Classical Music

Learn more about pianist Carol Rosenberger and the Delos label on the Naxos Classical Spotlight podcast!

This collection features especially telling and beautifully recorded examples of the Boesendorfer model 290 Imperial Grand piano’s uniquely pure and resonant sound, as selected from the more than 30 recordings that distinguished Delos recording artist Carol Rosenberger has made on her personal instrument since 1979.

Arrangements for 8-string guitar by Paul Galbraith.
This is a DSD (Direct Stream Digital) recording

The Spiritual Revival Choir of Moscow was created in 1992, at the end of the Soviet era, a time when religious freedom was once again permitted in Russia. The choir's repertoire includes music of the renaissance, baroque, classical and romantic periods, as well as music by contemporary composers such as Alfred Schnittke. 'Serene Ecstasy' features the choir in sacred music by Russian composers from the 19th and 20th centuries.
The choir opens the program with "The Russian Soil," a hymn dedicated to Russian saints that is memorable for its rhythmic drive and exalted tone. Two sacred pieces by Tchaikovsky are marked by drama and, in "Eucharist" from the 'Liturgy of St. John Chrysostom,' a sense of joy. The group's lush tonal quality is ideal in Ippolitov-Ivanov's pacific "Praise the Lord, O My Soul."
This recording consistently impresses with its excellent singing and fascinating repertoire; surely it's an ideal recording for all lovers of sacred music.

Classical Music

Classical Music

Classical Music

This is a DSD (Direct Stream Digital) recording

Delo’s first-ever complete Italian opera on CD, this exciting and accomplished studio recording features a seldom-recorded Verdi masterpiece as performed by an all-star array of revered and critically acclaimed global A-list opera greats–in collaboration with Constantine Orbelian at the helm of an emerging Lithuanian orchestra. The remarkable beauty of singing and playing alike, as well as the interpretive chemistry between the performers, promise to make this a memorable and must-have recording.

A winning assortment of time-tested and drug-free musical remedies for a wide variety of common ailments... ranging from mental and physical lethargy through a bad case of the blues to that up-tight, jittery feeling (among many other maladies). It's good for what ails you! This box set includes Laugh with Classical Music (DE1627), Classical Caffeine (DE1628) and Classical Chamomile (DE1629).

Classical Music

Classical Music

VERDI Ernani: “Gran Dio!” Don Carlos: “O Carlo, ascolta.” Un ballo in maschera: “Morró, ma prima in grazia ... Eri tu.” Il trovatore: “Udiste? Come albeggi.” GOUNOD Faust: “Avant de quitter ces lieux” • Dmitri Hvorostovsky (bar); Sondra Radvanovsky (sop); Constantine Orbelian, cond; Philharmonia of Russia • DELOS DV 7006 (DVD: 45:00) Live: Moscow 06/2008


For some years now, the famed Russian baritone Dmitri Hvorstovsky has staged a series of concerts in Moscow titled Hvorostovsky and Friends , with guest artists such as Renée Fleming and Sumi Jo. This 2008 outing, the first-ever collaboration between Hvorostovsky and soprano Sondra Radvanovsky, was recorded by Delos for a commercially released CD titled Verdi Opera Scenes . Sometime afterward, Delos obtained the film footage from the live Russian television transmission and had it synchronized with the commercial soundtrack to produce this DVD.


As can be inferred from the short timing, this is more of a promotional item for Dmitri Hvorostovsky than a full-scale commercial release. The technical results are better than one might expect from how this composite was created, though occasionally the visual portion betrays its reprocessing with momentary, fleeting appearances of pixilation and image freezing, and there is a decidedly evident change in tint a minute or so into the Un ballo excerpt. Following each item sung by Hvorostovsky, adoring audience members come forward to present bouquets of flowers. These interruptions reduce the actual musical content to only about 30 minutes. Radvanovsky appears in only two items, the scenes from Un ballo and Il trovatore . The release advertises as a “bonus” an “interview” with conductor Constantine Orbelian (an American pianist who has lived in Russia), which lasts all of about one minute. Also included are brief excerpts from 16 different Delos CDs featuring Hvorostovsky, Radvanovsky, and/or Orbelian and the Philharmonia in various combinations and repertoire.


The singing itself is top-notch. Admittedly, Hvorostovsky is a bit dry of voice in the first two numbers; he no longer has the sheer vocal refulgence of his glorious youthful prime, and the character of Rodrigo in Don Carlos is not ideal casting for him. That said, he is still at this point in his career the greatest Verdi baritone (and greatest Valentin from Faust ) in the world, and by the time Radvanovsky joins him for the Ballo excerpt he is fully warmed up—ringing in voice, passionate in interpretation, and as always dashingly handsome in appearance. For her part, Radvanovsky—to my mind currently the greatest Verdi soprano before the public—is at least Hvorostovsky’s equal and arguably his superior, almost stealing the show from him. In stark contrast to the curiously mechanical recital of Verdi arias she recently recorded with Orbelian for Delos (negatively reviewed by me in Fanfare 34:2; see the review by Lynn René Bayley in 34:1 for a completely opposite opinion), here she is totally engaged, singing and also acting with almost overwhelming emotional intensity. With singing this great, it positively hurts to have so little of it, and not even the mediocre hackwork of Orbelian on the podium can detract from the occasion. Despite the extremely short timing, for fans of either singer this DVD is easily worth its $16 price, to remind one’s self that while golden-age Verdian voices are currently rarer than hen’s teeth, they are not extinct.


FANFARE: James A. Altena

Classical Music

Classical Music