Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Virtuosi Ilya Gringolts, violin, and Dmitry Kouzov, cello, perform three great duos- two from the 20th century and one from the 21st. The graceful, expressive and witty Duo for Violin and Cello by Hanns Eisler, written when the composer was 26 years old, is a multifaceted work showcasing the composer’s brilliant intellect. Best-known for his long artistic association with playwright Bertolt Brecht, Eisler always took care to make a deep connection with his audience. In Jorg Widmannn’s 24 Duos for Violin and Cello, from 2008, the two instruments approach the sound of a string quartet at times. “They attract each other, reject each other, love and hate each other,” the composer writes. These performances are the world premiere recording of the entire set of both volumes of Widmann’s 24 Duos. The album concludes with Maurice Ravel’s great Sonata for Violin and Cello. Dedicated to the memory of Claude Debussy, the sonata is always a favorite with audiences. Gringolts and Kouzov form a superb duo. Both are highly sought-after soloists and consummate chamber musicians. They perform with precision and excitement, undaunted by challenging music.

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REVIEWS:

These gripping and beautifully played duos demand committed listening.

– The Strad

Gringolts and Kouzov are impressive, leaving their mark on all three works; warm, resonant, perfectly balanced, natural set-it-and-forget-it sound leaves one free to concentrate on the music.

– American Record Guide

Classical Music

The 5 piano concertos of Rubinstein opened a new era in the history of Russian piano art, setting the stage for the great Russian concerto masterpieces, Tchaikovsky and Rachmaninov. This is the 3rd in Delos’ current series of Russian Disc re- and features the 2nd and 4th concertos, as performed by distinguished, Russian-trained artists.

The young Polish pianist Martin Labazevich has teamed up with his compatriot, the emerging conductor Ewa Strusińska to record their debut Delos disc: a highly appealing all-Polish program of beloved musical gems for piano and orchestra as well as engaging orchestral selections. Add the young virtuosos of the Beethoven Academy Orchestra to complete a supremely gifted and accomplished musical team. “… a pianist with great audience appeal and virtuosity…” (Horacio Gutierrez) “Ewa Strusinska left an indelible impression … with her dynamic and incisive direction.” (The Northern Echo)

Classical Music

... a work written by a young, ebullient, but quite mature talent, and distinguished, beyond it's broad scope and youthful freshness, by a remarkably unified conception. Thus did Russian master P.I. Tchaikovsky describe the long-neglected "Ocean" Symphony (Symphony No. 2 in C Major, Op. 42 - Original Version) by Anton Rubinstein, his composition teacher at (and the founder of) the St. Petersburg Conservatory. His "Ocean" symphony is a bold and highly original programmatic work that convincingly evokes the struggle of man against the elemental forces that rule the seas. Echoes of composers like Mendelssohn and Schumann are heard in the work, no doubt the result of Rubinstein's European training and exposure - yet there remains a certain Russian pathos and earthiness. Also heard here is a colorful suite of dances from Rubinstein's oriental-flavored opera, Feramors. Igor Golovschin and his Russian State Symphony Orchestra provide skillful and idiomatically true performances.

The first volume of virtuoso guitarist Smaro Gregoriadou’s Reinventing Guitar series was hailed as “a guitar edition that changes the flow of the history of the instrument.” In Reinventing Guitar II Gregoriadou again utilizes reinvented guitars, this time to exploit the dynamic range of sound of the period in novel transcriptions of Bach, Handel, and Scarlatti. Featuring extensive reference materials and research notes, this is certain to excite the most avid guitar aficionado as well as the casual listener.

Classical Music

Classical Music

Classical Music

Classical Music

In the wake of the beloved Russian baritone Dmitri Hvorostovsky's untimely passing in November 2017, tributes, memorials and musical event dedications have flowed non-stop. But none thus far has matched the sheer scope, power and sonic splendor of this all-Russian performance of Verdi's blockbuster Requiem Mass. The all-star cast of soloists- soprano Dinara Alieva, mezzo-soprano Olesya Petrova, tenor Francesco Meli and bass Dmitry Belosselsky- sing their hears out for Dmitri, under the baton of the vaunted Maestro Yuri Temirkanov leading the St. Petersburg Philharmonic Orchestra and the Bolshoi Theater Chorus. The result is an incredibly heartfelt and moving musical tribute to one of the greatest baritones who has ever lived.

Delos International brings to the classical consumer and organ enthusiast alike its debut release from Cherry Rhodes, one of America's greatest organists. Cherry Rhodes in Concert was recorded live at the Cathedral of Our Lady of the Angels, Los Angeles, on the feast day of St. Cecilia "Patron Saint of Music" and offers a unique opportunity to hear and enjoy this special recital. Cherry Rhodes is the first American to win the Munich organ competition and has played recitals at Notre Dame, Bologna, Nurnberg and Vienna. She made her debut with the Philadelphia Orchestra at age seventeen and subsequently performed with them many times under the baton of Eugene Ormandy. Ms. Rhodes performed for the opening of the Kennedy Center and is currently Adjunct Professor of Organ at the University of Southern California's Thornton School of Music. The Royal College of Organists selected her International Performer of the Year. Most recently, during October 2005, Cherry Rhodes was one of the featured soloists at the Virgil Fox Legacy 25th Anniversary Memorial Events in New York City, a three-day festival commemorating his achievements, and later gave a stellar recital at the Festival International d'Orgue Bridel in Luxembourg. This varied and unusual repertoire highlights Ms. Rhodes' power as a performer and her breathtaking talent as an interpreter of both historic and contemporary compositions. This release is perfect for any season. It combines the sacred with the current, and debuts the Larry King composition dedicated to Ms. Rhodes.

Classical Music

Classical Music

Referring to her specialty in piano music of forgotten pioneering American composers, ClassicsToday wrote, “Johnson's loving mastery of this music and skillful, nuanced pianism are a delight.” On this release she fills the long-standing gap in Foote’s discography of complete piano music—much of it receiving its first recording.

REVIEWS:

Where has this delightful, well-crafted, thoroughly idiomatic, tuneful...and unpretentious piano music been for the past century? Listen to any piece at random, blindfolded, and you’ll agree, although you’ll be hard-pressed to identify the composer.

Because most of these works have been out of print for decades, pianist and longtime keyboard rarity advocate Kirsten Johnson had to do considerable detective work in order to obtain the scores. More importantly, she appears to have put in comparable practice hours, borne out by her consistently sonorous virtuosity and tasteful musicianship, abetted by a first-rate Steinway grand and an appropriately resonant yet never muddy recording venue. A major addition to the catalog.

-- ClassicsToday.com

Kirsten Johnson…shows special sensitivity to the composer’s brand of restrained emotion—moderately expressing the underlying feeling as the composer himself would have wanted. Ms. Johnson has a bright tone which is ideal for Foote’s out-of-doors works and enough sense of fantasy for Omar Khayyam…Ms. Johnson’s discs are highly to be commended both for bringing us some wonderful music and as another milestone in the rediscovery of America’s early musical heritage.

-- MusicWeb International

The music in this album sings and dances, in Abel’s “colorful blend of styles that serve the emotional nature of each work to bracing and poignant effect” (Gramophone). It further clarifies why Abel is “one of the most interesting figures in American contemporary music” (Pizzicato). Composer Mark Abel has been based in California for the past three decades. Abel’s idiom eludes easy pigeon-holing. It includes chamber music and vocal works, whose contours extend from art song to larger forms with orchestra to a 103-minute chamber opera, Home Is a Harbor. This is Mark’s fifth release on Delos. The incomparable David Shifrin begins the program with Intuition’s Dance, a combination of frolic and dreamy ruminations in which he is joined by pianist Carol Rosenberger. (This is the first time Shifrin and Rosenberger have recorded together since their memorable albums in 1984!) Next comes the remarkable Hila Plitmann singing the powerfully moving Four Poems of Marina Tsvetaeva — the first-ever setting of Tsvetaeva’s poetry in English translation. She is joined by Rosenberger and English hornist Sarah Beck. Colorful and haunting, The Elastic Hours are brought to life with virtuosity by Sabrina-Vivian Höpcker and Dominic Cheli. This is Sabrina’s first Delos recording since her success with the Brahms Hungarian Dances in 2018 (DE 3558). In the richly lyrical Clarinet Trio, Shifrin and Rosenberger are joined by Fred Sherry for a musical journey beginning with “The Unfolding,” moving to “Taking Flight,” and finally ending with a peaceful and tender “In Good Time.”