true Chicago legend.

W. Dizzy Gillespie, Ben Webster, Max Roach+ 1944.

His second album from late 1956, w. John Gilmore, Pat Patrick, Julian Piester+, reisssue of LP for the first time on CD.

Stitt makes magic w. organist Don Patterson & drummer Billy James on 9 tracks.

Jazz tenor saxophonist Bob Graf was an admired player on the modern jazz scene of St. Louis in the 50s. He was a friend to trumpeter Clark Terry, also from St. Louis, and they were both members of Count Basie's small group formed in 1948. Graf joined Woody Herman's band and recorded for Capitol in 1950 and MGM in '51. He also recorded with Chet Baker's big band for Pacific Jazz in '56 and has solos on several tunes. This 1958 recording was the first modern jazz LP to be issued on the Delmar label (later to become Delmark). Quintet date with 5 songs including "Four", "Dear Old Stockholm", "Street of Dreams", "Bernie's Tune" and "Funky Ride".

Jazz vibist Jim Cooper's second Delmark CD, Nutville, was originally issued in 1992. "... a warm wind blowing out of the Windy City, a suave mainstream session highlighted by solid solo work from the vibist with multi-instrumentalist bravura by Ira Sullivan." Down Beat "... The vibist establishes a strong claim to be the Thelonious Monk of his instrument... then Cooper shows off substantial symmetry and lyricism on ballads as well as a real affinity for the Latin tinge" - Cadence. Jim Cooper, vibes; Ira Sullivan, trumpet, tenor and soprano sax; Bob Dogan (who contributes three original compositions), piano; Dan DeLorenzo, bass: Charlie Braugham, drums; Alejo Poveda, percussion. Nine songs, 62 minutes.

Since moving to New York from Chicago, where he performed regularly with the Chicago Underground, drummer Chad Taylor has found a niche with a group of like-minded musicians affiliated with Brooklyn's Jump Arts collective. Altoist Jemeel Moondoc, another Chicago transplant, has been a pivotal figure in New York's loft scene since the early '70s. Trombonist Steve Swell is best known as the trombonist in Joey Baron's Barondown trio, and bassist Tom Abbs is making a name for himself anchoring many groups affiliated with the collective. "Titration" is the quartet's debut recording, and it features special guests Rob Mazurek and David Boykin.

Original 1951-52 United sessions.